Читать книгу The Pilot Who Wore a Dress: And Other Dastardly Lateral Thinking Mysteries - Tom Cutler, Tom Cutler - Страница 9

When people talk of the ‘Golden Age’ of crime fiction they’re usually referring to the 1920s and 30s, but some authorities believe that we are currently going through another ‘Golden Age’. The range, profile and quality of contemporary crime fiction are probably as high as they have ever been.

But one thing the current Golden Age lacks – which was very much present in the previous one – is a sense of fun.

As embittered middle-aged Inspectors with drink and relationship problems try to identify serial killers, as forensic pathologists sift through decomposing organs, and as dour Scandinavian detectives confront the unalterable bleakness of human existence, crime fiction has lost its traditional link with high spirits. Noir is the new black, and that’s just something readers have to take on board.

I’m sure, at universities all over the world, doctorates are even now being written about the reasons for this change. Whodunits in which the puzzle was paramount came to a natural end because there were no more puzzles left that hadn’t already been done. The country houses, perfectly designed for weekend house parties for guests with ‘dark secrets in their past’ and offering a wonderful range of domestics to act as witnesses, informants and suspects, did not survive the Second World War. No longer could their owners ‘get the staff’, and many were converted into hotels, boys’ prep schools and secret military training centres.

The great carnage of the war also made the Golden Age tradition of treating death as a kind of parlour game seem a little tasteless. Publications like The Baffle Book, a collection of murder puzzles very popular in the 1930s, appeared to be offensively trivial.

Another development, the abolition of the death penalty in 1965, meant crime novels were left with a lot more loose ends to be unravelled. No longer could the pointing finger of Hercule Poirot at the perpetrator in the library signal the permanent end of a case, with the hangman’s noose tying everything up in a neat bow. What had been black and white moved on to a colour-chart of greys.

So it was no surprise that crime fiction grew darker.

I’m sure I’m not alone in slightly regretting that change. ‘Murder as parlour game’ still holds a strong attraction, and it is no surprise how many books from the original Golden Age are now being successfully reprinted. Murder Mystery Dinners are a hugely popular form of entertainment, and new generations of young people are introduced every day to the fun of Cluedo.

It is firmly within that tradition of having fun with crime that this book by Tom Cutler fits. He has taken the original idea of selecting lateral thinking challenges and writing them up as mini detective stories, then asking the reader to work out the solution. The Crime Puzzle Book, thought to be dead after 1939, has been reborn in a new form for the 21st century.

I’m sure a great many readers will relish the challenges that it presents to them.

Simon Brett

Crime Writers’ Association Diamond Dagger award-winner

and President of the Detection Club