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AN ART WITH RULES

Origami is not an art without rules. Constraints and restrictions begin at the very moment that we make the first crease in the sheet. As we proceed to fold, the field of possibilities begins to narrow until only that particular form becomes possible. But if we get it right, the result leaves us breathless. What a great joy it is whenever an entire world is uncovered through a brief series of gestures.

Not necessarily everything begins with a preliminary design and plan for a specific object to be attained. An idea can easily pop up even at a seemingly insignificant moment, when, for example, we suddenly decide to flatten a certain fold or twist a certain element, or get an urge to roll up an edge or perhaps bend a component in half, and then in half again. We think as we fold. Head and hand work together.

The sensation that overcomes us as we perform one gesture after another is the desire not so much to create as to search and discover. Each time we make a fold in the right place and, by combining the various elements bit by bit, succeed in completing a model, we think to ourselves with great satisfaction, “See! That’s how it’s done!”

Handling paper is not like handling clay. Some use both in the same manner, but that is not my philosophy. In fact, it is precisely because paper cannot be molded according to our wishes that heretofore unseen forms may emerge from it. My goal is never to impose a shape of something onto the paper, but rather the reverse, to discover the amazing forms that slowly take shape as I proceed to fold it. This is what truly fascinates me.

Tomoko Fuse



SNAKE

Width x Height 5.3 x 3.7 inches (135 x 95 mm)

Tomoko Fuse's Origami Art

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