Читать книгу Man and Boy - Tony Parsons - Страница 9

Marty grew up eating dinner with the TV on. Television had been his babysitter, his best friend, his teacher. He could still recite entire programming schedules from his childhood. He could whistle the theme tune to Dallas. His Dalek impersonation was among the best I have ever heard. The Miss World contest had taught him everything he knew about the birds and bees, which admittedly wasn’t very much.

Although I was nothing like him, Marty took to me because I came from the same sort of home. That doesn’t sound like much of a basis for friendship, but you would be surprised at how few people in television come from that kind of background. Most of the people we worked with came from homes with books.

When we first met at the little radio station we were both what was laughingly referred to as multi-skilled. Marty was mostly skilled in fetching sandwiches, sorting mail and making the tea. But even then his grinning, pop-eyed energy was such that everyone noticed him, even if nobody took him seriously.

I was in a more elevated position than Marty, writing items, producing shows and sometimes very nervously reading the news. As I said, I was always lousy at coming alive when the red light came on – only slightly better than Gina. The red light came on and, instead of coming alive, I went sort of dead. But it turned out to be what Marty was born to do.

When we suddenly lost the regular presenter of our late-night phone-in – the nut shift, we called it – to a job in cable television, I persuaded the station to give Marty a shot. Partly because I thought he would be good at it. But mostly because I was terrified of having to do it myself.

Amazingly, he worked wonders with the most unpromising material imaginable. Five nights a week Marty took calls from hangers, floggers, conspiracy theorists, alien watchers and assorted loony tunes. And he turned it into good radio.

What made it good radio was that Marty sounded like there was nowhere else he would rather be than chatting to the mouth-foaming denizens of nut nation.

We slowly started to build what they call a cult following. After that, we very quickly began to get offers to put the show on television. People bought us lunch, made flattering noises and made big promises. And very soon we abandoned our successful radio show, a rare case of rats deserting a floating ship.

But it was different on television. We couldn’t just let our guests practically wander in off the street as they had done on radio. Amusing lunatics who had been impregnated by randy aliens were no longer quite enough.

After a year fronting his own show, Marty still looked like he was exactly where he wanted to be. But the strain was starting to tell, and every week he needed a little more time in make-up to cover the cracks. It wasn’t just the seven-day stress of finding good guests that was putting those licks of grey in his bottle-blond hair. When we were on radio, Marty had nothing to lose. And now he did.

He was in the chair of the make-up room when I arrived at the studio, brainstorming about future guests to the group of young women who surrounded him, hanging on to his every wishful thought while the make-up girl attempted to make his skin look vaguely human for the cameras. He dubiously sipped the glass of water which had been placed in front of him.

‘Is this Evian?’

‘Did you want sparkling?’ asked a sweet-faced young woman in combat trousers and army boots.

‘I wanted Evian.’

She looked relieved. ‘That’s Evian.’

‘I don’t think so.’

‘Well, it’s Badoit.’

Marty looked at her.

‘But there wasn’t any Evian in the vending machine,’ she said.

‘Try the green room,’ he suggested with a little sigh.

There were murmurs of assent. The green room – the holding pen for the show’s guests – was definitely the place to find Marty’s Evian. Crestfallen but smiling bravely, the girl in combat trousers went off to find the right water.

‘I’m thinking classic encounter with Hollywood legend,’ Marty said. ‘I’m thinking Michael Parkinson meets the stars with his clipboard. I’m thinking Tinsel Town. I’m thinking Oscar nominee. I’m thinking…Jack Nicholson?’

‘Jack’s not in town,’ our researcher said. She was a small, nervous girl who wouldn’t be doing this job for much longer. Her fingernails were already chewed to the knuckle.

‘Leonardo DiCaprio?’

‘Leo’s unavailable.’

‘Clint Eastwood?’

‘I’ve got a call in with his office. But – doubtful.’

‘Robert Mitchum? James Stewart?’

‘They’re dead.’

Marty shot her a vicious look.

‘Don’t ever say that,’ he said. ‘They are merely unable to commit to the show at this moment in time.’

He looked at me in the mirror, his beady eyes blinking inside a cloud of orange foundation.

‘Why can’t we get any of these fucking screen greats, Harry?’

‘Because none of the people you mentioned have any product out,’ I told him, as I had to tell him every week. ‘And when they do, we still have to fight for them with all the other talk shows.’

‘Did you see the news tonight?’ the make-up girl said dreamily, the way make-up girls do, completely oblivious to the nervous breakdowns that were happening all around her. ‘It was really interesting. They showed you those protesters out at the airport. The ones chaining themselves to the trees? Protesting against the new terminal?’

‘What about them?’ Marty asked. ‘Or are you just making conversation?’

‘I really like their leader,’ she said. ‘You know – Cliff. The one with the dreadlocks? He’s gorgeous.’

Every woman in the room muttered agreement. I had seen this Cliff character up his tree – skinny, well-spoken, dreadlocks – but I had had no idea he was considered a sexual entity.

‘That’s who you should have on the show,’ the make-up girl said triumphantly, dabbing Marty’s face with a powder puff. ‘He’s much more interesting than some old superstar with a hair transplant and an action thriller on general release.’

‘Cliff’s not a bad idea,’ I said. ‘But I don’t know how to reach him. Although he can’t be as difficult as Clint Eastwood.’

‘Well, I’ve got a mobile number for him,’ someone said from the back of the make-up room. ‘If that’s any use.’

We all turned to look at her.

She was a slim redhead with that kind of fine Irish skin that is so pale it looks as though it has never seen the sun. She was in her early twenties – she looked as though she had been out of university for about forty-five minutes – but she still had a few freckles. She would always have a few freckles. I had never seen her before.

‘Siobhan Kemp,’ she said to no one in particular, blushing as she introduced herself. ‘I’m the new associate producer. Well – shall I give Cliff a call?’

Marty looked at me. I could tell that he liked the idea of the tree man. And so did I. Because, like all television people, what we worshipped above all else was authenticity. Apart from genuine, high-octane celebrity, of course. We worshipped that most of all.

We were sick of junior celebs pushing their lousy product. We hungered after real people with real lives and real stories – stories not anecdotes. They offered us great television at rock-bottom prices. We offered them therapy, a chance to get it all off their chest, an opportunity to let it all just gush out over a million carpets.

Of course, if Jack Nicholson had suddenly called up begging to appear on the show then we would have immediately called a security guard to escort all the real people from the building. But somehow Jack never did. There were just not enough celebrities to go round these days.

So we revered real people, real people who felt passionate about something, real people with no career to protect. And someone up a tree with police dogs snapping at his unwashed bollocks sounded about as real as it gets.

‘How do you know him?’ I asked her.

‘I used to go out with him,’ she said.

Marty and I exchanged a glance. We were impressed. So this Siobhan was a real person too.

‘It didn’t work out,’ she said. ‘It’s difficult when one of you is up a tree for so much of the time. But we managed to stay close and I admire him – he really believes in what he’s doing. The way he sees it, the life-support systems of the planet are nearing exhaustion, and all the politicians ever do is pay lip service to ecological issues. He thinks that when man enters the land, he should leave only footprints and take only memories.’

‘Fucking brilliant,’ Marty said. ‘Who’s his agent?’

I was up in the gallery watching a dozen screens showing five different shots of Marty interviewing a man who could inflate a condom with it pulled down over the top half of his head – he was actually pretty good – when I felt someone by my side.

It was Siobhan, smiling like a kid on her first day at a new school who has suddenly realised that she is going to be okay.

In the darkness of the gallery her face was lit by the monitors on the wall. They are TV sets, that’s all, but we call them monitors. They provide the director with a choice of shots for transmission. Monitors don’t only show the image that is going out, but all the images that could be. Siobhan smiled up at them. She had a beautiful smile.

‘I thought that this Cliff didn’t do interviews,’ I said. ‘Not since he was stitched up by that Sunday paper who said he was just in it for the glory and the hippy chicks.’ Then I remembered she had gone out with him. ‘No offence meant.’

‘None taken,’ she said. ‘That’s true, but he might do this one.’

‘Why? Because of you?’

‘No,’ she laughed. ‘Because he likes Marty. He doesn’t consider him part of the media establishment.’

I looked at Marty on the monitors, almost gagging with laughter as the condom exploded on the guy’s head. If anyone was part of the media establishment, it was Marty. He would have considered it a compliment.

‘And most of all,’ said Siobhan, ‘because we’re live.’

It was true that we were practically the last live show on television. By now most shows were what are called ‘as live’ – meaning they faked the excitement of live television while always having the safety net of recording. Phoney as hell.

But The Marty Mann Show was the real thing. When you watched that guy with a condom on his head, it was actually being inflated at that very moment.

‘The way these eco-warriors see it,’ Siobhan said, ‘the only place in the media where there’s no censorship is live television. Can I ask you something?’

‘Go ahead.’

‘Is that your MGF down in the carpark? The red one?’

Here it comes, I thought. The lecture about what cars do to the muck in the air and the hole in the sky. Sometimes I despair for the young people of today. All they ever think about is the future of the planet.

‘Yeah, that’s mine,’ I said.

‘Nice car,’ she said.

They were both asleep by the time I got home. I brushed my teeth and undressed in the darkness, listening to my wife softly breathing in her sleep.

The sound of Gina sleeping never failed to stir an enormous tenderness in me. It was the only time she ever seemed vulnerable, the only time I could kid myself that she needed me to protect her. She stirred when I slid into bed and wrapped my arm around her.

‘Good show tonight,’ she murmured.

She was warm and sleepy and I loved her like that. She had her back to me, her usual sleeping position, and she sighed as I snuggled up against her, kissing the back of her neck and letting my hand trace the length of one of those long legs that had knocked me out when I first met her. And still did.

‘Oh, Gina. My Gina.’

‘Oh, Harry,’ she said softly. ‘You don’t want to – do you?’ She brushed me with her hand. ‘Well. Maybe you do.’

‘You feel great.’

‘Pretty frisky, aren’t you?’ she laughed, turning to look at me, her eyes still half-closed with sleep. ‘I mean, for a man of your age.’

She sat up in bed, pulled the T-shirt she was wearing over her head and tossed it to the floor. She ran her fingers through her hair and smiled at me, her long, familiar body lit by the street light seeping through the blinds. It was never really dark in our room.

‘Still want me?’ she said. ‘Even after all these years?’

I may have nodded. Our lips were just about to touch when Pat began to cry. We looked at each other. She smiled. I didn’t.

‘I’ll get him,’ Gina said, as I flopped back against the pillow.

She returned to the bedroom with Pat in her arms. He was sort of gasping for breath and tearfully trying to explain his nightmare – something about big monsters – while Gina soothed him, rolling him into bed between us. As always, in the warmth of our bed his sobbing immediately stopped.

‘Make spoons,’ Gina told us.

Pat and I obediently rolled over, his warm little legs in their brushed cotton pyjamas tucked up inside the back of mine. I could hear him sniffing, but he was okay now. Gina threw one of her long thin arms over the pair of us, nestling up against Pat.

‘Go to sleep now,’ she whispered. ‘Everything’s going to be all right.’

I closed my eyes, the boy between us, and as I drifted away I wondered if Gina was talking to me, or to Pat, or to both of us.

‘There are no monsters,’ she said, and we slept in her arms.