Читать книгу How to Paint Muscle Cars & Show Cars Like a Pro - Tony Thacker - Страница 6

INTRODUCTION

It’s just a paint job. How difficult can it be, right? Wrong. A poor or mediocre paint job can easily destroy hundreds of thousands of dollars and many hours invested in a project. The first thing judges see is the paint and if it’s not up to par there is no way your muscle car is going to stand out from the crowd or win that coveted award.

The unfortunate thing about paint is that the uninitiated perceive it as “just paint” and not particularly difficult to do. That’s because they have probably never painted a car and even if they have, they’ve probably never painted a car to critical show standards. When performed properly, the process is long, arduous, exacting, and expensive; it’s far more expensive than most people imagine. However, as the process and cost of repairing production cars, particularly those with multistage pearl paint jobs such as the Nissan GT-R Super Silver and the Porsche GT Silver, escalates, the public is forced to become more educated about the complication and real cost of top-quality paintwork.

Earl Scheib did an incredible marketing job when he advertised, “I’m Earl Scheib, and I’ll paint any car, any color for $19.95. No ups, no extras.” The company is still in business and actively servicing a particular niche of the market. Unfortunately, this $19.95 figure has become lodged in our collective brains and, even though he made that claim in the 1950s, many of us still think a paint job costs less than a 12-pack. It’s difficult to convince the layman that a gallon of modern water-based, eco-friendly paint now costs between $400 and $1,000 or more. That’s just the tip of the iceberg. The materials alone to paint one show car can cost as much as $15,000 (and sometimes more), and that’s not taking into account any of the equipment costs.

Of course, back in Scheib’s heyday paint was more or less a simple one-shot operation mostly employing nitro-cellulose lacquer, known as lacquer, and you could brush it on. It was not the multilayer, environmentally sensitive process that it is today. In addition, our standards were lower. We accepted flaws such as paint that wasn’t as shiny as it should have been; we just buffed it up on a Saturday afternoon. Maybe there was some overspray somewhere; maybe the door gaps were uneven. We didn’t really worry too much about it. However, in today’s overly critical world those flaws have become unacceptable and people expect a top-of-the-line finish even when they are not prepared to pay for it. The only time overspray is acceptable is when it’s supposed to emulate factory overspray in a restoration or concours-judging situation.

Finished and being photographed for Street Rodder magazine, Bob Florine’s 1957 Ford Del Rio Ranch Wagon was conceived and built by Steve Strope’s Pure Vision Design with body and paintwork by Mick’s Paint.

The wagon’s subtle modifications range from an Art Morrison chassis up through the stretched doors to the custom trim and the Thunderbird hood scoop.

Under the hood, the wagon is all muscle in the form of a stack-injected 520-ci Boss Nine. John Kaase Racing Engines built the engine, which produces 770 hp and 730 ft-lbs of torque.

To explain what it takes to paint a car to win a major award such as those handed out by Ford Motor Company at the annual SEMA Trade Show or at the annual Grand National Roadster Show, I reached out to one of the country’s most talented painters, Mick Jenkins of Mick’s Paint in Pomona, California. Mick’s Paint has won numerous awards because Mick follows a process that he developed over the years. It’s a process that he knows will get great results and last for years, certainly a lot longer than it takes you to get the car home.

When we began this project, we had intended to follow one car through the paint process and add photographs of other relevant projects to better explain the process. Our intended victim was Matt Blackmer’s red 1965 Pontiac GTO. Unfortunately, as sometimes happens, the project stalled for reasons beyond anybody’s control. Luckily, into the void stepped Steve Strope of Pure Vision Design in Simi Valley, California, a long-time associate of Mick’s Paint. Mick has painted several award-winning muscle cars for Strope, who had an exciting project needing completion for display at the annual SEMA Trade Show.

The project was Bob Florine’s 1957 Ford Del Rio Station Wagon. You could argue that the wagon is not technically a muscle car, but all doubt is removed when you open that custom hood to reveal a 520-ci Boss Nine built by John Kaase Racing Engines. Producing 770 hp and 730 ft-lbs of torque, it has muscle all right, and then some.

In addition to its awesome powertrain, Bob’s wagon is loaded with subtle and not-so-subtle modifications. These include the highly modified Art Morrison chassis to reshaped and repositioned wheel arches to doors that were stretched 3.5 inches. Moreover, tailfins were added, along with 1957 T-Bird door handles and eyebrows, peaked fenders, shrunken gas door, frenched headlights, custom inner fenders, a front valance, grille and bumpers, custom trim, and the Thunderbird hood scoop.

The paint is a subtle two-tone blend of Ferrari Avorio and Aston Martin Bridgewater Bronze. It looks simple; how difficult could it be? Right? Wrong. As with all paint jobs that come out of Mick’s Paint, it’s what you don’t see that matters, such as the thousands of hours that went into stripping, carefully sealing, priming, sanding, priming, sanding, and so on before any color was laid down. Great care had to be taken to get the color separation just right. Meanwhile, all that fragile tapered and curved stainless steel trim had to be hand-formed because of the 3.5 inches added to the length of the doors. After the paint was applied, the finished surfaces were patiently hand-rubbed. It began with 1000-grit Wetordry and working through 1500-, 2000-, 2500-, and finally 3000-grit paper to get that perfect, scratch-free surface. Of course, the trick is to never rub through. The perfect paint job takes patience, time, care, and money.

In the case of Bob’s wagon, probably 2,750 hours are in the body and shaping. This is by no means excessive and it doesn’t include the actual metal shaping. This is typical of what it takes to paint a car to Mick and Strope’s show-quality standards. The proof, of course, came at the annual SEMA Show where, once again, the team picked up a Ford Design Award for its superb craftsmanship.

Mick Who?

Born west of London, England, Mick Jenkins completed a four-year panel beating and paintwork “City and Guilds” apprenticeship while serving his time at a Jaguar dealership in his hometown. Through hard work and attention to detail, he quickly attained a management position at the age of 24. Eventually, he managed a staff of 65 at the collision shop of a major Ford dealership group on England’s south coast.

Mick Jenkins has spent more than 30 years in the refinishing business. He now operates Mick’s Paint in Pomona, California, and is one of the country’s leading custom painters. Mick poses here with his 1934 roadster. He’s now working on a similar 1932 highboy. (Photo Courtesy of Alex Maldonado/Blacktopsociety.com)

An avid motorsports fan, car guy, and motorcycle rider, Mick followed his dream to California in 1995 and immediately found a niche in the Southern California car culture. He opened Mick’s Paint in Huntington Beach and soon gained a reputation for excellent bodywork and paint with an impressive portfolio of high-profile projects for Buick and Toyota, as well as aftermarket companies including SO-CAL Speed Shop, Budnik Wheels, Hot Rods by Boyd, Dan Fink Metalworks, and GMT. That period culminated in his collaboration with Foose Design to paint and prepare Chuck Svatos’s 1932 Roadster, which won the America’s Most Beautiful Roadster (AMBR) award at the 2000 Grand National Roadster Show.

In 2001, Pete Chapouris invited Mick to join the award-winning team at the SO-CAL Speed Shop as the Hot Rod and Race Car shop manager to oversee the day-to-day running of the operation. In addition, he painted a number of customers’ cars, including Gene Olsen’s 1950 Merc’ convertible, Jim Green’s Assassin Top Fuel dragster, Billy F Gibbons’s 1958 Thunderbird Mexican Blackbird, Dennis Higginbotham’s Spencer II Roadster, and Bill Lindig’s blown Ardun Deuce Roadster, which was featured in the popular international TV show: Hot Rod Build-off.

In 2010, after re-forming Mick’s Paint, Mick became associated with Steve Strope of Pure Vision Design and painted the 1969 Anvil Mustang that won the Ford Motor Company Design Award at the 2010 SEMA Show. That car heralded the beginning of an enduring relationship with Strope that has resulted in more than a half-dozen extraordinary muscle car builds.

This 1958 Thunderbird, Mexican Blackbird, was built for ZZ Top front man Billy F Gibbons at the SO-CAL Speed Shop and painted by Mick’s Paint. While it’s not a muscle car, it does show the versatility of Mick’s work. (Photo Courtesy of Alex Maldonado/Blacktopsociety.net)

Mick’s first collaboration with Steve Strope’s Pure Vision Design resulted in the 1969 Anvil Mustang that won the Ford Motor Company Design Award at the 2010 SEMA Show. The 520-ci Boss 429-powered car was built for Matt Lazich of Anvil Auto to showcase its line of composite parts. (Photo Courtesy of Didier Soyeux)

In 2012, Mick’s painted the 1965 Martini Mustang; Steve Strope’s Pure Vision Design built it for Karl Williams. It won the Ford Motor Company Design Award at that year’s SEMA Show. (Photo Courtesy of Didier Soyeux)

Ed Pink Racing Engines built the highly detailed engine of the T5-R Martini Mustang: a 1960s-era 292-ci DOHC Ford Indy V-8.

The Halo 1972 TT Camaro, built by Steve Strope’s Pure Vision Design and painted at Mick’s Paint, won the GM Design award at the 2013 SEMA Show.

Powered by a 1,400-hp twin-turbo 427-ci small-block, the 1972 TT Camaro was a badass, long haul ride built for Ron Lallo.

Another Pure Vision and Mick’s Paint collaboration was this 1967 Ford Fairlane built for Ed Chalupa. It won the Ford Motor Company Design award at the 2014 SEMA Show.

A 521-ci all-aluminum SOHC big-block Ford engine built by Ed Pink Racing Engines powers the Black Ops 1967 Ford Fairlane.

Mick had a hand in painting these two wildly flamed Freightliner Optimus Prime trucks. They were used in the Transformers movies and also for promotional activities.

Yet another Pure Vision Design/Mick’s Paint joint effort was this 1968 Charger built for Karl Williams. It appeared at both the 2013 and 2014 SEMA Shows. (Photo Courtesy of Didier Soyeux)

Not one to let an award go to his head, Mick and his team of highly skilled craftsmen continued to turn out exemplary work. Among these are cars for Billy F Gibbons of ZZ Top that included a repaint of the famed CadZZilla. He also painted the 2012 AMBR winner, the Indy V-8 Speedster for Bill Lindig. Later that same year, the Pure Vision 1965 Martini Mustang owned by Karl Williams won the Ford Motor Company Design Award at the SEMA Show.

More awards followed: The Halo 1972 Camaro won the GM Design award at the 2013 SEMA Show, and the 1967 Chalupa Fairlane won the Ford Motor Company Design award at the 2014 SEMA Show. At the 2012 SEMA Show, the Martini Mustang garnered an award from Mothers while Lindig’s Indy Speedster picked up two more awards from Mothers.

Meanwhile, Mick began working with Mickey Larson of Twins Custom Coaches, assisting in the build of a fleet of custom-painted show trucks for Freightliner and Western Star. That fleet included a pair of Optimus Prime trucks for the Transformers movies.

Mick’s Paint, however, is not confined to the hot rod, custom, and muscle car world. Mick has painted everything from a Porsche Speedster and a 1958 Pegaso Z-103 that came third in its class at the Pebble Beach Concours d’Elegance to a rare 1931 Alfa Romeo 1750 Spyder and a 1941 Packard four-door convertible. There was also a 1955 Alfa Romeo Boano that won its class at the 2017 Pebble Beach Concours d’Elegance, as well as several Ferraris, a lightweight E-Type Jaguar, a “hot rod” concrete pump, a pair of background walls at Disneyland, a semitruck covered in chrome-plated nails, and a few motorcycles.

Amir Rosenbaum of Spectre Automotive had this 1970 El Camino built at the SOCAL Speed Shop before Mick’s Paint handled the mile-deep black paint. With a setback LS7 engine, it was featured on the TV show Hard Shine. (Photo Courtesy of Alex Maldonado/Blacktopsociety.com)

Most recently, and due to customer demand, Mick’s Paint has expanded its capabilities into full builds. This includes everything from frame-off restorations to complete frame-up builds. Mick’s third AMBR Award came at the 2017 Grand National Roadster Show with Bruce Wanta’s amazing 1936 Packard Roadster.

A complete, ground-up build by Troy Ladd’s Hollywood Hot Rods, the Mulholland Speedster featured a handcrafted steel body with a retractable, cantilevered hardtop. Mick’s Paint handled the body and paintwork. The car won the AMBR, as well as the America’s Most Beautiful Custom Award, the Sam Barris Award, the Custom D’Elegance Award, and the World of Wheels Legend Cup in Chicago.

Later that year at the Annual SEMA Show, Bob Florine’s 1957 Ford Del Rio Ranch Wagon, built by Steve Strope’s Pure Vision Design and painted by Mick’s Paint, garnered another Ford Design Award.

In a little more than 20 years, Mick has reached the top of his game but, as he is quick to point out, you are only as good as your team. He also warned that you should never stop learning. New paint materials, technology, regulations, and, most important, new projects, keep you on your toes.

The engine in Amir Rosenbaum’s Spectre El Camino SS was an LS7 Corvette Z06 set back in the chassis and built for the Optima Ultimate Street Car challenge. (Photo Courtesy of Alex Maldonado/Blacktopsociety.com)

This 1969 Camaro Convertible has been in the same family since 1970, but a multiyear, multishop restoration resulted in many lost parts. However, Steve Strope’s Pure Vision Design and Mick’s Paint returned it to its former glory.

The engine compartment of the Camaro is testament to the work of both Pure Vision Design and Mick’s Paint. It never looked like this from the factory; at times in its life, it has looked a whole lot worse.