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Notes
SIR JOHN DAVIES AND HIS BIOGRAPHERS

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Sir John Davies, the "sweet poet" and "grave lawyer"—rather odd combinations by the bye,—according to Wood, was "born at Chisgrove, in the parish of Tysbury in Wiltshire, being the son of a wealthy tanner of that place!" This statement is repeated in Cooper's Muses' Library, p. 331.; Nichols's Select Poems, vol. i., p. 276.; Sir E. Brydges's edition of Philips's Theatrum Poetarum, 1800, p. 272.; Sir Harris Nicolas's edition of Davison's Poetical Rhapsody, vol. i. p. cii., &c. And Headley, in his Select Beauties of Poetry, ed. 1787, vol. i. p. xli., adds, "he was a man of low extraction!" Wood's assertion concerning Davies's parentage, was made, I believe, upon the authority of Fuller; but it is undoubtedly an error, as the books which record the admission of the younger Davies into the Society of the Middle Temple, say the father was "late of New Inn, gentleman."

Mr. Robert R. Pearce, in a recent work, entitled A History of the Inns of Court and Chancery, 8vo. 1848, p. 293., gives the following sketch of the leading facts in the life of our "poetical lawyer:"—

"Sir John Davis, the author of Reports, and several other legal works, and a poet of considerable repute, was of this Society [i.e. the Middle Temple]. His father was a member of New Inn, and a practitioner of the law in Wiltshire. At the Middle Temple, young Davis became rather notorious for his irregularities, and having beaten Mr. Richard Martin (also a poet, and afterwards Recorder of London) in the hall, he was expelled the house. Afterwards, through the influence of Lord Chancellor Ellesmere, he was restored to his position in the Middle Temple; and, in 1601, was elected a Member of the House of Commons. In 1603, he was appointed by King James Solicitor-General in Ireland. In 1606, he was called to the degree of Serjeant-at-Law; and, in the following year, was knighted by the King at Whitehall. In 1612, he published a book on the state of Ireland, which is often referred to; and soon afterwards he was appointed King's Serjeant, and Speaker of the House of Commons in Ireland. On his return to England he published his reports of cases adjudged in the King's Court in Ireland,—the first reports of Irish cases made public. The preface to these reports is very highly esteemed. It has been said to vie with Coke in solidity and learning, and equal Blackstone in classical illustration and elegant language. Sir John Davis died 7th of December, 1626."

It is amusing to see how erroneous statements creep into ordinary biography. Headley, as we have just seen, calls Davies "a man of low extraction;" and now we find a more recent biographer adding (without the shadow of an authority), "at the Middle Temple, young Davies became rather notorious for his irregularities!"

Davies's quarrel with Richard Martin is alluded to by Wood. After speaking of his admission into the Middle Temple, and of his being made a barrister (July, 1595), that writer adds:—

"But so it was that he [Sir John Davies] being a high-spirited young man, did, upon some little provocation or punctilio, bastinado Rich. Martin (afterwards Recorder of London) in the Common Hall of the Middle Temple, while he was at dinner. For which act being forthwith [February, 1597-8] expell'd, he retired for a time in private, lived in Oxon in the condition of a sojourner, and follow'd his studies, tho' he wore a cloak. However, among his serious thoughts, making reflections upon his own condition, which sometimes was an affliction to him, he composed that excellent philosophical and divine poem called Nosce Teipsum."

It is not a little singular that this very Richard Martin, whose chastisement is thus recorded, had been on terms of strict friendship with our "high-spirited" young lawyer. In 1596, Davies had published his poem on dancing, entitled Orchestra, the title-page of which is followed by a dedicatory sonnet "To his very friend, Ma. Richard Martin." This sonnet is written in extravagant terms of friendship and admiration; and as it is only to be found in the rare first edition, and in the almost equally rare Bibliographical Catalogue of the Ellesmere Collection, some of your readers may not be displeased to see it on the present occasion:—

"TO HIS VERY FRIEND MA. RICH. MARTIN

"To whom shall I this dauncing Poeme send,

This suddaine, rash, halfe-capreol of my wit?

To you, first mover and sole cause of it,

Mine-owne-selves better halve, my deerest frend.

O, would you yet my Muse some Honny lend

From your mellifluous tongue, whereon doth sit

Suada in majestie, that I may fit

These harsh beginnings with a sweeter end.

You know the modest sunne full fifteene times

Blushing did rise, and blushing did descend,

While I in making of these ill made rimes,

My golden bowers unthriftily did spend.

Yet, if in friendship you these numbers prayse,

I will mispend another fifteene dayes."


The cause of quarrel between the two young lawyers is not known, but the "offence," whatever it was, was not slight. In the year 1622, when Davies reprinted his poetical works, we find that his feelings of resentment against his once "very friend" had not abated, for in place of the dedicatory sonnet to Richard Martin, is substituted a sonnet addressed to Prince Charles; and at the conclusion of the poem, he left a hiatus after the one hundred and twenty-sixth stanza, on account of the same quarrel.

Sir John Davies's celebrated poem, Nosce Teipsum (mentioned by Wood in the previous extract), is said to have gained the author the favour of James I., even before he came to the crown. Wood gives the precise period of its composition, and, I think, with every appearance of truth, although it does not accord with the statement of modern biographers, that it was written at twenty-five years of age. (See Campbell's Essay on Poetry, &c., ed. 1848, p. 184.) The first edition of this poem was printed in 4to. in the year 1599, and has for its title the following:—

"Nosce Teipsum. This Oracle expounded in Two Elegies. 1. Of Humane Knowledge. 2. Of the Soule of Man, and the Immortalitie thereof. London, Printed by Richard Field, for John Standish. 43 leaves."

As I am deeply interested in all that relates to the subject of this note, I have compiled a list of editions of the above poem, which shows its popularity for more than a century and a half:—

1. 1599. London, 4to. First edition.

2. 1602. ib. 4to. Second ed.

3. 1608. ib. 4to. Third ed.

4. 1619. ib. 8vo. Fourth ed.

5. 1622. ib. 8vo. The last edition printed during the Author's lifetime.

6. 1653. ib. 4to. Published by T. Jenner with curious plates, and prose paraphrase.

7. 1688. ib. folio. With prose dissertation.

8. 1697. Dublin, 8vo. With Life of the Author, by Nahum Tate.

9. 1714. ib. 12mo. Second edition by Tate.

10. 1733. ib. 8vo. With Essay by Dr. Sheridan.

11. 1749. London, 12mo.

12. 1759. Glasgow, 12mo. With Life of the Author.

13. 1760. London, 8vo. In Capel's Prolusions.

14. 1773. ib. 12mo. In Davies's Poetical Works, edited by Thompson.

Sir John Davies left behind him a large number of MSS. upon various subjects, none of which have since been printed. It would be very desirable that a list, as far as can now be made out, should be put on record. Anthony Wood says, several of Davies's MSS. were formerly in the library of Sir James Ware of Ireland and since that in the possession of Edward, Earl of Clarendon. The most interesting of these MSS. were a Collection of Epigrams, and a Metaphrase of David's Psalms. The Harleian MSS., Nos. 1578. and 4261., contain two law treatises of this learned writer, and in Thorpe's Catalogue for 1823, I find A Treatise of Tenures touchinge his Majesties Prerogative Royal, by John Davies, folio, MS.

Granger does not record any engraved portrait of this writer, and all my enquiries have failed in discovering one. In Mr. Soame Jenyn's Hall, at Botesham, in Cambridgeshire (in 1770), was a full-length portrait of an elderly gentleman in a gown, with a book in one hand, on which is written "Nosce Teipsum." If this is a genuine portrait of Sir John Davies, it ought to be engraved to accompany a new edition of his poetical works; a publication which the lovers of our old poetry would deem an acceptable offering.

Edward F. Rimbault.

Notes and Queries, Number 66, February 1, 1851

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