Читать книгу Books and Printing; a Treasury for Typophiles - Various - Страница 20

In the second half of the century two rival fashions of decoration were developed which finally banished the woodcut border, first the method of decoration by type ornaments or printers' flowers, and secondly the engraved title page. There is one example of type ornament known even in the fifteenth century, in an Aesop printed at Parma in 1483. After 1500, examples of borders made up of separate cast pieces are fairly frequent and are especially common in England in the books of Wynkyn de Worde and his contemporaries. But it is not until about 1560 that we find borders built up of type ornaments worked into arabesque patterns. It seems to have been Robert Granjon, the engraver of types at Paris and Lyons, who cut arabesque fleurons, divided them up and built up fresh patterns out of their component parts. The use of printers' flowers in borders is found at most centers of printing towards the end of the century and obtained its greatest popularity in the Netherlands and in England. Many fine examples are found in English books from about 1570 for the next fifty years. Joseph Moxon, who wrote on English letter-founding in 1683, tells us that they were considered old-fashioned in his day. They were revived again in the eighteenth century by P. S. Fournier at Paris, who cut many new designs which were copied all over Europe. Fournier's flowers could be built up to form all manner of ornaments and were more adaptable than the arabesques of the sixteenth century, when the original unit always resulted in the same pattern. Just as Granjon had devised a method of decorating without the use of the woodcut block, so Fournier designed his new flowers in order that printers might dispense with engraved vignettes. However, the vogue of the Fournier designs had a shorter life, and may be said to have been killed by the classical school of printing of the end of the century.