Читать книгу Books and Printing; a Treasury for Typophiles - Various - Страница 8
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The silhouette of the open hand, with its radiating lines, discloses the origin of the letter K, "kaph," which signified hollow or palm. We know that palmistry was practiced by the ancients, and probably the association of reading the hand and writing influenced the inclusion of this character. The Greeks added their favorite vowel sound, "a," again and thus obtained their "Kappa." The Romans had no need for this letter at first, as C furnished the same sound. When they did accept it, they made no change.
L
The ox goad or whip lash, "lamed" (lah´med) gave rise to the next letter. Herding oxen and sheep was the important occupation of the slaves of the Phoenicians and hence the last, an object so unfamiliar to us, was easily recognized by them. The Greeks again added an "a" and called it "lambda" and made it in the form of an inverted V. The Romans, strangely, adhered more closely to the original form than did the Greeks.
M-N
The Phoenicians were lovers of the sea, and from this source two letters were derived, M and N. They explored not only all of the Mediterranean shore at an early date, but they also sailed boldly through the gates of Gibraltar, and "beyond the world" where they found Britain. They were the first navigators that sailed by night and it is said they discovered the north star. Therefore it is not surprising that water "mem" (maim) is the source of M and that fish, "nun" (noon) the source of N. The letter M has changed but little in form, it is the Greek letter "Mu" and the Roman M (em). The head of the fish, from which the letter N is pictured, was simplified even more than the head of the ox, in A. It no doubt represents the fisherman's viewpoint—not a swimming fish but a suspended one. The Greeks reversed the stroke and called it "Nu" and the Romans did not change its form but called it N (en).
O
In Phoenicia, as in Egypt, China and Mexico, the eye is one of the commonest elements found in the writing. It was called "Ayin" (ah-yin). The Greeks used it for two sounds now designated by "Omicron," little "o," and "omega," great "o," the letter which, strangely, was placed at the end of the Greek alphabet. We find in the Bible: "I am the Alpha and the Omega, the beginning and the end, the first and the last." How many today would think of using the alphabet for such an important illustration? It is easy to trace the Roman O (oh) from its Greek parent, "omicron."
P
Many letter pictures run in pairs—finger and hand, water and fish—and now after eye we find mouth "pi" (pe) which represents the lower lip. The Greeks made little change in the name or shape at first, but later they introduced the angles and made the downward strokes equal. The Romans formed the letter by continuing the curve farther than the Phoenicians and called it "pe" (pay).
Q-R
Now we come to Q and R, the letters which were mentioned above as those probably coming from the head. Whether Q (koph) was derived from the picture of the back view of the head and neck, or whether it represents a knot, which, no doubt, was as important to navigators then as it is now, is a mooted question. The Q sound is guttural and the tail of the letter is supposed to indicate the throat sound. The Greeks soon discarded "koppa," as it was called, and the Romans went back to the original source for their Q (koo).
The back view of the head is the unusual one, for as we look at the drawing of the early races, or memory pictures, or the delineations of a child of seven or eight we find they are almost without exception profile pictures. The Phoenician "resh" represents the profile and shows very little resemblance to a human being, although at first the features may have been more clearly indicated. The Greeks, as was to be expected, turned the letter around, and later, oddly enough, introduced a curve making it exactly like the Roman letter P. The extra stroke which we find in the Roman letter was no doubt due to the carelessness in copying. They pronounced it R (air).
S
There is a common legend explaining S, the letter with the hissing sound. Because of its curved shape and its hissing sound many people believe it to be derived from a snake. Its real history is easily followed from Phoenician "shin" or "sin" (teeth) to the present day. Its form closely resembled our W. The Greeks made it perpendicular for their "sigma" and the Romans simplified and curved it giving S (ess).
T
Our twentieth letter, T, is particularly interesting because it is derived from "tahv" a mark or cross made by people who could not write, and no doubt their signature frequently resembled it. We must not forget that even Charlemagne and other kings of the middle ages had to make their mark or trace their initials through stencil plates. The only change of "tahv" to Greek "tau," and to Roman T (tay) was the raising of the cross-bar.
U-V-Y
The letters U, V and Y were all taken from the letter "Upsilon," and it may have been derived from the queer Hebrew form of "Ayin" which closely resembles Y. The letters U and V were interchangeable. Upsilon, known as the "Samian letter," was used by Pythagoras as an emblem to represent the parting of the ways—the young man making a choice in life.
W
Our Anglo-Saxon forefathers contributed two letters, W (wen) and another often confused with Y, called "thorn." These were introduced during the thirteenth century. The French always called the former letter double vay, and in English it may be said to represent double U, as its name indicates. The letter "thorn" had the value of the digraph "th," and "ye" in old English should be pronounced "the" like the definite article.
X-Z
Although we have no direct need for the letter X, for Z can be substituted for it when it is used as an initial letter, and "ks" when used elsewhere, it has remained in the alphabet since its frequent use by the Greeks. It came from the Roman X (eex) which may have been derived from the Greek "ksi." The latter resembles the Phoenician character "samech," meaning a post or support.
The dagger "zayin" from which we obtain our Z must have been important in the daily lives of the Greeks, Hebrews and Phoenicians for it occupies the sixth place (Zeta) and the seventh in the latter alphabets. The Romans did not change its name or shape, but although there has been little change in 2,000 years we see little resemblance to the short sword in the letter the Romans gave to us.
Many slight changes that have occurred in the formation of the letters of the alphabet may be accounted for. At first the Greeks wrote from left to right in one line and from right to left on the next line—a mode of writing which has been termed "boustrophedon" because it runs as an ox plow does in a field, up one furrow and down another. It is due to this fact that many letters were reversed from their original prototypes. It is interesting to note that recently books for the blind have been embossed in this manner.
The small letters of the alphabet, sometimes called "lower case" letters because printers keep them in a case below the capitals, or "minuscule letters" in contrast with "majuscule," or capital letters, illustrate further changes due to rapid writing of capitals in a cursive or running hand.
The few characters selected by the Phoenicians, the great traders, artificers and farmers of the ancient world, not only influenced Greek literature and life, Roman and modern nations in Europe, but also spread eastward to the very walls of China. The Hebrews copied them as a whole and retained the original names with only slight variations. They did change the shapes because a different writing instrument was employed.
According to a legend, Jehovah gave the letters to Moses, hence all the left curves in Hebrew letter form turn upward—as symbols of a finger pointing heavenward.
The Phoenician alphabet is also the parent of the Arabic, Indian, Javanese, Corean, Tibetan, Coptic syllabaries and alphabets. No small country ever gave such a great gift to humanity; no large country could have given a greater gift.
THIS ARTICLE COMPOSED IN JANSON TYPES, AS ARE THOSE
ARTICLES FOLLOWING FOR WHICH NO OTHER
TYPE FACE IS INDICATED.
