Читать книгу Sociology of the Arts - Victoria D. Alexander - Страница 2
Table of Contents
Оглавление1 Cover
8 Preface and Acknowledgements Acknowledgements (Second Edition) Preface to the First Edition Acknowledgments (First Edition)
9 1 Introduction: What is Art? Defining Art The Sociology in Sociology of the Arts Structure of the Book NOTES
10 Part I: The Relationship between Art and Society 2 Reflection Approaches Roots of Reflection Approaches More Recent Reflection Analyses Critique Conclusion: The Fun House Mirror NOTES 3 Shaping Approaches Roots of Shaping Approaches Media Effects The Effects of Fine Arts Critique Conclusion NOTES 4 A Mediated View: The Cultural Diamond A Better Diamond
11 Part IIA: The Cultural Diamond The Production of Culture 5 Art Worlds and Artistic Fields Howard Becker’s Art Worlds The “Production of Culture” Pierre Bourdieu’s The Field of Cultural Production Critique of Production Approaches NOTES 6 Businesses and Industries Industry Systems Globalization and the Digital Revolution Art and the State The Profit Motive Summary NOTES 7 Nonprofits and Networks Nonprofit Organizations Artistic Networks Government and Art Worlds Conclusions NOTES 8 Artists Artists, Art Worlds, and Fields Artistic Careers and Labor Markets Inequality in Arts and Culture Identifying Artists Reputation Creativity and Genius Conclusion NOTES
12 Part IIB: The Cultural Diamond The Consumption of Culture 9 Consumption Approaches Roots of Consumption Approaches British Cultural Studies Power and Ideology Reception Aesthetics Critique NOTES 10 Sites and Experiences Conceptions of the Audience Modes of Reception Art in Private Settings Consuming on Site Consuming on Screens and Devices Summary and Concluding Remarks NOTES 11 Identities Subcultures, Tribes, and Fans Social Identities Thin Cultures and Interpretive Communities Summary NOTES 12 Distinction High and Low Art Forms Distinction Omnivores The Institutionalization of High Art Artistic Legitimation Summary: The Honorific Title of “Art” NOTES
13 Part III: Art in Society 13 The Art Itself Semiotics Representation The Fabrication of Meaning The “Work Itself” Summary and Concluding Thoughts NOTES 14 The Constitution of Art in Society Integrating Across the Diamond Art and Aura Artistic Fields Constructing Art and Aesthetics Art in the Sociology of Art Conclusion NOTES
14 Part IV: Conclusion 15 Studying Art Sociologically
15 References
16 Index
