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Thomas Roland was a man of observation, and yet he was more than a mere observer, and he saw much more than he seemed to see. He registered atmospheres. That was the musical part of him. The practical part of him would sit comfortably in a chair behind a book, and watch without appearing to watch, and his tranquil solidity was so deceptive that his neighbours saw nothing but a man and a book.

His interest in life might be catholic, but it was also fastidious and very quick to seize upon an arresting figure or an intriguing situation. He had intended staying two days in Staunton, but his two days enlarged themselves into a week.

He was interested in Stephen Sorrell, both as a practical man and as a psychologist, and he became interested in Sorrell's entanglement. When he sat in a corner of the lounge and watched, he could not help being struck by the porter's fanatical activity, his thoroughness, his air of contending with the Augean slovenliness of the Angel Inn. Sorrell was never still. His thin and slightly stooping figure went to and fro, with its dark head, pale face, and intent and rather sorrowful eyes. He appeared to be always looking for things to do; he was for ever clearing out the ash trays on the tables or dusting the tops of the tables, or collecting the scattered papers and magazines and putting them in order. Nor was it mere fussing, or a parade after effect. The man was driven by some urgent spirit within him; also he was reacting against some painful pressure. That was how Thomas Roland understood it.

Then there was the brass-headed woman, the lioness, the creature couched in that den. Roland was puzzled by her attitude towards Sorrell. She was for ever harrying the man, finding some petty excuse for hounding him off on an errand. She spoke to him with a queer, intimate brutality. She was like a woman with a whip who found an elemental pleasure in flicking the man with it, tormenting him, as though just to see how much of it he would stand.

"Stephen, run round to Pavits. The fools have forgotten the fish. You'd better bring it back."

"Get down on your knees, man, and scrub that hall. It's a disgrace."

"Hallo–Stephen. No. 7 has been complaining that one of the mudguards on his car has been buckled. What! You don't know anything about it? What do you think you are here for?"

She showed a sly unfairness in her persecution. She appeared to watch Sorrell's activities, and would then descend upon him and heckle him for not doing the very thing that he was always doing. She would sweep out of her den and discover a match and a cigarette end in one of the ash-trays.

"Stephen!"

"Yes, madam."

There would be something very like fear in the man's eyes.

"Why don't you empty these ash-trays? I've told you a dozen times."

"I emptied them ten minutes ago, madam."

"O, don't tell me! Look at that."

Roland wondered why Sorrell stood it. Also, it seemed to him that the woman's attitude was illogical. If she pretended to such a passion for detail why did she find fault with the one member of her staff who did his job thoroughly? Was it because he was a man, and a man obviously out of his station? Why didn't she go upstairs and stimulate the casual energies of the young wenches who swept the dust under the beds and crammed rubbish behind the grates? Or why didn't she supervise the cleaning of the table silver, and discover that one fork out of three had the remains of some previous meal between its prongs?

For five days Thomas Roland watched this piece of inter-play without appearing to watch it. A tacit sympathy had sprung up between him and the Angel porter; the one man gave service and gave it with open hands the other accepted that service and accepted it as it was given.

Some time after tea on the sixth day when the lounge happened to be empty, and the lioness had deserted her den, Roland sat and watched Sorrell over the top of a book. Sorrell was on one of his usual rounds, going from table to table, and Roland's eyes studied his long-fingered and intelligent hands. They were very quick and deft, but a little hurried.

He came to Mr. Roland's table, and Roland, putting down his book, looked up at Sorrell.

"What are you doing here?"

"Tidying up, sir."

"No,–I don't mean that."

There was no resentment in Sorrell's questioning stare. He emptied Mr. Roland's ash-tray into the old metal flower-pot he used as a receptacle.

"I have got a boy. You saw him."

"The father for the son instead of the son for the father! I needn't ask you whether you loathe this job."

"It isn't the job, sir. The job's necessary."

"But the place. And yet you stick it. There's a reason."

"Necessity."

Roland moved easily in his chair.

"Look here, Stephen–. What's your other name?"

"Sorrell, sir."

"Rank?"

"Does that matter?"

"I'm a deliberate person. Well, as one man to another–"

"Captain."

"War service–only?"

"Yes."

"Any decorations?"

"M.C."

"I got nothing but a mention in dispatches. Are you going out to-night?"

"I expect so, sir."

"Well,–let's meet at that elm tree and have a talk. If you could leave your boy at home–for once."

Sorrell stood there looking at the ash-tray that he had emptied. His face was intensely serious. His right hand gripped the lapel of his coat.

"This talk of yours, sir, is it personal?"

"As personal as you please."

"What I mean is–anything–is so–infernally serious to me–When one is just hanging on, and out of breath. Like bad weather.–You are afraid to expect–any sunlight."

The expression of Tom Roland's eyes altered.

"It might depend on what would seem to you to be sunlight. Relatively. Suppose you had to do the same sort of job, but in different surroundings? Would that be sunlight?"

"Absolutely."

"All right. We meet about half-past eight. This place is impossible."

Sorrell and Son

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