Читать книгу The Anatomy of Harpo Marx - Wayne Koestenbaum - Страница 7
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ОглавлениеCONTENTS
| Acknowledgments | |
| I | EARLY ECSTATIC EMPTINESS |
| The Holy Fool Flees Language’s Stink Bomb: The Cocoanuts (1929) | |
| Pinky, the Pointing Scapegoat, Lags Behind: Duck Soup (1933) | |
| The Mad Mohel’s Goo-Goo Eyes of Monomaniacal Attunement: A Night at the Opera (1935) | |
| Poppy Power; or, The Thick-Enough Art of Zombie Dumbfoundment: Animal Crackers (1930) | |
| II | LATER ASTONISHMENTS |
| Fake Dead Jew as Cute Zoo-Idiot: Room Service (1938) | |
| Passé Punchy’s Humiliated Buddy Huddle: At the Circus (1939) | |
| Freeze Rusty’s Anal Rage in a Cozy Void: Go West (1940) | |
| Lonely Wacky’s Incremental Lines of Flight: The Big Store (1941) | |
| The Bubble-Blowing Demarcator Tickles Totality: A Night in Casablanca (1946) | |
| Bulge, Glaze, Pause, Shock; or, The Bushy-Haired Ragpicker’s Burnt Offering: Love Happy (1949) | |
| III | THE IDIOT TUMBLES BACK TO THE BEGINNING OF TIME |
| The Undeliverable Ice of Pinky’s Mom-Mouth: Horse Feathers (1932) | |
| The Kippering, Bopping, Shushing, Bear-Hugging, Beard-Pulling Bustle: Monkey Business (1931) | |
| The Pretzel Glimmer-Eye of Stuffy’s Stuttering Surge: A Day at the Races (1937) |
