Читать книгу Portrait of Mass Murder - Welby Thomas Cox Jr. - Страница 4

THE SIOUX SUN DANCE

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Grannie B.:

“Red Cloud, a noggin chief, lives in waaat is called de powder river country, above fort fetterman. but de sioux nashun roam for 'undreds of miles al' over de plains, an' are sure ter a go up jist whaen an' where they are laest expected. these sioux, de most numerous av al' de indian tribes, 'av a festive performance, whaich is regarded by al' civilized people wi' 'orror an' abhorrence, an' wan whaich few can luk upon wi' nerve enoof ter clap de end. it is a sort av religious dance, in whaich de young braves test their fortitude an' stoicism in resistin' pain an' torture withoyt wincin'. a young officer, who witnessed de "sun dance" last year, at de cheyenne agency, a few miles above fort sully, on de missouri river, gives de followin' account:"

Translation:

(“Red Cloud, a head chief, lives in what is called the Powder River country, above Fort Fetterman. But the Sioux nation roam for hundreds of miles all over the plains, and are sure to turn up just when and where they are least expected.

These Sioux, the most numerous of all the Indian tribes, have a festive performance, which is regarded by all civilized people with horror and abhorrence, and one which few can look upon with nerve enough to see the end.

It is a sort of religious dance, in which the young braves test their fortitude and stoicism in resisting pain and torture without wincing. A young officer, who witnessed the "Sun Dance" last year, at the Cheyenne agency, a few miles above Fort Sully, on the Missouri River, gives the following account:)

Officer's Account:

"The Indians manifested considerable opposition to having any whites present. When several officers belonging to the 17th United States Infantry came up, Red Leaf--a chief of Red Cloud's band--leaped over a breastwork of logs and ordered the troops away.

After parleying with the chief some time, the soldiers fell back and took a position which was not objectionable to the Indians, but from which they could obtain only a partial view of the performances. There was a large lodge, built in shape of an amphitheater, with a hole in the center. The sides and roof were covered with willows, forming a tolerable screen, but not so dense as to obstruct entirely the view. The performances began with low chants and incantations. Five young men were brought in and partially stripped, their mothers being present and assisting in the ceremony.

Then the 'Medicine-man' began his part by cutting slits in the flesh of the young men and taking up the muscles with pincers. The old squaws assisted in lacerating the flesh of the boys with sharp knives. The squaws would at the same time keep up a howling, accompanied with a backward-and-forward movement. When the muscles were lifted out by pincers on the breast, one end of a kind of lariat (used for fastening horses while grazing), or buffalo thong, was tied to the bleeding flesh, while the other end was fastened to the top of the pole in the middle of the lodge. The first young man, when thus prepared, commenced dancing around the circle in a most frantic manner, pulling with all his might, so as to stretch out the rope, and by his jerking movements loosening himself by tearing out the flesh. The young man's dance was accompanied by a chant by those who were standing around, assisted by the thumping of a hideous drum, to keep the time. The young brave who was undergoing this self-torture finally succeeded in tearing himself loose, and the rope relaxed from its sudden tightness and fell back toward the center pole with a piece of the flesh to which it was tied. The victim, who, up to this point, did not move a muscle of his face, fell down on the ground, exhausted from the pain, which human weakness could not further conceal. A squaw then rushed in and bore the young brave away. He had undergone the terrible ordeal, and amid the congratulations of the old men, would be complimented as a warrior of undoubted pluck and acknowledged prowess.

Another of the young men, named Charles, was cut in two places under the shoulder blade; the flesh was raised with pincers, and thongs tied around the flesh and muscles thus raised. The thongs reached down below the knees and were tied to buffalo skulls. With these heavy weights dangling at the ends of the thongs, the young man was required to dance around the circle, to the sound of the drum and chants of the bystanders, until the skulls became detached by tearing out the flesh. They continued the performance until one of the skulls broke loose, but the other remained. The mother of the young man then rushed into the ring, leading a pony, and tied one end of the lariat which was around the pony's neck to the skull, which was still fastened to the young Indian. The latter then followed the pony round the ring, until nearly exhausted he fell on his face, and the skull was thereby torn out of the flesh.

The sufferer's voice grew husky from joining in the chant; he groveled on the ground in violent contortions for a few minutes, and was then removed to the outside of the lodge.

A third man had the lariat of the pony hitched to the raised muscles of his back, and was dragged in this way several times round the ring; but the force not being sufficient to tear loose from the flesh, the pony was backed up, and a slack being thus taken on the lariat, the pony was urged swiftly forward, and the sudden jerk tore the lariat out of the flesh."

Our informant having seen enough of these horrid performances to satisfy his curiosity, left with his companions, "without waiting to see the dance through." The dance, with its bloody orgies, lasted three whole days. This Sun Dance is not as common as formerly, and as the Indians settle on reservations, it is wholly done away with. The origin of the custom is uncertain.

Portrait of Mass Murder

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