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Olney, Oct. 31, 1779.

My dear Friend—I wrote my last letter merely to inform you that I had nothing to say, in answer to which you have said nothing. I admire the propriety of your conduct, though I am a loser by it. I will endeavour to say something now, and shall hope for something in return.

I have been well entertained with Johnson's biography, for which I thank you: with one exception, and that a swingeing one, I think he has not acquitted himself with his usual good sense and sufficiency. His treatment of Milton is unmerciful to the last degree. He has belaboured that great poet's character with the most industrious cruelty. As a man, he has hardly left him the shadow of one good quality. Churlishness in his private life, and a rancorous hatred of every thing royal in his public, are the two colours with which he has smeared all the canvas. If he had any virtues, they are not to be found in the Doctor's picture of him; and it is well for Milton that some sourness in his temper is the only vice with which his memory has been charged; it is evident enough that, if his biographer could have discovered more, he would not have spared him. As a poet, he has treated him with severity enough, and has plucked one or two of the most beautiful feathers out of his Muse's wing, and trampled them under his great foot. He has passed sentence of condemnation upon Lycidas, and has taken occasion, from that charming poem, to expose to ridicule (what is indeed ridiculous enough) the childish prattlement of pastoral compositions, as if Lycidas was the prototype and pattern of them all. The liveliness of the description, the sweetness of the numbers, the classical spirit of antiquity that prevails in it, go for nothing. I am convinced, by the way, that he has no ear for poetical numbers, or that it was stopped, by prejudice, against the harmony of Milton's. Was there ever any thing so delightful as the music of the Paradise Lost? It is like that of a fine organ; has the fullest and deepest tones of majesty, with all the softness and elegance of the Dorian flute, variety without end, and never equalled, unless, perhaps, by Virgil. Yet the Doctor has little or nothing to say upon this copious theme, but talks something about the unfitness of the English language for blank verse, and how apt it is, in the mouth of some readers, to degenerate into declamation.

I could talk a good while longer, but I have no room. Our love attends you.

Yours affectionately,

W. C.