Читать книгу The Collected Works - William Cowper - Страница 54

True bliss, if man may reach it, is compos'd

Of hearts in union mutually disclos'd;

And, farewell else all hope of pure delight!

Those hearts should be reclaim'd, renew'd, upright:

Bad men, profaning friendship's hallow'd name,

Form, in its stead, a covenant of shame:

… … … … …

But souls, that carry on a blest exchange

Of joys they meet with in their heavenly range,

And, with a fearless confidence, make known

The sorrows sympathy esteems its own;

Daily derive increasing light and force

From such communion in their pleasant course;

Feel less the journey's roughness and its length,

Meet their opposers with united strength,

And, one in heart, in interest, and design,

Gird up each other to the race divine.

It is to the friendship and intercourse formed between these two excellent men, that we are indebted for the origin of the Olney Hymns. These hymns are too celebrated in the annals of sacred poetry not to demand special notice in a life of Cowper, who contributed to that collection some of the most beautiful and devotional effusions that ever enriched this species of composition. They were the joint production of the divine and the poet, and intended (as the former expressly says in his preface) "as a monument to perpetuate the remembrance of an intimate and endeared friendship." They were subsequently introduced into the parish church of Olney, with the view of raising the tone and character of church psalmody. The old version of Sternhold and Hopkins, previously used, and still retained in many of our churches, was considered to be too antiquated in its language, and not sufficiently imbued with the characteristic features of the Gospel dispensation, to be adapted to the advancing spirit of religion. It was to supply this defect that the above work was thus introduced, and the acceptance with which it was received fully justified the expectation. Viewed in this light, it is a kind of epoch in the history of the Established Church. Other communities of Christians had long employed the instrumentality of hymns to embody the feelings of devotion; but our own church had not felt this necessity, or adopted the custom; prejudice had even interposed, in some instances, to resist their introduction, till the right was fully established by the decision of law.[29] The prejudices of past times are, however, at length, rapidly giving way to the wishes and demands of modern piety; and we can now appeal to the versions of a Stewart, a Noel, a Pratt, a Bickersteth, and many others, as a most suitable vehicle for this devotional exercise. The Olney Hymns are entitled to the praise of being the precursors of this improved mode of psalmody, jointly with the Collection of the Rev. M. Madan, at the Lock, and that of Mr. Berridge, at Everton.

But, independently of this circumstance, they present far higher claims. They portray the varied emotions of the human heart in its conflicts with sin, and aspirations after holiness. We there contemplate the depression of sorrow and the triumph of hope; the terrors inspired by the law and the confidence awakened by the Gospel; and, what may be considered as the genuine transcript of the poet's own mind, especially in the celebrated hymn, ("God moves in a mysterious way," &c.,) we see depicted, in impressive language, the struggles of a faith trying to penetrate into the dark and mysterious dispensations of God, and at length reposing on his unchangeable faithfulness and love. These sentiments and feelings, so descriptive of the exercises of the soul, find a response in every awakened heart; and the church of Christ will never cease to claim its property in effusions like these till the Christian warfare is ended, and the perceptions of erring reason and sense are exchanged for the bright visions of eternity.

The undertaking commenced about the year 1771, though the collection was not finally completed and published till 1779. The total number contributed by Cowper was sixty-eight hymns. They are distinguished by the initial letter of his name. It was originally stipulated that each should bear their proportion in this joint labour, till the whole work was accomplished. With this understanding, the pious design was gradually proceeding in its auspicious course, when, by one of those solemn and mysterious dispensations from which neither rank, nor genius, nor moral excellence can claim exemption, it pleased Him whose "way is in the deep," and whose "footsteps are not known," and of whom it is emphatically said, "that clouds and darkness are round about him," though "righteousness and judgment are the habitation of his throne," to suspend the powers of this interesting sufferer, and once more to shroud them in darkness.

In contemplating this event, in the peculiarity of its time, character, and consequences, well may we exclaim, "Lord, what is man!" and, while the consciousness of the infinite wisdom and mercy of God precludes us from saying, "What doest Thou?" we feel that it must be reserved for eternity to develop the mysterious design of these dispensations.

It was in the year 1773 that this afflicting malady returned. Cowper sank into such severe paroxysms of religious despondency, that he required an attendant of the most gentle, vigilant, and inflexible spirit. Such an attendant he found in that faithful guardian, whom he had professed to love as a mother, and who watched over him during this long fit of a most depressing malady, extended through several years, with that perfect mixture of tenderness and fortitude which constitutes the characteristic feature of female services. I wish to pass rapidly over this calamitous period, and shall only observe that nothing could surpass the sufferings of the patient or excel the care of the nurse. Her unremitting attentions received the most delightful of rewards in seeing the pure and powerful mind, to whose restoration she had so greatly contributed, not only gradually restored to the common enjoyments of life, but successively endowed with new and marvellous funds of diversified talents, and a vigorous application of them.

The spirit of Cowper emerged by slow degrees from its deep dejection; and, before his mind was sufficiently recovered to employ itself on literary composition, it sought and found much relief and amusement in domesticating a little group of hares. On his expressing a wish to divert himself by rearing a single leveret, the good-nature of his neighbours supplied him with three. The variety of their dispositions became a source of great entertainment to his compassionate and contemplative spirit. One of the trio he has celebrated in the Task, and a very animated and minute account of this singular family, humanized, and described most admirably by himself in prose, appeared first in the Gentleman's Magazine, and was subsequently inserted in the second volume of his poems. These interesting animals had not only the honour of being cherished and celebrated by a poet, but the pencil has also contributed to their renown.

His three tame hares, Mrs. Unwin, and Mr. Newton, were, for a considerable time, the only companions of Cowper; but, as Mr. Newton was removed to a distance from his afflicted friend by preferment in London,[30] (to which he was presented by that liberal encourager of active piety, Mr. Thornton,) before he left Olney, in 1780, he humanely triumphed over the strong reluctance of Cowper to see a stranger, and kindly introduced him to the regard and good offices of the Rev. Mr. Bull of Newport-Pagnell. This excellent man, so distinguished by his piety and wit, and honoured by the friendship of John Thornton, from that time considered it to be his duty to visit the invalid once a fortnight, and acquired, by degrees, his cordial and confidential esteem.

The affectionate temper of Cowper inclined him particularly to exert his talents at the request of his friends, even in seasons when such exertion could hardly have been made without a painful degree of self-command.

At the suggestion of Mr. Newton, we have seen him writing a series of hymns: at the request of Mr. Bull, he translated several spiritual songs, from the poetry of Madame de la Mothe Guyon, the tender and mystical French writer, whose talents and misfortunes drew upon her a long series of persecution from many acrimonious bigots, and secured to her the friendship of the mild and pious Fenelon!

We shall perceive, as we advance, that the more distinguished works of Cowper were also written at the express desire of persons whom he particularly regarded; and it may be remarked, to the honour of friendship, that he considered its influence as the happiest inspiration; or, to use his own expressive words,

The poet's lyre, to fix his fame,

Should be the poet's heart:

Affection lights a brighter flame

Than ever blazed by art.

The poetry of Cowper is itself an admirable illustration of this maxim; and perhaps the maxim may point to the principal source of that uncommon force and felicity with which this most feeling poet commands the affection of his reader.

In delineating the life of an author, it seems the duty of biography to indicate the degree of influence which the warmth of his heart produced on the fertility of his mind. But those mingled flames of friendship and poetry, which were to burst forth with the most powerful effect in the compositions of Cowper, were not yet kindled. His depressing malady had suspended the exercise of his genius for several years, and precluded him from renewing his correspondence with the relation whom he so cordially regarded in Hertfordshire, except by brief letters on pecuniary concerns.

We insert the following as discovering symptoms of approaching convalescence.