Читать книгу All About Coffee - William H. Ukers - Страница 37

Table of Contents

The introduction of coffee into Paris by Thévenot in 1657—How Soliman Aga established the custom of coffee drinking at the court of Louis XIV—Opening the first coffee houses—How the French adaptation of the Oriental coffee house first appeared in the real French café of François Procope—The important part played by the coffee houses in the development of French literature and the stage—Their association with the Revolution and the founding of the Republic—Quaint customs and patrons—Historic Parisian cafés

If we are to accept the authority of Jean La Roque, "before the year 1669 coffee had scarcely been seen in Paris, except at M. Thévenot's and at the homes of some of his friends. Nor had it been heard of except in the writings of travelers."

As noted in chapter V, Jean de Thévenot brought coffee into Paris in 1657. One account says that a decoction, supposed to have been coffee, was sold by a Levantine in the Petit Châtelet under the name of cohove or cahoue during the reign of Louis XIII, but this lacks confirmation. Louis XIV is said to have been served with coffee for the first time in 1664.

Soon after the arrival, in July, 1669, of the Turkish ambassador, Soliman Aga, it became noised abroad that he had brought with him for his own use, and that of his retinue, great quantities of coffee. He "treated several persons with it, both in the court and the city." At length "many accustomed themselves to it with sugar, and others who found benefit by it could not leave it off."

Within six months all Paris was talking of the sumptuous coffee functions of the ambassador from Mohammed IV to the court of Louis XIV.

Isaac D'Israeli best describes them in his Curiosities of Literature:

On bended knee, the black slaves of the Ambassador, arrayed in the most gorgeous Oriental costumes, served the choicest Mocha coffee in tiny cups of egg-shell porcelain, hot, strong and fragrant, poured out in saucers of gold and silver, placed on embroidered silk doylies fringed with gold bullion, to the grand dames, who fluttered their fans with many grimaces, bending their piquant faces—be-rouged, be-powdered and be-patched—over the new and steaming beverage.

It was in 1669 or 1672 that Madame de Sévigné (Marie de Rabutin-Chantal; 1626–96), the celebrated French letter-writer, is said to have made that famous prophecy, "There are two things Frenchmen will never swallow—coffee and Racine's poetry," sometimes abbreviated into, "Racine and coffee will pass." What Madame really said, according to one authority, was that Racine was writing for Champmeslé, the actress, and not for posterity; again, of coffee she said, "s'en dégoûterait comme; d'un indigne favori" (People will become disgusted with it as with an unworthy favorite).

Larousse says the double judgment was wrongly attributed to Mme. de Sévigné. The celebrated aphorism, like many others, was forged later. Mme. de Sévigné said, "Racine made his comedies for the Champmeslé—not for the ages to come." This was in 1672. Four years later, she said to her daughter, "You have done well to quit coffee. Mlle. de Mere has also given it up."

Coffee Was First Sold and Served Publicly in the Fair of St.-Germain

From a Seventeenth-Century Print

However it may have been, the amiable letter-writer was destined to live to see Frenchmen yielding at once to the lure of coffee and to the poetical artifices of the greatest dramatic craftsman of his day.

While it is recorded that coffee made slow progress with the court of Louis XIV, the next king, Louis XV, to please his mistress, du Barry, gave it a tremendous vogue. It is related that he spent $15,000 a year for coffee for his daughters.

Meanwhile, in 1672, one Pascal, an Armenian, first sold coffee publicly in Paris. Pascal, who, according to one account, was brought to Paris by Soliman Aga, offered the beverage for sale from a tent, which was also a kind of booth, in the fair of St.-Germain, supplemented by the service of Turkish waiter boys, who peddled it among the crowds from small cups on trays. The fair was held during the first two months of spring, in a large open plot just inside the walls of Paris and near the Latin Quarter. As Pascal's waiter boys circulated through the crowds on those chilly days the fragrant odor of freshly made coffee brought many ready sales of the steaming beverage; and soon visitors to the fair learned to look for the "little black" cupful of cheer, or petit noir, a name that still endures.

When the fair closed, Pascal opened a small coffee shop on the Quai de l'École, near the Pont Neuf; but his frequenters were of a type who preferred the beers and wines of the day, and coffee languished. Pascal continued, however, to send his waiter boys with their large coffee jugs, that were heated by lamps, through the streets of Paris and from door to door. Their cheery cry of "café! café!" became a welcome call to many a Parisian, who later missed his petit noir when Pascal gave up and moved on to London, where coffee drinking was then in high favor.

Street Coffee Vender of Paris—Period, 1672 to 1689—Two Sous per Dish, Sugar Included

Lacking favor at court, coffee's progress was slow. The French smart set clung to its light wines and beers. In 1672, Maliban, another Armenian, opened a coffee house in the rue Bussy, next to the Metz tennis court near St.-Germain's abbey. He supplied tobacco also to his customers. Later he went to Holland, leaving his servant and partner, Gregory, a Persian, in charge. Gregory moved to the rue Mazarine, to be near the Comédie Française. He was succeeded in the business by Makara, another Persian, who later returned to Ispahan, leaving the coffee house to one Le Gantois, of Liége.

About this period there was a cripple boy from Candia, known as le Candiot, who began to cry "coffee!" in the streets of Paris. He carried with him a coffee pot of generous size, a chafing-dish, cups, and all other implements necessary to his trade. He sold his coffee from door to door at two sous per dish, sugar included.

Many of the Early Parisian Coffee Houses Followed Pascal's Lead and Affected Armenian Decorations

From a Seventeenth-Century Print

A Levantine named Joseph also sold coffee in the streets, and later had several coffee shops of his own. Stephen, from Aleppo, next opened a coffee house on Pont au Change, moving, when his business prospered, to more pretentious quarters in the rue St.-André, facing St.-Michael's bridge.

A Corner of the Historic Café de Procope Showing Voltaire and Diderot in Debate

From a rare water color

All these, and others, were essentially the Oriental style of coffee house of the lower order, and they appealed principally to the poorer classes and to foreigners. "Gentlemen and people of fashion" did not care to be seen in this type of public house. But when the French merchants began to set up, first at St.-Germain's fair, "spacious apartments in an elegant manner, ornamented with tapestries, large mirrors, pictures, marble tables, branches for candles, magnificent lustres, and serving coffee, tea, chocolate, and other refreshments", they were soon crowded with people of fashion and men of letters.

In this way coffee drinking in public acquired a badge of respectability. Presently there were some three hundred coffee houses in Paris. The principal coffee men, in addition to plying their trade in the city, maintained coffee rooms in St.-Germain's and St.-Laurence's fairs. These were frequented by women as well as men.

The Progenitor of the Real Parisian Café

It was not until 1689, that there appeared in Paris a real French adaptation of the Oriental coffee house. This was the Café de Procope, opened by François Procope (Procopio Cultelli, or Cotelli) who came from Florence or Palermo. Procope was a limonadier (lemonade vender) who had a royal license to sell spices, ices, barley water, lemonade, and other such refreshments. He early added coffee to the list, and attracted a large and distinguished patronage.

Procope, a keen-witted merchant, made his appeal to a higher class of patrons than did Pascal and those who first followed him. He established his café directly opposite the newly opened Comédie Française, in the street then known as the rue des Fossés-St.-Germain, but now the rue de l'Ancienne Comédie. A writer of the period has left this description of the place: "The Café de Procope … was also called the Antre [cavern] de Procope, because it was very dark even in full day, and ill-lighted in the evenings; and because you often saw there a set of lank, sallow poets, who had somewhat the air of apparitions."

Because of its location, the Café de Procope became the gathering place of many noted French actors, authors, dramatists, and musicians of the eighteenth century. It was a veritable literary salon. Voltaire was a constant patron; and until the close of the historic café, after an existence of more than two centuries, his marble table and chair were among the precious relics of the coffee house. His favorite drink is said to have been a mixture of coffee and chocolate. Rousseau, author and philosopher; Beaumarchais, dramatist and financier; Diderot, the encyclopedist; Ste.-Foix, the abbé of Voisenon; de Belloy, author of the Siege of Callais; Lemierre, author of Artaxerce; Crébillon; Piron; La Chaussée; Fontenelle; Condorcet; and a host of lesser lights in the French arts, were habitués of François Procope's modest coffee saloon near the Comédie Française.

Naturally, the name of Benjamin Franklin, recognized in Europe as one of the world's foremost thinkers in the days of the American Revolution, was often spoken over the coffee cups of Café de Procope; and when the distinguished American died in 1790, this French coffee house went into deep mourning "for the great friend of republicanism." The walls, inside and out, were swathed in black bunting, and the statesmanship and scientific attainments of Franklin were acclaimed by all frequenters.

The Café de Procope looms large in the annals of the French Revolution. During the turbulent days of 1789 one could find at the tables, drinking coffee or stronger beverages, and engaged in debate over the burning questions of the hour, such characters as Marat, Robespierre, Danton, Hébert, and Desmoulins. Napoleon Bonaparte, then a poor artillery officer seeking a commission, was also there. He busied himself largely in playing chess, a favorite recreation of the early Parisian coffee-house patrons. It is related that François Procope once compelled young Bonaparte to leave his hat for security while he sought money to pay his coffee score.

After the Revolution, the Café de Procope lost its literary prestige and sank to the level of an ordinary restaurant. During the last half of the nineteenth century, Paul Verlaine, bohemian, poet, and leader of the symbolists, made the Café de Procope his haunt; and for a time it regained some of its lost popularity. The Restaurant Procope still survives at 13 rue de l'Ancienne Comédie.

History records that, with the opening of the Café de Procope, coffee became firmly established in Paris. In the reign of Louis XV there were 600 cafés in Paris. At the close of the eighteenth century there were more than 800. By 1843 the number had increased to more than 3000.

The Development of the Cafés

Coffee's vogue spread rapidly, and many cabaréts and famous eating houses began to add it to their menus. Among these was the Tour d'Argent (silver tower), which had been opened on the Quai de la Tournelle in 1582, and speedily became Paris's most fashionable restaurant. It still is one of the chief attractions for the epicure, retaining the reputation for its cooking that drew a host of world leaders, from Napoleon to Edward VII, to its quaint interior.

THE CAFÉ DE PROCOPE IN 1743

From an engraving by Bosredon

Another tavern that took up coffee after Procope, was the Royal Drummer, which Jean Ramponaux established at the Courtille des Porcherons and which followed Magny's. His hostelry rightly belongs to the tavern class, although coffee had a prominent place on its menu. It became notorious for excesses and low-class vices during the reign of Louis XV, who was a frequent visitor. Low and high were to be found in Ramponaux's cellar, particularly when some especially wild revelry was in prospect. Marie Antoinette once declared she had her most enjoyable time at a wild farandole in the Royal Drummer. Ramponaux was taken to its heart by fashionable Paris; and his name was used as a trade mark on furniture, clothes, and foods.