Читать книгу In Silk Attire: A Novel - William Black - Страница 4

It was near midnight when an unusually notable and brilliant little party sate down to supper in the largest hall of an hotel in the neighbourhood of Charing Cross. Brilliant the meeting was, for beneath the strong lights shone the long white table with its gleaming crystal, and silver, and flowers; and notable it was in that the persons sitting there were, every one of them, marked by an obvious individualism of face and dress. They wore no mere company of cultivated nothings, as like each other in brain, costume, and manner, as the wine-glasses before them; scarcely a man or woman of them had not his or her own special character rendered apparent by this or that peculiarity of facial line or intentional adornment.

But there was one woman there – or girl, rather, for she was clearly not over twenty – whose character you could not easily catch. You might watch the expression of her eyes, listen to her bright, rapid, cheerful talk, and study her bearing towards her associates; and then confess that there was something elusive about her – she had not exhibited her real nature to you – you knew nothing of her but those superficial characteristics which were no index to the spirit underneath.

Slight in figure, and somewhat pale and dark, there was nevertheless a certain dignity about her features, and a stateliness in her gestures, which gave an almost massive grandeur to her appearance. Then her magnificent black hair lay around the clear, calm face, which was rendered the more intensely spiritual by large eyes of a deep and tender grey. They were eyes, under these long eyelashes, capable of a great sadness, and yet they were not sad. There seemed to play around the beautiful, intellectual face a bright, superficial, unconscious vivacity; and she herself appeared to take a quite infantine interest in the cheerful trivialities around her. For the rest, she was dressed in a gleaming white moiré, with tight sleeves which came down to her tiny wrists, and there ended in a faint line of blue; and through the great braided masses of her black hair there was wound a thick cord of twisted silver, which also had a thread of blue cunningly interwoven with it. The artistic possibilities of her fine face and complexion were made the most of; for she was an artist, one of the few true artists who have been seen upon our modern stage.

This was Miss Annie Brunel, who in three months from the date of her arrival in this country had won the heart of London. The young American actress, with her slight and nervous physique, her beautiful head, and the dark lustre of her eyes, was photographed, lithographed, and written about everywhere: people went and wept covertly beneath the spell of her voice; for once unanimity prevailed among all the critics who were worth attention, and they said that the new actress was a woman of genius. Who could doubt it that had witnessed the utter self-abandonment of her impersonations? She did not come upon the stage with a thought about her jewellery, a consciousness of her splendid hair, and an eye to the critical corner of the stalls. On the stage she was no longer mistress of herself. Her eyes deepened until they were almost black; her face was stirred with the white light of passion; and her words were instinct with the tenderness which thrills a theatre to its core. When the sudden intensity died down, when she resumed her ordinary speech and dress, she seemed to have come out of a trance. Not a trace remained of that fire and those intonations, which were the result of unconscious creation; her eyes resumed their serene, happy indifference, her face its pleased, childlike expression. Swift, active, dexterous she was, full of all sorts of genial and merry activities; that kindling of the eye and tremor of the voice belonged to the dream-life she led elsewhere.

The supper was rather a nondescript affair, resembling the little entertainment sometimes given by an author on the production of his new piece. As the play, however, in which Miss Brunel had just appeared was "Romeo and Juliet," there was a little difficulty about the author's being present to perform the ordinary duties; and so the manager's very good friend, the Graf von Schönstein, had stepped in and offered to play the part of host on the occasion.

The Graf, indeed, occupied the chair – a large and corpulent man, with a broad, fair face, small blue eyes, red hands, a frilled shirt, flowered waistcoat, and much jewellery. He had made the acquaintance of Miss Brunel during the previous year in America, and lost no time in renewing it now that she had so suddenly become famous in England. Of the Graf, who it may be mentioned was once a respectable tea-broker in Thames Street, E.C., we shall hear more.

On the left of the chairman sate the manager, a middle-aged man, with grey hair and a melancholy face; on the right Miss Brunel, and next to her a young man of the name of Will Anerley, a friend of Count Schönstein. Then followed several members of the company, an elderly little woman who officiated as Miss Brunel's guardian, two or three critics, and a young man who spoke to nobody, but kept his eyes intently fixed upon a charming soubrette (with whom he had quarrelled some days before) who was wickedly flirting with Mercutio. There was no lack of jest and talk down both sides of the table, for the wine-glasses were kept well filled; and occasionally there rang out, clear and full, the mellifluous laughter of the Nurse – a stout, big, red-faced woman, who had a habit of using her pocket handkerchief where a table-napkin might have been more appropriate – as she cracked her small jokes with Benvolio, who sate opposite to her. Then Friar Lawrence, who had thrown aside his robe and become comic, happened to jolt a little champagne into Lady Capulet's lap; and the angrier she grew over his carelessness, the more did the people laugh, until she herself burst out with a big, good-natured guffaw.

Meanwhile the small clique at the upper end of the table was engaged in a conversation by itself, Count Schönstein appealing to the manager vehemently:

"Was I not right in begging you to give the public Miss Brunel's 'Juliet?' There never was such a triumph, Miss Brunel; I assure you, you have taken London by storm. And with the public satisfied, will the critics object? You will not see a dissentient voice in the papers on Monday morning. What do you say to that, Mr. Helstone?"

The man whom he addressed had forsaken the cluster of his brother critics, and was busily engaged in amusing the pretty soubrette, whom he had entirely drawn away from poor Mercutio.

"Why," he said, with a faint smile, apparently bent upon puzzling the gorgeous-looking gentleman who had imprudently interrupted him, "I should be sorry to see such unanimity, for Miss Brunel's sake. Conscientious journalism, like every conscientious journalist, knows that there are two sides to every question, and will do its best to write on both. The odds will be the truth."

"Do you mean to tell me," asked the Count, somewhat pompously, "that you have no more conscience than to advocate different things in different papers?"

"If I write what I know on one side of a subject in one paper, and write up the other side in another paper, I free myself from a charge of suppressing truth; and I – "

Whereupon the soubrette, with the brown curls and the wicked blue eyes, pulled his sleeve and made him upset a claret glass.

"What a clumsy creature you are," she whispered. "And what is the use of talking to that ridiculous old fool? Tell me, do you think Miss Brunel handsome?"

"I think she has the face of a woman of genius," he said, with a glance of genuine admiration.

"Bah! that means nothing. Don't you think she shows her teeth on purpose when she laughs; and then those big, soft eyes make her look affectedly sentimental. Why do you grin so? I suppose I am not as handsome as she is; but I wonder if she could put on my gloves and boots?"

"You have adorable hands and feet, Miss Featherstone; everybody allows that."

"Thank you. They say that every ugly woman has pretty hands and feet."

"Nature leaves no creature absolutely unprotected, my dear. Let me give you some vanilla cream."

"You are a brute. I hate you."

"I have generally found that when a young lady says she hates you, she means she loves you – if you have a good income."

"I have generally found that when a young lady rejects her suitor because of his want of brain, he instantly says she cast him off because of his want of money. But I wish you'd keep quiet, and let me hear what Mr. Melton is saying about next week. If he thinks I'll play the people in with a farce, as well as play in the burlesque, he is mistaken. However, since you people have taken to write up Miss Brunel, she will order everything; and if the poor dear thinks seven too soon for her nerves after tea, I suppose she will get played whatever she wants."

"Spiteful thing! You're thinking of her handsome face and eyes and hair: why don't you look in the mirror and calm yourself?"

The little group at the head of the table had now split itself into two sections; and while Count Schönstein talked almost exclusively to Mr. Melton, Miss Brunel was engaged in what was apparently an interesting conversation with Will Anerley, who sate next her. But a patient observer would have noticed that the stout and pompous Count kept his eyes pretty well fixed upon the pair on his right; and that he did not seem wholly pleased by the amused look which was on Miss Brunel's face as she spoke, in rather a low tone, to her companion:

"You confess you are disappointed with me. That is quite natural; but tell me how I differ from what you expected me to be."

She turned her large, lustrous eyes upon him; and there was a faint smile on her face.

"Well," he said, "on the stage you are so unlike any one I ever saw that I did not expect to find you in private life like – like any one else, in fact."

"Do you mean that I am like the young ladies you would expect to find in your friends' house, if you were asked to go and meet some strangers?"

"Precisely."

"You are too kind," she said, looking down. "I have always been taught, and I know, that private people and professional people are separated by the greatest differences of character and habits; and that if I went amongst those young ladies of whom you speak, I should feel like some dreadfully wicked person who had got into heaven by mistake and was very uncomfortable. Have you any sisters?"

"One. Well, she is not my sister, but a distant relation who has been brought up in my father's house as if she were my sister."

"Am I like her?"

"No. I mean, you are not like her in appearance; but in manner, and in what you think, and so forth, you would find her as like yourself as possible. I cannot understand your strange notion that some unaccountable barrier exists between you and other people."

"That is because you have never lived a professional life," she said. "I know, myself, that there is the greatest difference between me now and when I am in one of my parts. Then I am almost unconscious of myself – I scarcely know what I'm doing; and now I should like to go on sitting like this, making fun with you or with anybody, or amusing myself in any way. Do you know, I fancy nothing would give me so much delight as battledore and shuttlecock if I might have it in my own house; but I am afraid to propose such a thing to my guardian, Mrs. Christmas, or she would think I was mad. Did you never wish you were only ten years old again, that you might get some fun without being laughed at?"

"I used constantly to go bird's-nesting in Russia, when we were too lazy to go on a regular shooting-party, and never enjoyed anything half so much. And you know cricket has been made a manly game in order to let men think themselves boys for an hour or two."

"I should like you to become acquainted with my dear old Christmas – do you see her down there? – and then you would know how a professional life alters one. It was she, not my dear mother, who taught me all the gestures, positions, and elocution which are the raw material we actresses use to deceive you. How she scolds me when I do anything that differs from her prescriptions! And indeed she cannot understand how one, in the hurry of a part, should abandon one's-self to chance, and forget the ordinary 'business.' Now the poor old creature has to content herself with a little delicate compliment or two instead of the applause of the pit; and I am sometimes put to my wits' end to say something kind to her, being her only audience. Won't you come and help me some afternoon?"

The unconscious audacity of the proposal, so quietly and so simply expressed, staggered the young man; and he could only manage to mention something about the very great pleasure it would give him to do so.

He was very much charmed with his companion; but he was forced to confess to himself that she did, after all, differ a good deal from the gentlewomen whom he was in the habit of meeting. Nor was it wonderful that she should: the daughter of an actress, brought up from her childhood among stage-traditions, driven at an early period, by her mother's death, to earn her own living, and having encountered for several years all the vicissitudes and experience of a half-vagrant life, it would have been a miracle had she not caught up some angular peculiarities from this rough-and-ready education. Anerley was amazed to find that easy audacity and frankness of speech, her waywardness and occasional eccentricity of behaviour, conjoined with an almost ridiculous simplicity. The very attitude her Bohemianism led her to adopt towards the respectable in life, was in itself the result of a profound childlike ignorance; and, as he afterwards discovered, was chiefly the result of the tuition of a tender and anxious mother, who was afraid of her daughter ever straying from the folds of a profession which is so generous and kindly to the destitute and unprotected. All this, and much more, he was afterwards to learn of the young girl who had so interested him. In the meantime she seemed to him to be a spoilt child, who had something of the sensitiveness and sagacity of a woman.

"Look how he blushes," said the charming soubretteto her companion.

"Who?"

"The gentleman beside Miss Brunel."

"Are you jealous, that you watch these two so closely?"

"I'm not; but I do consider him handsome – handsomer than any man I know. He is not smooth, and fat, and polished, like most gentlemen who do nothing. He looks like an engine-driver cleaned – and then his great brown moustache and his thick hair – no, I'll tell you what he's like; he is precisely the Ancient Briton you see in bronzes, with the thin face and the matted hair – "

"And the scanty dress. I suppose the ancient Britons, like Scotchmen nowadays, wore an indelicate costume, in order to save cloth."

"I do consider him handsome; but her! And as for her being a great actress, and a genius, and all that, I don't consider her to be a bit better than any of us."

"If that is the case, I can quite understand and approve your depreciation of her."

"I will box your ears."

"Don't. They might tell tales; and you know I'm married."

"Tant pis pour toi."

The Ancient Briton had meanwhile recovered his equanimity; and both he and Miss Brunel had joined in an argument Mr. Melton was setting forth about the deliciousness of being without restraint. The grave manager, under the influence of a little champagne, invariably rose into the realm of abstract propositions; and indeed his three companions, all of them in a merry mood, helped him out with a dozen suggestions and confirmations.

"And worst of all," said Miss Brunel, "I dislike being bound down by time. Why must I go home just now, merely because it is late? I should like at this very moment to go straight out into the country, without any object, and without any prospect of return."

"And why not do so?" cried Count Schönstein. "My brougham can be brought round in a few minutes; let us four get in and drive straight away out of London – anywhere."

"A capital idea," said Melton. "What do you say, Miss Brunel?"

"I will go with pleasure," she replied, with bright childish fun in her eyes. "But we must take Mrs. Christmas with us. And that will be five?"

"Then let me go outside and smoke," said Will Anerley.

The supper party now broke up; and the ladies went off to get their bonnets, wrappers, and cloaks. In a few minutes Count Schönstein's brougham was at the door; and Miss Brunel, having explained to Mrs. Christmas the position of affairs, introduced her to Will Anerley. She had come forward to the door of the brougham, and Anerley saw a very small bright-eyed woman, with remarkably white hair, who was in an extreme nervous flutter. He was about to go outside, as he had promised, when Count Schönstein made the offer, which his position demanded, to go instead.

"Yes, do," said Miss Brunel, putting her hand lightly on Will Anerley's arm.

The Count was, therefore, taken at his word; Anerley remained by the young actress's side; and Mrs. Christmas being dragged in, away rolled the brougham.

"And wherever are you going at this time of night, Miss Annie?" said the old woman in amazement.

"For a drive into the country, mother. Look how bright it is!"

And bright it was. There was no moon as yet, but there was clear starlight; and as they drove past the Green Park, the long rows of ruddy lamps hung in the far darkness like strings of golden points, the counterpart of the gleaming silver points above. And there, away in the north, glimmered the pale jewels of Cassiopeia; the white star on Andromeda's forehead stood out from the dark sea; Orion coldly burned in the south, and the red eye of Aldebaran throbbed in the strange twilight. The dark grey streets, and the orange lamps, and the tall houses, and the solitary figures of men and women hurried past and disappeared; but the great blue vault, with its twinkling eyes, accompanied the carriage-windows, rolled onward with them, and always glimmered in.

This mad frolic was probably pleasant enough for every one of the merry little party inside the vehicle; but it could scarcely be very fascinating to the victimized Count, who found himself driving through the chill night-air in company with his own coachman. Perhaps, however, he wished to earn the gratitude of Miss Brunel by this dumb obedience to her whim; for he did not seek to arrest or alter the course of the brougham as it was driven blindly out into the country. He could hear the laughter from within the carriage; for they were all in the hest of moods – except, perhaps, Miss Brunel, whom the sight of the stars rather saddened.

At length they came to a toll-bar. Melton put his head out and asked the Count where they were.

"Hounslow."

"Is that the Bell Inn?"

"Yes."

"Then suppose we get out, wake the people up, and give the horses a rest, while we have a little trip on foot to Hounslow Heath?"

"Is not that where all the murders and robberies used to be committed?" Miss Brunel was heard to say.

"This is the very inn," said Will Anerley, "which the gentlemen of the road used to frequent; but unfortunately, the Heath has been all enclosed. There is no more Heath."

"We shall find something that will do for it," said Melton, as the party left the brougham, and passed down the opposite road.

Once out of the glare of the lamp at the toll-bar, they had nothing to guide them but the cold, clear starlight. Black lay the hedges on either side; black stood the tall trees against the sky; blacker still the deep ditch which ran along the side of the path, or disappeared under the gravelled pathway leading up to some roadside cottage. How singularly the light laughter of the little party smote upon the deep, intense silence of the place; and what a strange contrast there was between their gay abandonment and the sombre gloom around them! There was something weird and striking running through the absurdity of this incomprehensible excursion.

"There," said Melton, going up to a gate, and peering over into a vague, dark meadow, "is a bit of the old Heath, I know. Was it here, I wonder, that Claude Duval danced his celebrated dance with the lady?"

"Let us suppose it was," said the Count. "And why should we not have a dance now on the Heath? Mr. Melton, will you give us some music?"

"With pleasure," said the manager, opening the gate, and allowing his merry companions to pass into the meadow.

They went along until they were within a short distance of a clump of trees; and then, the Count having been ingeniously compelled to take Mrs. Christmas as his partner, Miss Brunel being Anerley's vis-à-vis, the manager proceeded to sing a set of quadrilles in rather an unmelodious manner, varying la, la, la, with tow, row, row. The great, pompous Count puffed, and blew, and guffawed; the little Mrs. Christmas danced with a prim and grave precision; while all did their best to help out the figures, and stumbled, and set each other right again, and laughed right heartily over the mad performance.

Then there was a sudden shriek, clear and sharp, that rang through the darkness; the dancing suddenly ceased; and Anerley sprang forward just in time to prevent Miss Brunel from sinking to the ground, her face pale as death.

"Did you not see it?" she gasped, still trembling. "Something white flashed past through the trees there – in a moment – and it seemed to have no shape."

"By Jove, I saw it too!" said Melton, who had abruptly ceased his singing; "and for the life of me I can't imagine what it was."

"A white cow," suggested Anerley.

"I tell you it flew past like a streak of lightning," said Melton.

"More likely a white doe belonging to the park over there," said the Count, who was inwardly the most terrified person present.

"Let us get away from here," said Miss Brunel, who had recovered her self-composure, but was very grave. "Whatever it was, the grass is too wet for us to remain."

So they left the meadow, and walked rather silently back to the toll-bar, got into the brougham, and were driven to their respective homes.