Читать книгу In Silk Attire: A Novel - William Black - Страница 8

By the time the "playing-in" farce was over, the house was quite full. That morning's papers had written in such a fashion about the new triumph of Miss Brunel on Saturday night, that long before the box-office was closed there was not a registered place in the building which had not been seized upon. Will foresaw what was likely to happen, and had asked Mr. Melton to secure him a box.

When the little party drove from the Langham – Will's rooms in town scarcely offering them the accommodation they required – Dove was in high spirits. It was the first time she had gone anywhere with the young gentleman opposite her since their "engagement;" and she already felt that comfortable sense of extended possession which married people enjoy. She took her seat in the brougham, which Count Schönstein had kindly placed at their disposal, with a new and fluttering pleasure; she already imagined herself to have the importance and the claims to attention of a wife; and she accepted Will's little courtesies in this light, and made herself very happy over the altered aspect of their relations.

When her opera-cloak had been hung up, and her tiny bouquet, opera-glass, and bill placed daintily before her, the graceful little woman ensconced herself in the corner, and timidly peeped round the curtain. She was dressed in a very faint blue silk, with sharp broad lines of white about it; and over and through her rippling brown hair ran the strings of blue pearls which Count Schönstein had given her. Not even Mrs. Anerley, who saw her often enough, could forbear to look with a tender pride upon the girl; and as for Mr. Anerley, whose tall, upright figure was hid in the shadow of the box, he would fain have sat down beside his adopted daughter, with his arm round her waist, and forgotten all about what they had come to see.

The orchestra finished its overture, chiefly composed of the delicate "Sonnambula" music, and the curtain rose. Dove was disappointed at not seeing Miss Brunel; and paid but little attention to the preliminary scenes.

Suddenly there was an extraordinary commotion throughout the house, and a burst of that fine, strong, thunderous music which artists love to hear – and then Dove saw advance a girlish-looking creature with a calm, somewhat pale, and interesting face, and beautiful black hair. She was only girlish in the slightness of her figure: there was an artistic completeness in her motions and a self-possession in her bearing which gave her something of a queenly look. She wore a magnificent white satin dress, the train of which lay in splendid masses behind her; and down over this white and gold fell a black lace veil, partly hiding the rich hair, and enclosing the clear, beautiful dark face. Dove was spell-bound by that face. It somehow suggested Italy to her, and blue skies, and music, and the passionate artistic warmth of the South. Nor was the illusion destroyed by the low chest-voice with which the girl replied to the questions of Lady Capulet. And from that moment, Dove thought no more of Miss Brunel and Will's friend. She was only Juliet, and Dove followed her sad story with an aching heart and a trembling lip.

During the matchless balcony scene, Will saw this intense sympathetic emotion growing upon the girl. I believe it is considered to be the proper thing for young ladies to be able to turn round and smile compassionately to each other, when the tragic sadness on the stage is making the women in the pit sob bitterly, and raising great lumps in the throats of the men. It is a pretty accomplishment, in its way; and may be indicative of other qualities which these young persons are accused of possessing. Dove's emotional tendencies had never been educated, however; and in this balcony-scene, as I say, she watched the lovers with a painful interest, which wrote its varying story every moment on her face. The theatre was still as death. The scarcely-uttered tendernesses of Juliet were heard as distinctly as if they had been breathed into one's ear; and the eyes of the audience drank in the trembling lights and shadows of her girlish passion with an unconscious delight and admiration. The abandonment of her affection, the reluctant declarations, the coy shrinkings, and piteous, playful, tender apologies were so blended as to make the scene an artistic marvel; and Dove sat "laughin' maist like to greet," as the old Scotch song says. Indeed she scarcely knew whether to laugh or cry with the delight – the absolute delight – which this piece of true art gave her; and when at last Juliet had forced herself to the parting —

when, lingeringly and sadly, she had withdrawn from the balcony, Dove rose suddenly, and with a half-choked sob in her voice, said:

"Oh, Will, I should like so much to see her – and – and – "

"Kiss her," she had nearly said; but thinking it might be ridiculous, she stopped.

"It's against the rules, Dove," said Will, with a smile. "Besides, that isn't Miss Brunel you've been looking at; that is Juliet. Both are very nice ladies; but they are quite unlike each other."

Dove was terribly disappointed. She would like to have declared her conviction that Miss Brunel was Juliet, that she had every bit the same tenderness, and sweetness, and loveliness; but she was afraid her enthusiasm might make Mrs. Anerley laugh at her, and so she bore the rebuff patiently.

Presently, however, some one tapped at the box-door; and the next moment Will was introducing the manager, Mr. Melton, to his companions.

"My young friend here," said Will to Melton, while Dove's pretty face assumed an extra tinge of colour, "has been so much struck by Miss Brunel, that she would like to go and thank her personally."

Now Mr. Melton was in a very good humour. The house was crammed; there was almost no "paper" in it; and the prospect of a good run through the popularity of his new acquisition had warmed up his impassive nature into quite a pronounced geniality.

"Then you ought to introduce the young lady to Miss Brunel," said Mr. Melton, blithely. "If you like, I'll take you round at the end of the act, when Miss Brunel will have a little 'wait.'"

"Will you go, Dove?" asked Will.

"Yes," she said, timidly.

Just as the curtain fell upon the scene in Friar Lawrence's cell, at the end of the second act, Mr. Melton conducted Dove and Will down a tortuous little stone stair into a narrow passage, from which they entered into the wings. A noisy and prolonged recall was thundering throughout the house, and Miss Brunel was being led on to the stage by Romeo to receive renewed plaudits. When she returned and passed under the glare of the jets in one of the entrances, Will went forward to shake hands with her.

"I have to congratulate you again," he said.

"Thank you," she said, simply.

There had been a pleased smile of welcome in her eyes when they met; and yet it seemed to him that there was a strange, intense expression in her look which was not natural to it. Once or twice before he had seen her in the same circumstances; and invariably this unconscious, mesmeric intensity was present in her eyes. He explained it to himself by supposing that the emotional idealism of her assumed character had not quite died out of her yet.

Then she turned and saw Dove standing with Mr. Melton. Will begged to introduce his "sister;" and the brief ceremony was sufficiently singular. For a moment the dark, lambent eyes of Miss Brunel were fixed upon the fair young girl with a sort of hesitating look – an inquiring, apprehensive look, which Will never forgot; then all at once she frankly extended her hand. Dove, a little frightened, approached and shook hands with her.

"Mr. Anerley has spoken to me about you," said Annie Brunel; and Dove was conscious that the dark-haired girl before her knew her secret.

How singular it was to hear herself addressed in those low, rich tones which a few minutes ago were addressing Romeo in the moonlight! Dove almost felt herself enchanted; and could have believed at that moment that she herself belonged to the old, sad, sweet play, which seems to contain everything that was ever uttered about man's love and woman's devotion.

"I must go down to my dressing-room now," said Miss Brunel to Dove. "Will you come with me, if you are curious to see the place? I will send some one round with you to your box afterwards."

Will saw that Dove would like to go, so he settled the proposal by telling her not to be in Miss Brunel's way; and then he and Melton returned to the front of the house.

Dove was now conducted by her companion down into the theatrical Hades which lies beneath the stage. She saw the figures of the carpenters gliding like the spirits of the damned through the dusky twilight; she saw the cumbrous woodwork, the machinery of the traps, and what not, rendered faintly visible by the glimmering jets; and then she was led into the bright little room which was appropriated to Miss Brunel's use.

"You may go home if you like, now, Sarah," said the latter to her dresser. "Mrs. Christmas is in the theatre, and will be here presently."

"Thank you, miss," said the tidy little woman, who immediately hurried away home to get supper ready for her husband, a gasman in the theatre.

It was the best single dressing-room in the place; but it was not a very grand apartment. There was, however, a full-length mirror at one end, which had been privately presented (with a hint as to its destination) by Count Schönstein to Mr. Melton; and the manager had thought that the least he could do was to newly paper the little chamber. At present it was in a state of confusion which largely excited Dove's curiosity. The implements of stage effect were displayed before her, on the floor, on the table, and on the marble slab underneath the smaller looking-glass; and all around lay or hung divers articles of costume and ornament, the peculiarly bright materials and prominent decorations of which were very new to her. But it needed only a glance at Juliet's clear, beautiful face to see that she required very little "making-up," nor was Dove less surprised to find that the lace and similar little delicacies of the young actress's costume were real and valuable.

"My mother taught me to make all these things myself," she explained to Dove. "She was very particular about them; and used to say that when one meant to spend one's life in a profession, one ought to have as much pride in wearing real lace on the stage as out of doors."

"And do you mean to spend all your life in your profession?" asked Dove, timidly.

"Yes; why not?" said the girl, with a smile.

"I – I don't know," stammered Dove, blushing dreadfully.

"Come, be frank with me," said Annie Brunel, taking the girl's hand in hers. "Don't you think it very wicked to be an actress?"

Dove was now forced to explain herself.

"I don't, indeed," she said. "But I couldn't help thinking that you are too young and – and too pretty – to waste all your life in a theatre."

"Oh, nonsense," said Miss Brunel, laughing in a motherly sort of way. "I live only in the theatre. I find my life wasted whenever I go out of it, and spend my time in amusing myself like a child. I have nothing to interest me but the theatre; nothing to live for out of it; and it is only when I get into the spirit of my part that I feel myself all throbbing over with a delicious life. You cannot understand that? Why, my very fingers tingle with enjoyment; I get quite a new warmth within me; and many a time I can't help laughing or crying quite naturally when the scene suggests it. I'm sure no one in front has half the delight in a play that I have. I scarcely see the wings, and the prompter, and the scene-shifters; I forget the abominable smell of gas; and I should like to keep on the character for ever – if it is one that pleases me. When I get a new and unpleasant part, I hate acting. I feel as if I were doing exactly what Mrs. Christmas taught me; and that the people must be laughing at me; and I become afraid of the critics, and hope that I shan't forget the cues."

Here the call-boy came running to the door; Juliet was wanted for the second scene. She hastily departed; and Dove was left alone.

"How very friendly she must be with Will, to receive me so kindly, and talk to me so frankly," thought Dove; when it was her own pretty face that had won upon the young actress's heart.

The scene in Capulet's House is a short one, and Annie Brunel was speedily back in her room. She brought with her Mrs. Christmas; and the bright, white-haired little woman made a pert courtesy when she was introduced, and said how sorry she was to hear that the young lady had been sitting alone. The next moment she was running into a series of ludicrous stories about the mistakes inexperienced people had made in trying to find their way about the theatre by themselves; and it must be confessed that her anecdotes were sometimes so very humorous that it was as well that only ladies heard them.

"And something of the same kind," she continued, with her merry little eyes sparkling, "happened to Mr. – , the celebrated author, you know, with Nelly Featherstone, who is in this theatre at the present moment – or ought to be. You know it was a benefit night, Miss – Anerley? – yes, Miss Anerley; and there was a general hurry-scurry, and he had been left in the wings. He asked a super how he should get to Mr. Crimp (and it was his benefit, my dear, and he had several friends with him, all drinking in his room), and the man told him to go to the first dressing-room on the right when he went downstairs. But his right was our left, as you know, my dear; and there were in the first dressing-room on the left Nelly Featherstone and her sister, and another girl, all dressing as hard as ever they could for the burlesque. Nelly was 'Perseus,' and before she had got on her tights, she was in – in a transition state, shall we say, my dear?"

Here the merry little woman laughed until the tears ran down her withered grey cheeks. "And up to the door goes Mr. – , and opens it without thinking. Oh, Lor! what a fright he must have got! Nelly screamed at the pitch of her voice, and fell into a chair, and screamed again; and her sister Jeanie (she had some clothes on) ran at the poor man, and said something very offensive, and slammed the door in his face. Poor fellow, he nearly died of shame; and Nelly's scream told everybody of his blunder, and Crimp and all his friends shrieked over it – but not before him, my dear, for he was much too celebrated a man to be laughed at. Only he sent her next day an explanation and an apology through the manager, and as beautiful a bouquet as ever you saw; and he got a friend of his to write a lovely notice of her in the Diurnal itself, when old Yellowjaw's piece was – Mercy, gracious me! There's the call-boy again – run, Miss Annie!"

"Good-bye," said Miss Brunel, hurriedly, shaking hands with Dove. "I should like you to come often and see me."

She bent over her for a moment, kissed her lightly, and left.

"You know what that means?" said Mrs. Christmas to Dove. "That means that she will speak to no one this night again until her part is finished. All the theatre knows her way, and humours her. It's when the genius is working on her – that's what I say; and I know it, for I've seen it in her mother. There was the sweetest woman you ever heard of – not very friendly, Miss, you know, in the way of talking of her own affairs – and it's nothing I could ever make out about her life before I knew her – but the sweetest creature! the tenderest creature! And she was such a rare good actress, too – but nothing like her daughter; she knew that, and used to sit and talk for hours – it was the only thing she would talk about – over what she expected Miss Annie to be. And once she said to me, with tears running down her face, 'I pray every night that my little girl may be kept always an actress; and that she may never look for happiness outside her own profession.' But it's a shame to keep you here, Miss, if you've never seen Miss Annie's 'Juliet;' she said I was to take you back to your box when you wished to go."

So once more Dove passed through the gloomy region and worked her way upward to the light of the theatre. Her friends were astonished at her long absence; but they were too much enthralled by what was going on upon the stage to speak to her. And again Dove looked down upon that queenly little person with whom she had been talking; and could not explain to herself the strange sensation she then experienced. It seemed as if her visit to the dressing-room had been a trance; and that she had really been speaking with Juliet. In the dressing-room she had seen before her only a fine-looking, intellectual, and very courteous lady; but now upon the stage, she could not see this lady at all. She even lost the power of remembering her. Those jet-black tresses, those fine eyes, and that pale, beautiful forehead – above all, that rich, majestic voice – all these belonged to Juliet, were Juliet, and she knew that it was a Juliet in nature, if not in name, who had spoken to her, and taken her hand, and kissed her.

This is perhaps the severest test to which an artist can be put. When you know the writer of a book, you cannot help under-estimating the book. You are familiar with the author's personality, his habit of thought, perhaps with the material on which he works; you think of him more than of his book; and nothing but the soundest and most concentrated effort will overcome the influence of this unwittingly unjust scrutiny. When you know an actor or an actress, you involuntarily search for himself or herself in the assumed character; you look at the character from within, not from without; you destroy the illusion by a knowledge of its material elements. Nothing but the power of genius will force upon you under these circumstances the idealism which the artist is labouring to complete.

But Dove was an easy subject for the spiritual magnetism of art. Her keenly sympathetic nature vibrated to the least motion of the magician's hand; and when the passionate climax of Juliet's misery was reached, Dove had entirely lost self-control. For a little time she tried to retain her composure, although Mrs. Anerley saw her lips suddenly tremble when Juliet begged the Friar to show her some means of remaining faithful to her husband —

But in the final scene she quite broke down. She rose and went to the back of the box, and stood in a corner, sobbing bitterly. Mr. Anerley drew her towards him; and tried to soothe her, in his quiet, kindly way.

"My darling, why should you vex yourself? You will see 'Juliet' alive in a few minutes."

"I know it well enough," she said, trying to assume her ordinary manner, "but it's very wrong for any one to write things like that, to make people cry."

"The naughty Shakespeare shan't do it again, that he shan't," said Will, compassionately. "And as for Miss Brunel, who is most in fault – but here she comes!"

Will picked out of the corner the large bouquet which lay there; and returned in time to let it drop – nearly the first of a fine collection of similar tributes which welcomed the triumph of the young actress – almost at her feet. Romeo picked it up, along with two others; she took this particular one and sent a single bright look so clearly up to the box, that a good many heads were turned thither. When Romeo had picked up the remaining bouquets, and when she had again and again bowed her acknowledgments of the cordial applause of the theatre, the girl with the pale face and the black hair retired, and the people calmed down.

"Now, Dove," said Will, "if you wish to be cheered up a bit before going, there is as absurd a farce as ever was written to follow. Shall we stay?"

"Just as you please, Will," said Dove, looking down.

The first of her new duties, she thought, was submission and obedience; and she hoped neither Mr. nor Mrs. Anerley noticed her little conjugal effort.

It was agreed, however, that they should go home at once; and Will went off to hunt up Count Schönstein's brougham. In a short space of time they were seated in the Langham hotel, awaiting supper.

"And not the least pleasant part of a play," said Mr. Anerley, dogmatically, as he fingered one of his wine-glasses, "is the supper after. You come out of the gas and the heat into a cool, fresh room; and – and – waiter! bring some ice, please."

"Yes, sir."