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THE COUNTESS CATHLEEN
THE COUNTESS CATHLEEN
ACT II

Оглавление

A great hall in the castle of the COUNTESS CATHLEEN. There is a large window at the farther end, through which the forest is visible. The wall to the right juts out slightly, cutting off an angle of the room. A flight of stone steps leads up to a small arched door in the jutting wall. Through the door can be seen a little oratory. The hall is hung with ancient tapestry, representing the loves and wars and huntings of the Fenian and Red Branch heroes. There are doors to the right and left. On the left side OONA sits, as if asleep, beside a spinning-wheel. The COUNTESS CATHLEEN stands farther back and more to the right, close to a group of the musicians, still in their fantastic dresses, who are playing a merry tune.

CATHLEEN

Be silent, I am tired of tympan and harp,

And tired of music that but cries ‘Sleep, sleep,’

Till joy and sorrow and hope and terror are gone.


[The COUNTESS CATHLEEN goes over to OONA.

You were asleep?


OONA

No, child, I was but thinking

Why you have grown so sad.


CATHLEEN

The famine frets me.


OONA

I have lived now near ninety winters, child,

And I have known three things no doctor cures —

Love, loneliness, and famine; nor found refuge

Other than growing old and full of sleep.

See you where Oisin and young Niamh ride

Wrapped in each other’s arms, and where the Fenians

Follow their hounds along the fields of tapestry;

How merry they lived once, yet men died then.

Sit down by me, and I will chaunt the song

About the Danaan nations in their raths

That Aleel sang for you by the great door

Before we lost him in the shadow of leaves.


CATHLEEN

No, sing the song he sang in the dim light,

When we first found him in the shadow of leaves,

About King Fergus in his brazen car

Driving with troops of dancers through the woods.


[She crouches down on the floor, and lays her head on OONA’S knees.

OONA

Dear heart, make a soft cradle of old tales,

And songs, and music: wherefore should you sadden

For wrongs you cannot hinder? The great God

Smiling condemns the lost: be mirthful: He

Bids youth be merry and old age be wise.


CATHLEEN

Tympan and harp awaken wandering dreams.


A VOICE [without]

You may not see the Countess.


ANOTHER VOICE

I must see her.


[Sound of a short struggle. A SERVANT enters from door to R.

SERVANT

The gardener is resolved to speak with you.

I cannot stay him.


CATHLEEN

You may come, Maurteen.


[The GARDENER, an old man, comes in from the R., and the SERVANT goes out.

GARDENER

Forgive my working clothes and the dirt on me.

I bring ill words, your ladyship, – too bad

To send with any other.


CATHLEEN

These bad times,

Can any news be bad or any good?


GARDENER

A crowd of ugly lean-faced rogues last night —

And may God curse them! – climbed the garden wall.

There is scarce an apple now on twenty trees,

And my asparagus and strawberry beds

Are trampled into clauber, and the boughs

Of peach and plum-trees broken and torn down

For some last fruit that hung there. My dog, too,

My old blind Simon, him who had no tail,

They murdered – God’s red anger seize them!


CATHLEEN

I know how pears and all the tribe of apples

Are daily in your love – how this ill chance

Is sudden doomsday fallen on your year;

So do not say no matter. I but say

I blame the famished season, and not you.

Then be not troubled.


GARDENER

I thank your ladyship.


CATHLEEN

What rumours and what portents of the famine?


GARDENER

The yellow vapour, in whose folds it came,

That creeps along the hedges at nightfall,

Rots all the heart out of my cabbages.

I pray against it.


[He goes towards the door, then pauses.

If her ladyship

Would give me an old crossbow, I would watch

Behind a bush and guard the pears of nights

And make a hole in somebody I know of.


CATHLEEN

They will give you a long draught of ale below.


[The GARDENER goes out.

OONA

What did he say? – he stood on my deaf side.


CATHLEEN

His apples are all stolen. Pruning time,

And the slow ripening of his pears and apples,

For him is a long, heart-moving history.


OONA

Now lay your head once more upon my knees.

I will sing how Fergus drove his brazen cars.


[She chaunts with the thin voice of age.

Who will go drive with Fergus now,

And pierce the deep woods’ woven shade,

And dance upon the level shore?

Young man, lift up your russet brow,

And lift your tender eyelids, maid,

And brood on hopes and fears no more.

You have dropped down again into your trouble.

You do not hear me.


CATHLEEN

Ah, sing on, old Oona,

I hear the horn of Fergus in my heart.


OONA

I do not know the meaning of the song.

I am too old.


CATHLEEN

The horn is calling, calling.


OONA

And no more turn aside and brood

Upon Love’s bitter mystery;

For Fergus rules the brazen cars,

And rules the shadows of the wood,

And the white breast of the dim sea

And all dishevelled wandering stars.


THE SERVANT’S VOICE [without]

The Countess Cathleen must not be disturbed.


ANOTHER VOICE

Man, I must see her.


CATHLEEN

Who now wants me, Paudeen?


SERVANT [from the door]

A herdsman and his history.


CATHLEEN

He may come.


[The HERDSMAN enters from the door to R.

HERDSMAN

Forgive this dusty gear: I have come far.

My sheep were taken from the fold last night.

You will be angry: I am not to blame.

But blame these robbing times.


CATHLEEN

No blame’s with you.

I blame the famine.


HERDSMAN

Kneeling, I give thanks.

When gazing on your face, the poorest, Lady,

Forget their poverty, the rich their care.


CATHLEEN

What rumours and what portents of the famine?


HERDSMAN

As I came down the lane by Tubber-vanach

A boy and man sat cross-legged on two stones,

With moving hands and faces famine-thin,

Gabbling to crowds of men and wives and boys

Of how two merchants at a house in the woods

Buy souls for hell, giving so great a price

That men may live through all the dearth in plenty.

The vales are famine-crazy – I am right glad

My home is on the mountain near to God.


[He turns to go.

CATHLEEN

They will give you ale and meat before you go.

You must have risen at dawn to come so far.

Keep your bare mountain – let the world drift by,

The burden of its wrongs rests not on you.


HERDSMAN

I am content to serve your ladyship.


[He goes.

OONA

What did he say? – he stood on my deaf side.

He seemed to give you word of woful things.


CATHLEEN

A story born out of the dreaming eyes

And crazy brain and credulous ears of famine.

O, I am sadder than an old air, Oona,

My heart is longing for a deeper peace

Than Fergus found amid his brazen cars:

Would that like Edain my first forebear’s daughter,

Who followed once a twilight’s piercing tune,

I could go down and dwell among the Sidhe

In their old ever-busy honeyed land.


OONA

You should not say such things – they bring ill-luck.


CATHLEEN

The image of young Edain on the arras,

Walking along, one finger lifted up;

And that wild song of the unending dance

Of the dim Danaan nations in their raths,

Young Aleel sang for me by the great door,

Before we lost him in the shadow of leaves,

Have filled me full of all these wicked words.


[The SERVANT enters hastily, followed by three men. Two are peasants.

SERVANT

The steward of the castle brings two men

To talk with you.


STEWARD

And tell the strangest story

The mouth of man has uttered.


CATHLEEN

More food taken;

Yet learned theologians have laid down

That he who has no food, offending no way,

May take his meat and bread from too-full larders.


FIRST PEASANT

We come to make amends for robbery.

I stole five hundred apples from your trees,

And laid them in a hole; and my friend here

Last night stole two large mountain sheep of yours

And hung them on a beam under his thatch.


SECOND PEASANT

His words are true.


FIRST PEASANT

Since then our luck has changed.

As I came down the lane by Tubber-vanach

I fell on Shemus Rua and his son,

And they led me where two great gentlemen

Buy souls for money, and they bought my soul.

I told my friend here – my friend also trafficked.


SECOND PEASANT

His words are true.


FIRST PEASANT

Now people throng to sell,

Noisy as seagulls tearing a dead fish.

There soon will be no man or woman’s soul

Unbargained for in fivescore baronies.


SECOND PEASANT

His words are true.


FIRST PEASANT

When we had sold we talked,

And having no more comfortable life

Than this that makes us warm – our souls being bartered

For all this money —


SECOND PEASANT

And this money here.


[They bring handfuls of money from their pockets. CATHLEEN starts up.

FIRST PEASANT

And fearing much to hang for robbery,

We come to pay you for the sheep and fruit.

How do you price them?


CATHLEEN

Gather up your money.

Think you that I would touch the demons’ gold?

Begone, give twice, thrice, twenty times their money,

And buy your souls again. I will pay all.


FIRST PEASANT

We will not buy our souls again: a soul

But keeps the flesh out of its merriment.

We shall be merry and drunk from moon to moon.

Keep from our way. Let no one stop our way.


[They go.

CATHLEEN [to servant]

Follow and bring them here again – beseech them.


[The SERVANT goes.

[To STEWARD.]

Steward, you know the secrets of this house.

How much have I in gold?


STEWARD

A hundred thousand.


CATHLEEN

How much have I in castles?


STEWARD

As much more.


CATHLEEN

How much have I in pastures?


STEWARD

As much more.


CATHLEEN

How much have I in forests?


STEWARD

As much more.


CATHLEEN

Keeping this house alone, sell all I have;

Go to some distant country and come again

With many herds of cows and ships of grain.


STEWARD

God’s blessing light upon your ladyship;

You will have saved the land.


CATHLEEN

Make no delay.


[He goes.

[Enter SERVANT.]

How did you thrive? Say quickly. You are pale.


SERVANT

Their eyes burn like the eyes of birds of prey:

I did not dare go near.


CATHLEEN

God pity them!

Bring all the old and ailing to this house,

For I will have no sorrow of my own

From this day onward.


[The SERVANT goes out. Some of the musicians follow him, some linger in the doorway. The COUNTESS CATHLEEN kneels beside OONA.

Can you tell me, mother,

How I may mend the times, how staunch this wound

That bleeds in the earth, how overturn the famine,

How drive these demons to their darkness again?


OONA

The demons hold our hearts between their hands,

For the apple is in our blood, and though heart break

There is no medicine but Michael’s trump.

Till it has ended parting and old age

And hail and rain and famine and foolish laughter;

The dead are happy, the dust is in their ears.


The Collected Works in Verse and Prose of William Butler Yeats. Volume 3 of 8. The Countess Cathleen. The Land of Heart's Desire. The Unicorn from the Stars

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