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Contents

Acknowledgments

A Note on the Text

A Note on Transliteration

Introduction

Translator’s Note

PART ONE Semiotics

1. From Universe of the Mind

Autocommunication: “I” and “Other” as Addressees

Semiotic Space

The Idea of Boundary

2. From The Structure of the Artistic Text

“Noise” and Artistic Information

The Problem of Plot

3. From Culture and Explosion

The Interrupted and the Uninterrupted

Perspectives

Instead of Conclusions

4. Memory in a Culturological Light

5. The Language of Theater

PART TWO Cultural History

6. The Role of Dual Models in the Dynamics of Russian Culture

7. The Symbolism of Petersburg and the Problems of Semiotics of the City

8. The Duel

9. A Woman’s World

Notes