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ABOUT THE BOOK
V. G. Shyltzyn, “The Rose of the Universe”

Оглавление

If it were possible to classify literature, then “The Island of Charon” by Alexandra Kryuchkova would be quite logical to put on the same shelf with “The Little Prince” by Antoine de Saint-Exupery. The reverent attitude to the miracle of being and the models of interconnections, built from internal causes and stretched throughout the entire Universe, look similar in these authors, despite the difference in their initial circumstances and diametrically opposite endings.

Those critics who compare the prose of Alexandra Kryuchkova with Daniil Andreev are also right. The multitude of the worlds and parallel universes reflected in his “Rose of the World” could as well include the constructions found in her novel “Confession of a Ghost” and in the story “The Island of Charon”. The power of logical dependencies, filigreed by Kryuchkova, makes these works no less plausible than the philosophical bestseller of the famous mystic.

Alexandra Kryuchkova’s prose built an invisible bridge between two previously unconnected authors of the past. “The Little Prince“ of Exupery took care of the rose, and the universal phenomenon of Daniil Andreev also turned out to be a rose, but for him it was already the “Rose of the World“. Taking up the relay race of generations, Alexandra Kryuchkova invisibly and delicately takes care of the very same rose.


Vadim G. Shiltzyn,

member of the Union of Writers of Russia,

laureate of literary awards


The newspaper “Poetograd” No. 4 (400), 2022

http://www.poetograd.ru/arch.html

http://www.poetograd.ru/nomer.php?id=30662

https://reading-hall.ru/publication.php?id=30662


Confession of a Ghost. F.M. Dostoevsky award. Playing Another Reality

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