Читать книгу The Nō Plays of Japan - Arthur Waley - Страница 2

INTRODUCTION

(1) THE NŌ STAGE.

(2) THE PERFORMERS.

COSTUME.

PROPERTIES.

DANCING AND ACTING.

THE PLAYS.

ORIGINS.

YŪGEN

PATRONS

IMITATION (Monomane) .

APPARITIONS

CHILD PLAYS

RESTRAINT

ATSUMORI, IKUTA, AND TSUNEMASA.

ATSUMORI

IKUTA

TSUNEMASA

CHAPTER II

KUMASAKA

EBOSHI-ORI

BENKEI ON THE BRIDGE (HASHI-BENKEI)

CHAPTER III

KAGEKIYO

HACHI NO KI

SOTOBA KOMACHI

CHAPTER IV

UKAI (THE CORMORANT-FISHER)

AYA NO TSUZUMI (THE DAMASK DRUM)

AOI NO UYE (PRINCESS HOLLYHOCK)

CHAPTER V

KANTAN

THE HŌKA PRIESTS (HŌKAZŌ)

HAGOROMO

CHAPTER VI

TANIKŌ (THE VALLEY-HURLING)

IKENIYE (THE POOL-SACRIFICE)

HATSUYUKI (EARLY SNOW)

HAKU RAKUTEN

CHAPTER VII SUMMARIES

HANAKATAMI (THE FLOWER BASKET)

OMINAMESHI

MATSUKAZE

SHUNKWAN

AMA (THE FISHER-GIRL)

TAKE NO YUKI (SNOW ON THE BAMBOOS)

TORI-OI

YUYA

TANGO-MONOGURUI

IKKAKU SENNIN (THE ONE-HORNED RISHI)

YAMAUBA (THE DAME OF THE MOUNTAINS)

HOTOKE NO HARA

MARI (THE FOOTBALL)

TŌRU

MAI-GURUMA [213] (THE DANCE WAGGONS)

CHAPTER VIII KYŌGEN

THE BIRD-CATCHER IN HELL [215] (ESASHI JŪŌ)

SHORT BIBLIOGRAPHY

EUROPEAN

JAPANESE

APPENDIX I

MODERN NŌ LETTERS FROM JAPAN

APPENDIX II