Читать книгу On the Heights: A Novel - Auerbach Berthold - Страница 13

BOOK I
CHAPTER XIII

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"There, my boy! Now you've seen the sun. May you see it for seven and seventy years to come, and when they've run their course, may the Lord grant you a new lease of life. Last night, they lit millions of lamps for your sake. But they were nothing to the sun up in heaven, which the Lord himself lighted for you this very morning. Be a good boy, always, so that you may deserve to have the sun shine on you. Yes, now the angel's whispering to you. Laugh while you sleep! That's right. There's one angel belongs to you on earth, and that's your mother! And you're mine, too! You're mine, indeed!"

Thus spake Walpurga, her voice soft, yet full of emotion, while she gazed into the face of the child that lay on her lap. Her soul was already swayed by that mysterious bond of affection which never fails to develop itself in the heart of the foster-mother. It is a noble trait in human nature that we love those on whom we can confer a kindness. Their whole life gradually becomes interwoven with our own.

Walpurga became oblivious of herself and of all that was dear to her in the cottage by the lake. She was now needed here where a young life had been assigned to her loving charge.

She looked up at Mademoiselle Kramer, with beaming eyes, and met a joyful glance in return.

"It seems to me," said Walpurga, "that a palace is just like a church. One has only good and pious thoughts here; and all the people are so kind and frank."

Mademoiselle Kramer suddenly smiled and replied:

"My dear child-"

"Don't call me 'child'! I'm not a child! I'm a mother!"

"But here, in the great world, you are only a child. A court is a strange place. Some go hunting, others go fishing; one builds, another paints; one studies a rôle, another a piece of music; a dancer learns a new step, an author writes a new book. Every one in the land is doing something, – cooking or baking, drilling or practicing, writing, painting, or dancing-simply in order that the king and queen may be entertained."

"I understand you," said Walpurga, and Mademoiselle Kramer continued:

"My family has been in the service of the court for sixteen generations"; – six would have been the right number, but sixteen sounded so much better; – "my father is the governor of the summer palace, and I was born there. I know all about the court, and can teach you a great deal."

"And I'll be glad to learn," interposed Walpurga.

"Do you imagine that every one is kindly disposed toward you? Take my word for it, a palace contains people of all sorts, good and bad. All the vices abound in such a place. And there are many other matters of which you have no idea and of which you will, I trust, ever remain ignorant. But all you meet are wondrous polite. Try to remain just as you now are, and, when you leave the palace, let it be as the same Walpurga you were when you came here."

Walpurga stared at her in surprise. Who could change her?

Word came that the queen was awake and desired Walpurga to bring the crown prince to her.

Accompanied by Doctor Gunther, Mademoiselle Kramer and two waiting-women, she proceeded to the queen's bedchamber. The queen lay there, calm and beautiful, and, with a smile of greeting, turned her face toward those who had entered. The curtains had been partially drawn aside and a broad, slanting ray of light shone into the apartment, which seemed still more peaceful than during the breathless silence of the previous night.

"Good-morning!" said the queen, with a voice full of feeling. "Let me have my child!" She looked down at the babe that rested in her arms and then, without noticing any one in the room, lifted her glance on high and faintly murmured:

"This is the first time I behold my child in the daylight!"

All were silent; it seemed as if there was naught in the apartment except the broad slanting ray of light that streamed in at the window.

"Have you slept well?" inquired the queen. Walpurga was glad that the queen had asked a question, for now she could answer. Casting a hurried glance at Mademoiselle Kramer, she said:

"Yes, indeed! Sleep's the first, the last, and the best thing in the world."

"She's clever," said the queen, addressing Doctor Gunther in French.

Walpurga's heart sank within her. Whenever she heard them speak French, she felt as if they were betraying her; as if they had put on an invisible cap, like that worn by the goblins in the fairy tale, and could thus speak without being seen.

"Did the prince sleep well?" asked the queen.

Walpurga passed her hand over her face, as if to brush away a spider that had been creeping there. The queen doesn't speak of her "child" or her "son," but only of "the crown prince."

Walpurga answered:

"Yes, quite well, thank God! That is, I couldn't hear him, and I only wanted to say that I'd like to act toward the-" she could not say "the prince" – "that is, toward him, as I'd do with my own child. We began right on the very first day. My mother taught me that. Such a child has a will of its own from the very start, and it won't do to give way to it. It won't do to take it from the cradle, or to feed it, whenever it pleases; there ought to be regular times for all those things. It'll soon get used to that, and it won't harm it either, to let it cry once in a while. On the contrary, that expands the chest."

"Does he cry?" asked the queen.

The infant answered the question for itself, for it at once began to cry most lustily.

"Take him and quiet him," begged the queen.

The king entered the apartment before the child had stopped crying.

"He will have a good voice of command," said he, kissing the queen's hand.

Walpurga quieted the child, and she and Mademoiselle Kramer were sent back to their apartments.

The king informed the queen of the dispatches that had been received, and of the sponsors who had been decided upon. She was perfectly satisfied with all the arrangements that had been made.

When Walpurga had returned to her room and had placed the child in the cradle, she walked up and down and seemed quite agitated.

"There are no angels in this world!" said she. "They're all just like the rest of us, and who knows but-" she was vexed at the queen: "Why won't she listen patiently when her child cries? We must take all our children bring us, whether it be joy or pain."

She stepped out into the passageway and heard the tones of the organ in the palace chapel. For the first time in her life, these sounds displeased her. It don't belong in the house, thought she, where all sorts of things are going on. The church ought to stand by itself.

When she returned to the room, she found a stranger there. Mademoiselle Kramer informed her that this was the tailor to the queen.

Walpurga laughed outright at the notion of a "tailor to the queen." The elegantly attired person looked at her in amazement, while Mademoiselle Kramer explained to her that this was the dressmaker to her majesty the queen, and that he had come to take her measure for three new dresses.

"Am I to wear city clothes?"

"God forbid! You're to wear the dress of your neighborhood, and can order a stomacher in red, blue, green, or any color that you like best."

"I hardly know what to say; but I'd like to have a workday suit, too. Sunday clothes on week-days-that won't do."

"At court, one always wears Sunday clothes, and when her majesty drives out again you will have to accompany her."

"All right, then. I won't object."

While the tailor took her measure, Walpurga laughed incessantly, and he was at last obliged to ask her to hold still, so that he might go on with his work. Putting his measure into his pocket, he informed Mademoiselle Kramer that he had ordered an exact model, and that the chief master of ceremonies had favored him with several drawings, so that there might be no doubt of success.

Finally, he asked permission to see the crown prince. Mademoiselle Kramer was about to let him do so, but Walpurga objected. "Before the child is christened," said she, "no one shall look at it just out of curiosity, and least of all, a tailor, or else the child will never turn out the right sort of man."

The tailor took his leave, Mademoiselle Kramer having politely hinted to him that nothing could be done with the superstition of the lower orders, and that it would not do to irritate the nurse.

This occurrence induced Walpurga to administer the first serious reprimand to Mademoiselle Kramer. She could not understand why she was so willing to make an exhibition of the child. "Nothing does a child more harm than to let strangers look at it in its sleep, and a tailor at that."

All the wild fun with which, in popular songs, tailors are held up to scorn and ridicule, found vent in Walpurga, and she began singing:

"Just list, ye braves, who love to roam!

A snail was chasing a tailor home,

And if Old Shears hadn't run so fast,

The snail would surely have caught him at last."


Mademoiselle Kramer's acquaintance with the court tailor had lowered her in Walpurga's esteem, and with an evident effort to mollify the latter, she asked:

"Does the idea of your new and beautiful clothes really afford you no pleasure?"

"To be frank with you, no! I don't wear them for my own sake, but for that of others, who dress me to please themselves. It's all the same to me, however! I've given myself up to them, and suppose I must submit."

"May I come in?" asked a pleasant voice. Countess Irma entered the room. Extending both her hands to Walpurga, she said:

"God greet you, my countrywoman! I am also from the Highlands, seven hours distance from your village. I know it well, and once sailed over the lake with your father. Does he still live?"

"Alas! no; he was drowned, and the lake hasn't given up its dead."

"He was a fine-looking old man, and you are the very image of him."

"I am glad to find some one else here who knew my father. The court tailor-I meant the court doctor-knew him, too. Yes, search the land through, you couldn't have found a better man than my father, and no one can help but admit it."

"Yes: I've often heard as much."

"May I ask your ladyship's name?"

"Countess Wildenort."

"Wildenort? I've heard the name before. Yes, I remember my mother's mentioning it. Your father was known as a very kind and benevolent man. Has he been dead a long while?"

"No, he is still living."

"Is he here, too?"

"No."

"And as what are you here, Countess?"

"As maid of honor."

"And what is that?"

"Being attached to the queen's person; or what, in your part of the country, would be called a companion!"

"Indeed! And is your father willing to let them use you that way?"

Countess Irma, who was somewhat annoyed by her questions, said:

"I wished to ask you something-can you write?"

"I once could, but I've quite forgotten how."

"Then I've just hit it! that's the very reason for my coming here. Now, whenever you wish to write home, you can dictate your letter to me, and I will write whatever you tell me to."

"I could have done that, too," suggested Mademoiselle Kramer, timidly; "and your ladyship would not have needed to trouble yourself."

"No, the countess will write for me. Shall it be now?"

"Certainly."

But Walpurga had to go to the child. While she was in the next room, Countess Irma and Mademoiselle Kramer engaged each other in conversation.

When Walpurga returned, she found Irma, pen in hand, and at once began to dictate.

"Dear husband, dear mother, and dear child. No, stop! don't write that! Take another sheet of paper. Now I've got it, now you can go on."

"I wish to let you know, that by the help of God, I arrived here safe and sound, in the carriage with the four horses. I don't know how. And the queen's an angel, and there were millions of lights, and my child-"

Walpurga covered her face with both hands-she had said "my child," without knowing which child she meant.

A pause ensued.

"And my child," said Countess Irma, repeating the words after her.

"No!" exclaimed Walpurga, "I can't write to-day. Excuse me; there's no use trying. But you've promised to write for me to-morrow or the day after. Do come and see us every day."

"And shall I bring a good friend with me?"

"Of course; any friend of yours will be welcome. Isn't it so. Mademoiselle Kramer?"

"Certainly; Countess Irma has special permission."

"I'll bring a very good friend with me; she can sing charmingly, and her voice is soft and gentle-but I'll not torment you with riddles; I play the zither, and will bring mine with me."

"You play the zither?" exclaimed Walpurga, scarcely able to contain herself for joy.

Any further expressions on her part were prevented by the presence of the king, who entered at that moment.

With a gentle inclination of the head, he greeted Countess Irma, who had risen from her seat and bowed so low that it seemed as though she meant to sit down on the floor.

"What are you writing?" asked the king.

"Walpurga's secrets, may it please Your Majesty," replied Countess Irma.

"The king may read all that's there," said Walpurga, handing him the sheet.

He hurriedly ran his eye over it, and then, with a glance at the countess, folded it and put it in his breast pocket.

"I shall sing with Walpurga," said Irma, "and Your Majesty will again observe that music is the highest good on earth. Singing together, Walpurga and I are equals. The creations of other arts, poetry especially, may be translated by every one into his own language, according to the measure of his knowledge and experience."

"Quite true," replied the king; "music is the universal language, the only one that requires no translation, and in which soul speaks to soul."

While they were thus talking, Walpurga stared at them in dumb amazement.

The king, accompanied by Countess Irma, looked at the prince for a little while, and then, having said: "The christening will take place next Sunday," he withdrew.

It was with a strange expression that Walpurga's eyes followed the king and then rested in earnest gaze upon Countess Irma.

The countess busied herself with the papers, and then, with cheerful voice, took leave of Walpurga. Her cheerfulness almost seemed constrained, for she laughed while there was nothing to laugh at.

For a long while, Walpurga stood looking at the curtains, behind which the countess had disappeared, and at last said to Mademoiselle Kramer:

"You told the truth, when you said that the palace isn't a church."

She did not enter into any further explanation.

"I will teach you how to write," said Mademoiselle Kramer; "it will be pleasant employment for us, and you will then be able to do your own writing to your family."

"Yes, that I will," said Walpurga.

On the Heights: A Novel

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