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Table of Contents

Epigraph

Title Page

Dedication

Introduction

70s

The 70s were a glorious time of feminist ideals and lesbian bed-hopping.

My Life as Henry Miller

Use of Time in Women’s Cinema

Stillness in Motion: A Study of Relationship and Film

Lesbian Filmmaking: Self-Birthing

80s

Ever since I became an artist, I had wanted to move to New York City.

International Audiences: Personal Experiences of a Filmmaker

Touching and Receiving: A Lesbian Aesthetic

White Out

For an Active Cinema

Conference Sex (or The Names Have Not Been Changed as There Are No Innocents)

After Gertrude Stein

Change of Location: Bodies of Flesh to Bodies of Earth/ Water

Lesbian Mainstream: Economics Versus Radical Play

Creative-Teaching Spaces: Home Movies

The Artist as Teacher: Problems and Experiments

Some Thoughts on Institutional Support, by a Media Artist

The Invisible Screen: Lesbian Cinema

90s

By the end of the 80s, I was fed up with compromising my filmmaking.

Risk-Taking as Alternative Living/ Art-Making: or, Why I Moved to the Big City

Coming into Our Fullness: On Women Turning Forty

The Politics of Abstraction

When a Kiss Is Not a Kiss but Nitrate

Censorship

00s

Aging is interesting.

Maya Deren and Me

Resisting Paradise

Tender Fictions

Wishes

The Ephemeral Archive

The Creative Process

Acknowledgements

Filmography

Index

Copyright Page