Читать книгу The Medicine-Men of the Apache. (1892 N 09 / 1887-1888 (pages 443-604)) - Bourke John Gregory - Страница 7

The rhombus was first seen by me at the snake dance of the Tusayan, in the village of Walpi, Ariz., in the month of August, 1881. Previous to that date I had heard of it vaguely, but had never been able to see it in actual use. The medicine-men twirled it rapidly, and with a uniform motion, about the head and from front to rear, and succeeded in faithfully imitating the sound of a gust of rain-laden wind. As explained to me by one of the medicine-men, by making this sound they compelled the wind and rain to come to the aid of the crops. At a later date I found it in use among the Apache, and for the same purpose. The season near the San Carlos Agency during the year 1884 had been unusually dry, and the crops were parched. The medicine-men arranged a procession, two of the features of which were the rhombus and a long handled cross, upon which various figures were depicted. Of the latter, I will speak at another time.

Again, while examining certain ruins in the Verde Valley, in central Arizona, I found that the "Cliff Dwellers," as it has become customary to call the prehistoric inhabitants, had employed the same weapon of persuasion in their intercourse with their gods. I found the rhombus also among the Rio Grande Pueblo tribes and the Zuñi. Dr. Washington Matthews has described it as existing among the Navajo and Maj. J. W. Powell has observed it in use among the Utes of Nevada and Utah. As will be shown, its use in all parts of the world seems to have been as general as that of any sacred implement known to primitive man, not even excepting the sacred cords or rosaries discussed in this paper. Three forms of the rhombus have come under my own observation, each and all apparently connected in symbolism with the lightning. The first terminates in a triangular point, and the general shape is either that of a long, narrow, parallelogram, capped with an equilateral triangle, or else the whole figure is that of a slender isosceles triangle. Where the former shape was used, as at the Tusayan snake dance, the tracing of a snake or lightning in blue or yellow followed down the length of the rhombus and terminated in the small triangle, which did duty as the snake's head. The second pattern was found by Dr. Matthews among the Navajo, and by myself in the old cliff dwellings. The one which I found was somewhat decayed, and the extremity of the triangle was broken off. There was no vestige of painting left. The second form was serrated on both edges to simulate the form of the snake or lightning. The third form, in use among the Apache, is an oblong of 7 or 8 inches in length, one and a quarter inches in width by a quarter in thickness. One extremity, that through which the cord passes, is rounded to rudely represent a human head, and the whole bears a close resemblance to the drawings of schoolboys which are intended for the human figure. The Apache explained that the lines on the front side of the rhombus were the entrails and those on the rear side the hair of their wind god. The hair is of several colors, and represents the lightning. I did not ascertain positively that such was the case, but was led to believe that the rhombus of the Apache was made by the medicine-men from wood, generally pine or fir, which had been struck by lightning on the mountain tops. Such wood is held in the highest estimation among them, and is used for the manufacture of amulets of especial efficacy. The Apache name for the rhombus is tzi-ditindi, the "sounding wood." The identification of the rhombus or "bull roarer" of the ancient Greeks with that used by the Tusayan in their snake dance was first made by E. B. Tylor in the Saturday Review in a criticism upon "The Snake Dance of the Moquis of Arizona."

The Kaffirs have the rhombus among their playthings:

The nodiwu is a piece of wood about 6 or 8 inches long, and an inch and a half or 2 inches wide, and an eighth or a quarter of an inch thick in the middle. Towards the edges it is beveled off, so that the surface is convex, or consists of two inclined planes. At one end it has a thong attached to it by which it is whirled rapidly round. * * * There is a kind of superstition connected with the nodiwu, that playing with it invites a gale of wind. Men will, on this account, often prevent boys from using it when they desire calm weather for any purpose. This superstition is identical with that which prevents many sailors from whistling at sea.121

Of the Peruvians we are informed that "their belief was that there was a man in the sky with a sling and a stick, and that in his power were the rain, the hail, the thunder, and all else that appertains to the regions of the air, where clouds are formed."122

The sacred twirler of the snake dance is found in Greece, America, Africa and New Zealand. It survives as a toy in England and the United States.123 The same peculiar instrument has been noticed in the religious ceremonials of the Australians, especially in the initiatory rites of the "bora." It is called the "tirricoty."124 The twirling of the tzi-ditindi in medicine or prayer corresponds to the revolution of the prayer wheel of the Lamas.