Creative Synergy

Creative Synergy
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When we act in cooperation with “the Force”—using our whole being to integrate and cooperate with “what is trying to happen” already—then every aspect of our lives is transformed. In the act of cooperating with the Universe, we can aid our own self-actualization as well as the continuing evolution of life and culture on this planet. We become whole as we make others and the culture more whole. We can then embrace our life’s mission and the part we play in the universe.

Оглавление

Bunny Paine-Clemes. Creative Synergy

Contents

Acknowledgments

Preface. The Mystery of Creativity

Organization of the Book

How to Use This Book

Introduction

Why Study Creativity?

1.Development of “Your Potential”

2.“Rapid Growth of Competition in Business and Industry”

3.“Effective Use of Human Resources”

4.Discovery of “New and Better Ways to Solve Problems”

5.“Development of Society”

6.Enhancement of your “Knowledge” Base

7.Part of Being Human

8.Augmentation of your “Mental Health”

9.“Growing Body of Interest”

10. Application to “All Disciplines”

11. Contribution to “Effective Leadership”

12. Enhancement of the “Learning” “Process”

Exercises

THEORY: BASIC ASSUMPTIONS AND CONCEPTS

Synergistic Interlude “The Golden Key,” Jacob and Wilhelm Grimm, #200

Questions to Ponder

1. What is Creativity? A Trick Quiz

The Process of Creativity

The Aspects of Creativity

The Creative Personality

Additional Characteristics of Creativity

1.“Convergent thinking”—“the ability to scan many relevant facts, then zero in on those facts most likely to result in the correct solution to a particular problem.”

2.“Divergent thinking”—“the ability to fan out in all directions from an idea.”

3.“Independent Judgment”—the ability to have faith in one’s ideas, no matter what others say

4.“Intellectual curiosity”—the penchant to wonder “What?” Why?” and “How?”

5.Playfulness—the possession of “a strong sense of humor and rich fantasy life.”

6.Avoidance of “early self-criticism of their ideas”—the ability to play with an idea instead of rejecting it outright as flawed

What is Creativity?

The Paradox of Creativity

Exercises

Synergistic Interlude. Alice in Wonderland Chapter I: “Down the Rabbit Hole”

Questions to Ponder

2. A New Paradigm for Creativity? The Issue with Paradigms

Paradigms for Creativity

A History Lesson:The Paradigm Shift

Specialization vs. the Interdisciplinary Approach

Integral Creativity

Mystical Creativity: “The Force”

Creative Synergy

Exercises

Synergistic Interlude “The Lost Coin” by Jonathan Young

Questions to Ponder

3. The Process: Synthesis+Energy= Synergy. Definitions

A Ten-Step Process. 1.Immerse yourself in the formulas of your craft

2.Before beginning a session, cultivate the Flow State

3.Center your awareness

4.Relate to the center of what is trying to happen through you

5.Get out of the way and let the inspiration flow

6.If you lose the felt sense of what is trying to happen, repeat stage 3 and/or 4

7.Take a break

8.Watch for synchronicity to help you

9.Try it out in the material world

10.Make adjustments

Conclusion

Exercises

Synergistic Interlude. Through the Looking Glass Chapter VI: “Humpty Dumpty”

Questions to Ponder:

4. Ken Wilber’s Integral Operating System

The Integral Operating System: Five Aspects

The First Aspect: The Quadrants222

The Second Aspect: Lines

The Third Aspect: Levels

The Fourth Aspect: States

The Fifth Aspect: Types

The Integral Operating System:AQAL

Exercises

Application Structured by Ken Wilber’s Integral Operating System

The Creator (I)

Synergistic Interlude. Alice in Wonderland Chapter V: “Advice from a Caterpillar”

Questions to ponder:

5. The Artist as “I”: Creativity in the. Upper Left, Part 1. The “Primary Imagination”

A Clarification: Religion vs. Spirituality and its Relationship to Colleges

Who Is the “I” That Creates?

How Do We Optimize the “I” for Creativity?

Go with the Flow

Exercises

Synergistic Interlude. Alice in Wonderland Chapter I: “Down the Rabbit Hole”

Chapter II: “The Pool of Tears”

Questions to ponder:

6. Creativity in the Upper Left, Part 2: The Paradox of Ego: Uses and Abuses. The Paradox

Uses of Ego

Abuses of Ego

Acting without Concern for the Results

Exercises

The Support Group (We)

Synergistic Interlude. Through the Looking Glass Chapter IV: “Tweedledum and Tweedledee”

Questions to ponder:

7 “The Two of Us”: Creativity in the Lower Left, Part 1

What Is the “We”?

What the “We” Is Not

Collaborative Pairs: “Joined Lives and Shared Work”

Conclusion

Exercises

Synergistic Interlude. Through the Looking Glass Chapter III: “A Caucus Race and a Long Tale”

Questions to ponder:

8 “We” as a Larger Group: Creativity in the Lower Left, Part 2

The Scope of Chapter 8

Groups Not Assembled by Institutions

Exercises

The Product (It): Aesthetics and the “Big Three”

Synergistic Interlude. Through the Looking Glass Chapter IV: “Tweedledum and Tweedledee (The Red King’s Dream)”

Questions to ponder:

9. The Aesthetic. Object or “Thing in. Itself”: Creativity. in the Upper Right, Part 1: Universal. Principles

Questions to Consider

The Ideational Realm—or, The Unified Field

The Upper Right

Ideational Blueprints

One Blueprint: Circles and Curves

Another Blueprint: Symmetry

Another Blueprint: Unity

Conclusion

Exercises

Synergistic Interlude. Through the Looking Glass Chapter VIII: “It’s My Own Invention.”

Questions to ponder:

10. The Aesthetic Object or “Thing in Itself”: Creativity in the Upper Right, Part 2: Science vs. Engineering

Beauty and Truth

Beauty and Truth in Science

Engineering

Exercises

Synergistic Interlude: “Prometheus”

Questions to Ponder

11. The Aesthetic Object or “Thing in Itself”: Creativity in the Upper Right, Part 3: The Arts. Beauty

Aesthetics

A Universal Principle: Energy

A Universal Principle: Juxtaposition and Contrast

A Universal Principle: Pattern Recognition

The Arts in General

Painting

Literature

Music

The Dance

Painting vs. Sculpture

Integrative Arts

Universal vs. Spirit of the Age?

“The Big Three,” Revisited

Creativity in the Artistic Product: A Conclusion

Exercises

The Domain or System (Its or They)

Synergistic Interlude. Alice in Wonderland Chapter VIII: “The Queen’s Croquet-Ground”

Questions to ponder

12. The Structure and Function of Institutional Teams: Creativity in the Lower Right, Part 1

Toxic or Nurturing?

Great Groups That Make a Significant Impact

Structures of Teams in Institutions

Exercises

Synergistic Interlude. Through the Looking Glass Chapter II: “The Garden of Live Flowers”

Questions to ponder

13. Systemic Support: Creativity in the Lower Right, Part 2 Patrons and Institutions Nurturing vs. Toxic Systems

Patronage

Contemporary Support for Creativity: Toxic and Nurturing Institutional Structures

What Next?

Exercises

Synergistic Interlude from Jonathan Young: “Once Upon a Time: How Fairy Tales Shape Our Lives”

Questions to Ponder

14. Conclusion: Synthesis, Summary, and Resources

Creative Synergy: The Philosophy

How to Be More Creative: Twenty Tips

Creativity in the Future. New Combinations

Web 3.0

“May the Force Be With You”

Exercises

Appendices

Appendix 1. Structures of Organizations

Appendix 2. Alternative Exercises

Bibliography

Index

4TH DIMENSION PRESS. An Imprint of A.R.E. Press

EDGAR CAYCE’S A.R.E. Who Was Edgar Cayce? Twentieth Century Psychic and Medical Clairvoyant

What Is A.R.E.?

Отрывок из книги

Bunny Paine-Clemes, PhD

Repository title: Europe. A Prophecy, Plate 1, Frontispiece 1794

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Exercises

The Product (It): Aesthetics and the “Big Three” Synergistic Interlude: “Tweedledum and Tweedledee (The Red King’s Dream)”

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