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THE FIRST IMPRESSION—A COUNTRY WITH EYES

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France, April, 1916.

Rich green meadows. Rows of tall, slender elm trees along the hedges. Low, stunted and pollarded willows lining some distant ditch, with their thick trunks showing notched against a distant blue hill-side like a row of soldiers. Here and there a red roof nestled among the hawthorn under the tall trees just bursting into green. Violets—great bunches of them—in the patches of scrub between the tall trunks and yellow cowslips and white and pink anemones and primroses. You see the flaxen-haired children out in the woods and along the roadside gathering them. A rosy-cheeked woman stands in the doorway of a farm at the cross-roads, and a golden-haired youngster, scarce able to run as yet, totters across the road to her, laughing.

Only this morning, as we passed that same house, there was the low whine of a shell, and a metallic bang like the sound of a dented kerosene tin when you try to straighten the bend in it. Then another and another and another. We could see the white smoke of the shells floating past behind the spring greenery of a hedgerow only a few fields away. It drifted slowly through the trees and then came another salvo. There were some red roofs near—those of a neighbouring farm—but we could not see whether they were firing at them, or at some sign of moving troops, or at a working party if there were any; and I do not know now. As we came back that way in the afternoon there was more shelling farther along. The woman in the doorway simply turned her head in its direction for a moment, and so did a younger woman who came to the doorway behind her. Then they turned to the baby again.

Through the trees one could see that the farmhouses and cottages farther on had mostly been battered and broken. There was a road running at a little distance, and every roof and wall in it had been shattered. There was a feverish, insane disorder about the little groups of buildings there, all shattered, burnt and gaping, like the tangled nightmare of desolation on the morning after a great city fire. Farther still was open country again, where long communication trenches began to run through the fields—but you could see none of this from where we stood. Only in the distant hedgerows, perhaps, we might have noticed, if we had looked for it, an occasional broken tree trunk—snapped off short or broken down at a sharp angle by shell fire.

Those distant trees would be growing over our firing line—or the German.

It is a more beautiful country than any we saw in Gallipoli, in spite of its waterlogged ditches and the rain which had fallen miserably almost every day since we arrived. There is green grass up to within a few yards of the filthy mud of the front trenches; and not a hinterland of powdered white earth which was all we had at Anzac or at Helles. Here you have hedgerows just bursting into spring, and green grass, which on a fine day fairly tempts you to lie on it if you are far enough away from the lines. The country is flat and you see no sign of the enemy's trenches, or your own—the hedgerows shut them out at half a mile as completely as if they did not exist.


"AN OCCASIONAL BROKEN TREE TRUNK--SNAPPED OFF SHORT, OR BROKEN DOWN AT A SHARP ANGLE, BY SHELL FIRE "

NO MANS LAND The barrier which stretches from Belguim to the swiss border and which not the millions of Rockefeller could enable him to cross

But you realise, when you have been in that country for a little while, that you have eyes upon you all the time—you are being watched as you have never been watched in your life before. You move along the country road as you would walk along the roads about your own home, until, sooner or later, things happen which make you think suddenly and think hard. You are passing, a dozen of you together instead of the usual two or three, through those green fields by those green hedgerows when there is a sharp whiz and a crash, and a shrapnel shell from a German seventy-seven (their field gun) bursts ten yards behind you. You are standing at a corner studying a map, and you notice that a working party is passing the corner frequently on some duty or another. You were barely aware that there was a house near you.

Twenty-four hours later you hear that that house was levelled to the ground next morning—a shrapnel shell on each side of it to get the range—a high explosive into it to burst it up—and an incendiary shell to burn the rubbish; and one more French family is homeless.

It takes you some time to realise that it was you who burnt that house—you and that working party which moved past the cross-roads so often. Somebody must have seen you when the shell burst alongside that hedge. Somebody must have been watching you all the time when you were loitering with your map at that corner. Somebody, at any rate, must have been marking down from the distance everything that happened at those cross-roads. Somebody in the landscape is clearly watching you all the while. And then for the first time you recall that those grey trees in the distance must be behind the German lines; that distant roof and chimney notched against a background of scrub is in German ground; the pretty blue hill against which the willows in the plain show out like a row of railway sleepers is cut off from you by a barrier deeper than the Atlantic—the German trenches; and that from all yonder landscape, which moves behind the screen of nearer trees as you walk, eyes are watching for you all day long; telescopes are glaring at you; brains behind the telescopes are patiently reconstructing, from every movement in our roads or on our fields, the method of our life, studying us as a naturalist watches his ants under a glass case.

Long before you get near the lines, away over the horizon before you, there is floating what looks most like a flat white garden grub—small because of its distance. Look to the south and to the north and you will see at wide intervals others, one after the other until they fade into the distance. Every fine day brings them out as regularly as the worms rise after rain; they sit there all day long in the sky, each one apparently drowsing over his own stretch of country. But they are anything but drowsy. Each one contains his own quick eyes, keen brain, his telescope, his telephone, and heaven knows what instruments. And out on every beautiful fresh morning of spring come the butterflies of modern warfare—two or three of our own planes, low down; and then a white insect very, very high—now hidden behind a cloud, now appearing again across the rift. It is delightful to stand there and watch it all like a play. The bombs, if they drop 'em, are worth risking any day.

But it isn't the bombs that matter, and it isn't you who run the risk. The observer is not there to drop bombs, in most cases, but to watch, watch, watch. A motor standing by the roadside, a body of men about some work, extra traffic along a road—and a red tick goes down on a map; that is all. You go away. But next day, or sometimes much sooner, that red tick comes up for shelling as part of the normal day's routine of some German battery.

So if these letters from France ever seem thin, remember that the war correspondent does not wish to give to the enemy for a penny what he would gladly give a regiment to get. On our way back is a field pock-marked by a hundred ancient shell-holes around a few deserted earthworks. On some bygone afternoon it must have been wild, raging, reeking hell there for half an hour or so. Somebody in this landscape put a red tick once against that long-forgotten corner.

Letters from France

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