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CONTENTS

Acknowledgments xv

Introduction xvii

Note on This Edition lxxiii

List of Translators lxxvii

BOOK ONE: 1915–1919

From Romanticism in Castilian Poetry

Introduction 3

Critique of Romanticism 4

From The Black Heralds

The Black Heralds 16

The Spider 16

The Poet to His Lover 17

Dregs 18

The Black Cup 18

Imperial Nostalgias 19

Ebony Leaves 21

Autochthonous Tercet 22

Huaco 24

Dead Idyll 24

Agape 25

The Voice in the Mirror 25

Our Bread 26

The Miserable Supper 27

The Eternal Dice 28

Distant Footsteps 28

To My Brother Miguel 29

Januneid 30

Epexegesis 31

Articles and Chronicles

With Manuel González Prada 33

With José María Eguren 35

Abraham Valdelomar Has Died 37

Letters

To Óscar Imaña, January 29, 1918 38

To Óscar Imaña, August 2, 1918 40

To Manuel Natividad Vallejo, December 2, 1918 41

Dedication of a Copy of The Black Heralds to Friends in Trujillo, July 1919 43

BOOK TWO: 1920–1923

From Trilce

I. “Who’s making all that racket” 47

II. “Time Time” 47

IV. “Two carts grind our eardrums down” 48

VI. “The suit that tomorrow I wore” 48

IX. “I sdrive to dddeflect at a blow the blow” 49

X. “Primary and final stone of groundless” 50

XIII. “I think about your sex” 50

XVII. “This 2 distills in a single batch” 51

XVIII. “Oh the four walls of the cell” 52

XX. “Flush with the beaten froth bulwarked” 52

XXIII. “Estuous oven of those my sweet rolls” 53

XXV. “Chess bishops upthrust to stick” 54

XXVIII. “I’ve had lunch alone now” 55

XXX. “Burn of the second” 56

XXXI. “Hope between cotton bawls” 56

XXXVI. “We struggle to thread ourselves through a needle’s eye” 57

XXXVIII. “This crystal waits to be sipped” 58

XLII. “Wait, all of you. Now I’m going to tell you” 59

XLIV. “This piano journeys within” 59

XLV. “I lose contact with the sea” 60

XLIX. “Murmured in restlessness, I cross” 61

L. “Cerberus four times” 62

LII. “And we’ll get up when we feel” 62

LV. “Samain would say” 63

LVI. “Every day I wake blindly” 64

LVII. “The highest points craterized” 65

LVIII. “In the cell, in what’s solid” 65

LXI. “Tonight I get down from my horse” 67

LXIII. “Dawn cracks raining” 68

LXV. “Mother, tomorrow I am going to Santiago” 68

LXVIII. “We’re at the fourteenth of July” 69

LXX. “Everyone smiles at the nonchalance” 70

LXXI. “Coils the sun does in your cool hand” 71

LXXIII. “Another ay has triumphed” 71

LXXV. “You are dead” 72

LXXVII. “It hails so hard, as if to remind me” 73

From Scales

Northwestern Wall 74

Antarctic Wall 75

East Wall 77

Doublewide Wall 78

Windowsill 79

Beyond Life and Death 80

The Release 85

Wax 92

From Savage Lore

Chapter 1 102

Chapter 2 104

Chapter 3 106

Chapter 4 108

Letters

To La Reforma, August 12, 1920 113

To Óscar Imaña, October 26, 1920 113

To Gastón Roger, December 1920 114

To Óscar Imaña, February 12, 1921 115

To Óscar Imaña, June 1, 1922 116

To Antenor Orrego, 1922 116

To Manuel Natividad Vallejo, June 16, 1923 117

To Carlos C. Godoy, Esq., June 16, 1923 118

To Víctor Clemente Vallejo, July 14, 1923 119

To Carlos Raygada, September 15, 1923 120

Articles and Chronicles

The Blue Bird 121

La Rotonde 122

Cooperation 124

BOOK THREE: 1924–1928

Articles and Chronicles

Paris Chronicle 129

Spain in the International Exhibit of Paris 134

Modern Man 137

Between France and Spain 139

The Need to Die 142

The History of America 143

The Assassin of Barrès 145

The Poet and the Politician 148

The State of Spanish Literature 150

Da Vinci’s Baptist 151

In Defense of Life 154

A Great Scientific Discovery 155

Latest Scientific Discoveries 157

The Idols of Contemporary Life 159

Avant-Garde Religions 161

Against Professional Secrets 164

The New Disciplines 167

Life as a Match 170

Artists Facing Politics 172

Contribution to Film Studies 174

Madness in Art 175

The Passion of Charles Chaplin 177

Invitation to Clarity 179

Proletarian Literature 180

Colonial Societies 183

The Psychology of Diamond Specialists 185

Literature behind Closed Doors 186

Vanguard and Rearguard 188

Anniversary of Baudelaire 190

The Masters of Cubism 191

Tolstoy and the New Russia 193

From Art and Revolution

The Revolutionary Function of Thought 196

The Work of Art and the Social Sphere 197

Grammatical Rule 198

Poetry and Imposture 199

Tell Me How You Write and I’ll Tell You What You Write 199

Universality of Verse for the Unity of Languages 200

Aesthetic and Machinism 200

Autopsy of Surrealism 201

New Poetry 205

The Image and Its Syrtes 206

The Mayakovsky Case 207

Regarding Artistic Freedom 210

My Self-Portrait in the Light of Historical Materialism 211

From Against Professional Secrets

From Feuerbach to Marx 213

Explanation of History 213

“An animal is led” 214

“There exist questions” 214

The Head and Feet of Dialectics 214

The Death of Death 214

The Motion Inherent in Matter 215

Individual and Society 215

Negations of Negations 216

Reputation Theory 221

Noise of a Great Criminal’s Footsteps 223

Conflict between the Eyes and the Gaze 224

Languidly His Liqueur 225

Vocation of Death 226

From Toward the Reign of the Sciris

1. The Other Imperialism 229

2. The Seer 231

3. The Peace of Túpac Yupanqui 236

4. An Accident on the Job 239

5. Byzantium, West Longitude 241

From Moscow vs. Moscow

The Final Judgment 245

Death 247

From The River Flows between Two Shores

Act 1, Scene 1 264

Act 1, Scene 2 264

Act 1, Scene 3 275

Letters

To Pablo Abril de Vivero, May 14, 1924 294

To Pablo Abril de Vivero, May 26, 1924 295

To Alcides Spelucín, July 1924 296

To Pablo Abril de Vivero, October 19, 1924 297

To Pablo Abril de Vivero, November 5, 1924 298

To Juan Larrea, March 12, 1926 299

To Ricardo Vegas García, May 15, 1926 300

To Juan Larrea, July 26, 1926 300

To Alcides Spelucín, September 14, 1926 302

To José Carlos Mariátegui, December 10, 1926 302

To Emilio Armaza, December 10, 1926 303

To Pablo Abril de Vivero, July 24, 1927 303

To Luis Alberto Sánchez, August 18, 1927 305

To Pablo Abril de Vivero, September 12, 1927 305

To Pablo Abril de Vivero, October 19, 1927 308

To Rafael Méndez Dorich, February 17, 1928 309

To Pablo Abril de Vivero, March 17, 1928 309

To Pablo Abril de Vivero, April 26, 1928 310

To Pablo Abril de Vivero, October 19, 1928 310

To Pablo Abril de Vivero, December 27, 1928 311

Notebooks

Entries from 1926–1928 313

BOOK FOUR: 1929–1935

From Human Poems

Good Sense 317

I Am Going to Speak of Hope 318

“No one lives in the house” 319

Height and Hair 319

Hat, Overcoat, Gloves 320

Black Stone on a White Stone 320

“And don’t say another word to me” 321

“It was Sunday in the clear ears of my jackass” 322

“Today I like life much less” 322

Epistle to the Passersby 323

The Hungry Man’s Rack 324

“Considering coldly” 325

“Idle on a stone” 326

Paris, October 1936 328

“And if after so many words” 328

Telluric and Magnetic 329

“The miners came out of the mine” 331

From Reflections at the Foot of the Kremlin

8. Literature: A Meeting of Bolshevik Writers 333

9. The Day of a Stonemason: Love, Sports, Alcohol, and Democracy 336

14. Film: Russia Inaugurates a New Era on the Silver Screen 355

From Russia Facing the Second Five-Year Plan

What Is the Workers’ Club? 360

Workers Discuss Literature 360

The Mechanical Landscape 362

Art and Revolution 363

Dialectics and Manual Labor 364

Articles and Chronicles

The Lessons of Marxism 367

The Youth of America in Europe 369

Megalomania of a Continent 371

The Economic Meaning of Traffic 373

New Poetry from the United States 374

Buried Alive 377

From Warsaw to Moscow 380

Mundial in Russia 381

Mundial in Eastern Europe 383

Three Cities in One 385

Latest Theater News from Paris 387

An Incan Chronicle 389

The Incas, Revived 390

From Tungsten

Chapter 1 398

Paco Yunque 426

From Brothers Colacho

Act 1, Scene 1 439

Act 1, Scene 2 452

Letters

To Néstor P. Vallejo, October 27, 1929 468

To José Carlos Mariátegui, October 17, 1929 468

To Gerardo Diego, January 6, 1930 469

To Gerardo Diego, January 27, 1932 470

To Juan Larrea, January 29, 1932 471

Notebooks

Entries from 1929–1935 473

BOOK FIVE: 1936–1938

Articles and Chronicles

Recent Discoveries in the Land of the Incas 485

The Andes and Peru 487

Man and God in Incan Sculpture 489

The Great Cultural Lessons of the Spanish Civil War 491

Popular Statements of the Spanish Civil War 493

The Writer’s Responsibility 496

From Human Poems

“Today I would like to be happy willingly” 501

Poem to Be Read and Sung 501

“The tip of man” 502

“My chest wants and does not want its color” 503

“I stayed on to warm up the ink” 504

“The peace, the wausp, the shoe heel, the slopes” 505

“Confidence in glasses, not in the eye” 506

“Alfonso: you are looking at me” 506

“Chances are, I’m another” 508

The Book of Nature 508

“The anger that breaks the man into children” 509

Intensity and Height 510

Guitar 510

The Nine Monsters 511

“A man walks by with a baguette on his shoulder” 513

The Soul That Suffered from Being Its Body 514

“Let the millionaire walk naked, stark naked!” 515

“The fact is the place where I put on” 517

“In short, I have nothing with which” 518

The Wretched 519

Sermon on Death 521

From Spain, Take This Cup from Me

I. Hymn to the Volunteers for the Republic 523

III. “He used to write with his big finger in the air” 527

IV. “The beggars fight for Spain” 529

VIII. “Back here, / Ramón Collar” 529

X. Winter during the Battle for Teruel 531

XII. Mass 532

XV. Spain, Take This Cup from Me 532

From The Tired Stone

Act 1, Scenes 1–6 534

Act 2, Scenes 1–2 549

Letters

To Juan Luis Velásquez, June 13, 1936 560

To Juan Larrea, October 28, 1936 561

To Juan Larrea, January 22, 1937 562

To Juan Larrea, June 11, 1937 563

To Luis José de Orbegoso, March 15, 1938 564

Notebooks

Final Dictation 566

Notes 567

Selected Bibliography 591

Index 597

Selected Writings of César Vallejo

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