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The stirring and popular air, originally a convivial song, applied to Key’s immortal verses, is attributed, upon what appears to be good authority, to a famous English composer, Samuel Arnold, who was born in London in 1739. His compositions include forty-seven operas, which were popular in his day, though they have not outlived that period, four oratorios, and numerous sonatas, concertos, overtures, and minor pieces. At the request of George III. he superintended the publication of the works of Handel in thirty-six folio volumes. In 1783 he was made organist and composer of the Royal Chapel, and, ten years later, organist of Westminster Abbey, where he was buried when he died in 1802.

But this alleged authorship of the song and the music was disputed by the Anacreontic Society of London. In the second half of the eighteenth century, the jovial association known as “The Anacreontic” held its festive and musical meetings at the Crown and Anchor Tavern in the Strand, a house of entertainment frequented by such men as Dr. Johnson, Boswell, Sir Joshua Reynolds, and Dr. Percy. At one time, the president of the Anacreontic was Ralph Tomlinson, Esq., and it is claimed that he wrote the words of the song adopted by the club, while John Stafford Smith set them to music. The style of this merry club will be best exemplified by the first and last stanzas of the song:

“To Anacreon in Heaven, where he sat in full glee,

A few sons of Harmony sent a petition

That he their inspirer and patron would be,

When this answer arrived from the jolly old Grecian—

‘Voice, fiddle, and flute,

No longer be mute!

I’ll lend you my name and inspire you to boot;

And besides, I’ll instruct you like me to entwine

The myrtle of Venus with Bacchus’s Vine.’”

This sets Jove and the gods in an uproar. They fear that the petitioners will become too jovial. At length they relent. There are six stanzas, and the last is as follows:

“Ye sons of Anacreon, then join Hand in Hand,

Preserve unanimity, friendship, and love;

’Tis yours to support what’s so happily planned;

You’ve the sanction of gods and the fiat of Jove.

While thus we agree,

Our toast let it be,

May our club flourish happy, united, and free;

And long may the sons of Anacreon entwine

The myrtle of Venus with Bacchus’s Vine.”

The last two lines of each stanza were repeated in chorus. In this country, “To Anacreon in Heaven” was first adapted to a song written for the Adams campaign by Robert Treat Paine. It was entitled “Adams and Liberty,” and was first sung at the anniversary of the Massachusetts Charitable Fire Society in 1798.

After the rout at Bladensburg and the capture of Washington by the British forces, the invaders, under General Ross and Admiral Cockburn, proceeded up the Chesapeake to attack Baltimore. Its brave and heroic defenders were reinforced by volunteers from neighboring sections. Among the recruits from Pennsylvania who hastened to offer their services was a company from Dauphin County under the command of Captain Thomas Walker. When Francis Scott Key, while detained as a prisoner on the cartel ship in the Patapsco, saw “by the dawn’s early light” that “our flag was still there,” he was inspired to write his splendid verses, and on his release and return to Baltimore, one of the mess of Captain Walker’s company, who had been fortunate enough to obtain a rude copy, was so impressed with its inspiriting vigor that he read it aloud to his comrades three times. Its effect was electric, and at once the suggestion was made that a suitable air be found to which it could be sung. A young man named George J. Heisely, then from Harrisburg, though he had formerly lived in Frederick, and was well acquainted with Mr. Key, was so devoted to music that he always carried his flute and his note-book with him. Taking them out, he laid his flute on a camp barrel, and turned over the leaves of his note-book until he came to Anacreon in Heaven, when he was immediately struck with the adaptability of its measure. A strolling actor, a member of the company from Lancaster, named Ferdinand Durang, snatched the flute, and played the air, while Heisely held up the note-book. On the following evening Durang sang the Star-Spangled Banner for the first time on the stage of the Holliday Street Theatre.