Читать книгу The History of Hinduism and Buddhism - Charles Eliot - Страница 43

One of the most interesting and impressive of Vedic deities is Varuṇa, often invoked with a more shadowy double called Mitra. No myths or exploits are related of him but he is the omnipotent and omniscient upholder of moral and physical law. He established earth and sky: he set the sun in heaven and ordained the movements of the moon and stars: the wind is his breath and by his law the heavens and earth are kept apart. He perceives all that exists in heaven and earth or beyond, nor could a man escape him though he fled beyond the sky. The winkings of men's eyes are all numbered by him[152]: he knows all that man does or thinks. Sin is the infringement of his ordinances and he binds sinners in fetters. Hence they pray to him for release from sin and he is gracious to the penitent. Whereas the other deities are mainly asked to bestow material boons, the hymns addressed to Varuṇa contain petitions for forgiveness. He dwells in heaven in a golden mansion. His throne is great and lofty with a thousand columns and his abode has a thousand doors. From it he looks down on the doings of men and the all-seeing sun comes to his courts to report.

There is much in these descriptions which is unlike the attributes ascribed to any other member of the Vedic pantheon and recalls Ahura Mazda of the Avesta or Semitic deities. No proof of foreign influence is forthcoming, but the opinion of some scholars that the figure of Varuṇa somehow reflects Semitic ideas is plausible. It has been suggested that he was originally a lunar deity, which explains his association with Mitra (the Persian Mithra) who was a sun god, and that the group of deities called Âdityas and including Mitra and Varuṇa were the sun, moon and the five planets known to the ancients. This resembles the Babylonian worship of the heavenly bodies and, though there is no record whatever of how such ideas reached the Aryans, it is not difficult to imagine that they may have come from Babylonia either to India[153] or to the country where Indians and Iranians dwelt together. There is a Semitic flavour too in the Indian legend of the Churning of the Ocean[154]. The Gods and Asuras effect this by using a huge serpent as a rope to whirl round a mountain and from the turmoil there arise various marvellous personages and substances including the moon. This resembles in tone if not in detail the Babylonian creation myths, telling of a primæval abyss of waters and a great serpent which is slain by the Gods who use its body as the material for making the heavens and the earth[155].

Yet Varuṇa is not the centre of a monotheistic religion any more than Indra, and in later times he becomes a water god of no marked importance. The Aryans and Semites, while both dissatisfied with polytheism and seeking the one among the many, moved along different paths and did not reach exactly the same goal. Semitic deities were representations of the forces of nature in human form but their character was stereotyped by images, at any rate in Assyria and Babylonia, and by the ritual of particular places with which they were identified. Semitic polytheism is mainly due to the number of tribes and localities possessing separate deities, not to the number of deities worshipped by each place and tribe. As villages and small towns were subordinate to great towns, so the deities of minor localities were subordinate to those of the greater. Hence the Semitic god was often thought of as a king who might be surrounded by a court and then became the head of a pantheon of inferior deities, but also might be thought of as tolerating no rivals. This latter conception when combined with moral earnestness gives us Jehovah, who resembles Varuṇa, except that Varuṇa is neither jealous nor national. Indian polytheism also originated in the personification of various phenomena, the sun, thunder, fire, rivers, and so forth, but these deities unlike the Semitic gods had little to do with special tribes or localities and the philosophic Indian easily traced a connection between them. It is not difficult to see that sun, fire and lightning have something in common. The gods are frequently thought of as joined in couples, triads or larger companies and early worship probably showed the beginnings of a feature which is prominent in the later ritual, namely, that a sacrifice is not an isolated oblation offered to one particular god but a series of oblations presented to a series of deities. There was thus little disposition to exalt one god and annihilate the others, but every disposition to identify the gods with one another and all of them with something else. Just as rivers, mountains and plains are dimly seen to be parts of a whole which later ages call nature, so are the gods seen to be parts of some divine whole which is greater than any of them. Even in the Rig Veda we find such sentiments as "The priests speak of the One Being in many ways: they call it Agni, Yama, Mâtariśvan[156]." Hence it is not surprising that when in the later Vedic period a tendency towards monotheism (but monotheism of a pantheistic type) appears, the supreme position is given to none of the old deities but to a new figure, Prajâpati. This word, meaning Lord of living creatures, occurs in the Rig Veda as an epithet of the sun and is also occasionally used as the name of the Being by whom all gods and worlds were generated and by whose power they continue to exist. In the Brâhmaṇas and later ritual literature he is definitely recognized as the supreme deity, the Creator, the first sacrificer and the sacrifice itself. It is perhaps owing to his close connection with ceremonial that enquiring and speculative minds felt Prajâpati not to be a final or satisfactory explanation of the universe. He is identified with Brahmâ, the active personal creator, and this later name gradually ousts the other but he does not, any more than Indra or Varuṇa, become the Âtman or supreme universal Being of the Upanishads.

The principal Vedic deities are male and the few goddesses that are mentioned such as Ushas. the Dawn, seem to owe their sex to purely dramatic reasons. Greece and Rome as well as India felt it appropriate to represent the daybreak as a radiant nymph. But though in later times such goddesses as Durgâ assumed in some sects a paramount position, and though the Veda is familiar with the idea of the world being born, there are few traces in it of a goddess corresponding to the Great Mother, Cybele or Astarte.

In an earlier period of Vedic studies many deities were identified with figures in the classical or Teutonic mythology chiefly on philological grounds but most of these identifications have now been abandoned. But a few names and figures seem to be found among both the Asiatic and European Aryans and to point to a common stock of ideas. Dyaus, the Sky God, is admittedly the same as Zeus and Jupiter. The Aśvins agree in character, though not in name, with the Dioscuri and other parallels are quoted from Lettish mythology. Bhaga, the bountiful giver, a somewhat obscure deity, is the same word as the Slavonic Bog, used in the general sense of God, and we find deva in Sanskrit, deus in Latin, and devas in Lithuanian. Ushas, the Dawn, is phonetically related to [Greek: 'Êhôs] and Aurora who, however, are only half deities. Indra, if he cannot be scientifically identified with Thor, is a similar personage who must have grown out of the same stock of ideas. By a curious transference the Prophet Elias has in south-eastern Europe inherited the attributes of the thunder god and is even now in the imagination of the peasantry a jovial and riotous being who, like Indra, drives a noisy chariot across the sky.

The connection with ancient Persian mythology is closer. The Avestan religion was a reformation due to the genius of Zoroaster and therefore comparable with Buddhism rather than Hinduism, but the less systematic polytheism which preceded it contained much which reminds us of the Vedic hymns. It can hardly be doubted that the ancestors of the Indians and Iranians once practised almost identical forms of religion and had even a common ritual. The chief features of the fire cult and of the Soma or Haoma sacrifice appear in both. The sacrifice is called Yajña in the Veda, Yasna in the Avesta: the Hotri priest is Zaotar, Atharvan is Athravan, Mitra is Mithra. Vâyu and Âpaḥ (the divine waters) meet us in the Avesta in almost the same forms and Indra's epithet of Vritrahan (the slayer of Vritra) appears as Verethragna. Ahura Mazda seems to be a development of the deity who appears as Varuṇa in India though he has not the same name, and the main difference between Indian and Iranian religion lies in this, that the latter was systematized by a theistic reformer who exalted one deity above the others, whereas in India, where there was more religious vitality, polytheistic and pantheistic fancies flourished uncurbed and the greatest reformer, the Buddha, was not a theist.

One peculiarity of Indians in all ages is that they put more into religion than other races. It received most of the energy and talent which, elsewhere, went into art, politics and philosophy. Hence it became both intense and manifold, for deities and creeds were wanted for every stage of intelligence and variety of taste, and also very tolerant, for sects in India, though multitudinous, are not so sharply divided or mutually hostile as in Europe. Connected with the general interest which religion inspired is its strongly marked speculative character. The Rig Veda asks whether in the beginning there was being or not being, and the later Vedas and Brâhmaṇas are filled with discussions as to the meaning of ceremonies, which show that the most dreary formalism could not extinguish the innate propensity to seek for a reason. In the Upanishads we have the same spirit dealing with more promising material. And throughout the long history of Hinduism religion and philosophy are seldom separated: we rarely find detached metaphysicians: philosophers found new sects or support old ones: religion absorbs philosophy and translates it into theology or myths.