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II
DECORATIONS AND FURNITURE

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Have nothing in your houses that you do not know to be useful, or believe to be beautiful—William Morris

The decorating and furnishing of a house have their true beginning in good architectural design. It is a mistake to proceed upon the theory that decoration necessarily implies something added for its own sake—something beautiful in itself but selected and applied without regard to the lines, spaces, and colours of the room in which it is to be placed and without considering the relation of this room to neighbouring rooms and to more remote surroundings. The truth is, a decorative object may or may not be intrinsically beautiful; but however beautiful it may be in itself, it finds its truest beauty in an appropriate setting. And the decorator who is actuated by the true spirit looks to the architect for inspiration and finds his greatest successes in acknowledging that leadership. To attempt to lead when one should follow is neither good art nor good sense.

There is danger, perhaps, that this truth may be taken too seriously. It would also be a mistake to run to the other extreme and adopt at the outset a rigid plan of decoration and furnishing, specified like contract work to be carried out and completed on a certain date soon after the house is built. The problem is one of growing interest, especially as regards furniture, pictures, and the smaller objects of use or beauty, and for its best and happiest solution requires time and study. Only the broad and fundamental features can be settled in advance. The important thing is to have the main lines, dimensions, space relations, and colour schemes settled with due regard to utility and appropriateness and, as the work of construction proceeds, to keep all details in harmony with this general plan.

The Library of Work and Play: Home Decoration

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