Читать книгу The Writing of News - Charles G. Ross - Страница 8
CLEARNESS
ОглавлениеSimplicity of structure and diction implies clearness. The story that would appeal to the masses defeats its purpose if not readily intelligible. The average newspaper reader has neither time nor inclination to puzzle over an involved sentence or to consult a glossary for the definition of a technical phrase.
Scientific terms, if not in general use, should be translated into everyday English. This is true also of legal phraseology and other words and expressions of purely technical meaning. Let your story explain itself. If Mrs. Jones got a divorce, say so; don’t confuse the reader with the verbiage of the courts. Get as close to the speech of the people as good taste and correctness will allow. Vulgar and silly slang is not tolerated by the good newspaper, but an expressive colloquialism may be used to avoid pedantry.
In striving for simplicity and clarity beware of dullness. “Fine writing”—the kind that speaks of a barber shop as a “tonsorial parlor”—has no place in the modern newspaper office, but there is a demand for the writer who can infuse freshness and vigor into his story. The style of your story should be simple, its meaning clear and its diction pure. Try also to give it that element of originality and charm that distinguishes the best writing from merely good writing. Newspaper English, as used by skillful writers, displays often, in its well-turned phrases, its quick description and its “featuring” of the leading facts, the touch of the true artist. For all this the story is none the less, in the manner of its telling, simple and clear.