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THE PROGRESS OF CANT

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(A Review of Hood's Etching)

(1826)

A wicked wag has produced a caricature under this title, in which he marshalleth all the projected improvements of the age, and maketh them take their fantastic progress before the eyes of the scorner. It is a spirited etching, almost as abundant in meaning as in figures, and hath a reprobate eye to a corner—an Hogarthian vivification of post and placard. Priests, anti-priests, architects, politicians, reformers, flaming loyalty-men, high and low, rich and poor, one with another, all go on "progressing," as the Americans say. Life goes on, at any rate; and there is so much merriment on all sides, that for our parts, inclined to improvements as we are, we should be willing enough to join in the laugh throughout, if the world were as merry as the artist. The houses are as much to the purpose as the pedestrians. There is the office of the Peruvian Mining Company, in dismal, dilapidated condition; a barber's shop, with "Nobody to be shaved during divine service," the h worn out; two boarding-schools for young ladies and gentlemen, very neighbourly; and the public-house, called the Angel and Punch-Bowl, by T. Moore. Among the crowd is a jolly, but vehement, reverend person holding a flag, inscribed, "The Church in Anger," the D for danger being hidden by another flag, inscribed, "Converted Jews." Then there is the Caledonian Chap (el being obstructed in the same way), who holds a pennon, crying out, "No Theatre!" Purity of Election, with a bludgeon, very drunk; and, above all, a petty fellow called the Great Unknown, with his hat over his eyes, and a constable's staff peeping out of his pocket. Some of the faces and figures are very clever, particularly the Barber; the Saving-banks man; the Jew Boy picking the pocket; the Charity Boy and the Beadle. The Beadle is rich from head to foot. Nathless, we like not to see Mrs. Fry so roasted: we are at a loss to know why the Blacks deserve to be made Black Devils; and are not aware that the proposal of an University in London has occasioned, or is likely to occasion, any sort of cant. However, there is no harm done where a cause can afford a joke; and where it cannot, the more it is joked at, the better.

The Collected Works of Charles Lamb and Mary Lamb

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