Читать книгу Edith Wharton: Complete Works - Edith Wharton - Страница 86

The University of Pianura was lodged in the ancient Signoria or Town Hall of the free city; and here, on the afternoon of the Duke’s birthday, the civic dignitaries and the leading men of the learned professions had assembled to see the doctorate conferred on the Signorina Fulvia Vivaldi and on several less conspicuous candidates of the other sex.

The city was again in gala dress. Early that morning the new constitution had been proclaimed, with much firing of cannon and display of official fireworks; but even these great news, and their attendant manifestations, had failed to enliven the populace, who, instead of filling the streets with their usual stir, hung massed at certain points, as though curiously waiting on events. There are few sights more ominous than that of a crowd thus observing itself, watching in inconscient suspense for the unknown crisis which its own passions have engendered.

It was known that his Highness, after the public banquet at the palace, was to proceed in state to the University; and the throng was thick about the palace gates and in the streets betwixt it and the Signoria. Here the square was close-packed, and every window choked with gazers, as the Duke’s coach came in sight, escorted meagrely by his equerries and the half-dozen light-horse that preceded him. The small escort, and the marked absence of military display, perhaps disappointed the splendor-loving crowd; and from this cause or another, scarce a cheer was heard as his Highness descended from his coach, and walked up the steps to the porch of ancient carved stone where the faculty awaited him.

The hall was already filled with students and graduates, and with the guests of the University. Through this grave assemblage the Duke passed up to the row of arm-chairs beneath the dais at the farther end of the room. Trescorre, who was to have attended his Highness, had excused himself on the plea of indisposition, and only a few gentlemen-in-waiting accompanied the Duke; but in the brown half-light of the old Gothic hall their glittering uniforms contrasted brilliantly with the black gowns of the students, and the sober broadcloth of the learned professions. A discreet murmur of enthusiasm rose at their approach, mounting almost to a cheer as the Duke bowed before taking his seat; for the audience represented the class most in sympathy with his policy and most confident of its success.

The meetings of the faculty were held in the great council-chamber where the Rectors of the old free city had assembled; and such a setting was regarded as peculiarly appropriate to the present occasion. The fact was alluded to, with much wealth of historical and mythological analogy, by the President, who opened the ceremonies with a polysyllabic Latin oration, in which the Duke was compared to Apollo, Hercules and Jason, as well as to the flower of sublunary heroes.

This feat of rhetoric over, the candidates were called on to advance and receive their degrees. The men came first, profiting by the momentary advantage of sex, but clearly aware of its inability to confer even momentary importance in the eyes of the impatient audience. A pause followed, and then Fulvia appeared. Against the red-robed faculty at the back of the dais, she stood tall and slender in her black cap and gown. The high windows of painted glass shed a paleness on her face, but her carriage was light and assured as she advanced to the President and knelt to receive her degree. The parchment was placed in her hand, the furred hood laid on her shoulders; then, after another flourish of rhetoric, she was led to the lectern from which her discourse was to be delivered. Odo sat just below her, and as she took her place their eyes met for an instant. He was caught up in the serene exaltation of her look, as though she soared with him above wind and cloud to a region of unshadowed calm; then her eyes fell and she began to speak.

She had a pretty mastery of Latin, and though she had never before spoken in public, her poetical recitations, and the early habit of intercourse with her father’s friends, had given her a fair measure of fluency and self-possession. These qualities were raised to eloquence by the sweetness of her voice, and by the grave beauty which made the academic gown seem her natural wear, rather than a travesty of learning. Odo at first had some difficulty in fixing his attention on what she said; and when he controlled his thoughts she was in the height of her panegyric of constitutional liberty. She had begun slowly, almost coldly; but now her theme possessed her. One by one she evoked the familiar formulas with which his mind had once reverberated. They woke no echo in him now; but he saw that she could still set them ringing through the sensibilities of her hearers. As she stood there, a slight impassioned figure, warming to her high argument, his sense of irony was touched by the incongruity of her background. The wall behind her was covered by an ancient fresco, fast fading under its touches of renewed gilding, and representing the patron scholars of the mediæval world: the theologians, law-givers and logicians under whose protection the free city had placed its budding liberties. There they sat, rigid and sumptuous on their Gothic thrones: Origen, Zeno, David, Lycurgus, Aristotle; listening in a kind of cataleptic helplessness to a confession of faith that scattered their doctrines to the winds. As he looked and listened, a weary sense of the reiterance of things came over him. For what were these ancient manipulators of ideas, prestidigitators of a vanished world of thought, but the forbears of the long line of theorists of whom Fulvia was the last inconscient mouthpiece? The new game was still played with the old counters, the new jugglers repeated the old tricks; and the very words now poured out in defence of the new cause were but mercenaries scarred in the service of its enemies. For generations, for centuries man had fought on; crying for liberty, dreaming it was won, waking to find himself the slave of the new forces he had generated, burning and being burnt for the same beliefs under different guises, calling his instincts ideas and his ideas revelations; destroying, rebuilding, falling, rising, mending broken weapons, championing extinct illusions, mistaking his failures for achievements and planting his flag on the ramparts as they fell. And as the vision of this inveterate conflict rose before him, Odo saw that the beauty, the power, the immortality, dwelt not in the idea but in the struggle for it.

His resistance yielded as this sense stole over him, and with an almost physical relief he felt himself drawn once more into the familiar current of emotion. Yes, it was better after all to be one of that great unconquerable army, though, like the Trojans fighting for a phantom Helen, they might be doing battle for the shadow of a shade; better to march in their ranks, endure with them, fight with them, fall with them, than to miss the great enveloping sense of brotherhood that turned defeat to victory.

As the conviction grew in him, Fulvia’s words regained their lost significance. Through the set mask of language the living thoughts looked forth, old indeed as the world, but renewed with the new life of every heart that bore them. She had left the abstract and dropped to concrete issues: to the gift of the constitution, the benefits and obligations it implied, the new relations it established between ruler and subject and between man and man. Odo saw that she approached the question without flinching. No trace remained of the trembling woman who had clung to him the night before. Her old convictions repossessed her and she soared above human fears.

So engrossed was he that he had been unaware of a growing murmur of sound which seemed to be forcing its way from without through the walls of the ancient building. As Fulvia’s oration neared its end the murmur rose to a roar. Startled faces were turned toward the doors of the council-chamber, and one of the Duke’s gentlemen left his seat and made his way through the audience. Odo sat motionless, his eyes on Fulvia. He noticed that her face paled as the sound reached her, but there was no break in the voice with which she uttered the closing words of her peroration. As she ended, the noise was momentarily drowned under a loud burst of clapping; but this died in a hush of apprehension, through which the outer tumult became more ominously audible. The equerry reëntered the hall with a disordered countenance. He hastened to the Duke and addressed him urgently.

“Your Highness,” he said, “the crowd has thickened and wears an ugly look. There are many friars abroad, and images of the Mountain Virgin are being carried in procession. Will your Highness be pleased to remain here while I summon an escort from the barracks?”

Odo was still watching Fulvia. She had received the applause of the audience with a deep reverence, and was now in the act of withdrawing to the inner room at the back of the dais. Her eyes met Odo’s; she smiled and the door closed on her. He turned to the equerry.

“There is no need of an escort,” he said. “I trust my people if they do not trust me.”

“But, your Highness, the streets are full of demagogues who have been haranguing the people since morning. The crowd is shouting against the constitution and against the Signorina Vivaldi.”

A flame of anger passed over the Duke’s face; but he subdued it instantly.

“Go to the Signorina Vivaldi,” he said, pointing to the door by which Fulvia had left the hall. “Assure her that there is no danger, but ask her to remain where she is till the crowd disperses, and request the faculty in my name to remain with her.”

The equerry bowed, and hurried up the steps of the dais, while the Duke signed to his other companions to precede him to the door of the hall. As they walked down the long room, between the close-packed ranks of the audience, the outer tumult surged threateningly toward them. Near the doorway, another of the gentlemen-in-waiting was seen to speak with the Duke.

“Your Highness,” he said, “there is a private way at the back by which you may yet leave the building unobserved.”

“You appear to forget that I entered it publicly,” said Odo.

“But, your Highness, we cannot answer for the consequences—”

The Duke signed to the ushers to throw open the doors. They obeyed, and he stepped out into the stone vestibule preceding the porch. The iron-barred outer doors of this vestibule were securely bolted, and the porter hung back in affright at the order to unlock them.

“Your Highness, the people are raving mad,” he said, flinging himself on his knees.

Odo turned impatiently to his escort. “Unbar the doors, gentlemen,” he said. The blood was drumming in his ears, but his eye was clear and steady, and he noted with curious detachment the comic agony of the fat porter’s face, and the strain and swell of the equerry’s muscles as he dragged back the ponderous bolts.

The doors swung open, and the Duke emerged. Below him, still with that unimpaired distinctness of vision which seemed a part of his heightened vitality, he saw a great gesticulating mass of people. They packed the square so closely that their own numbers held them immovable, save for their swaying arms and heads; and those whom the square could not contain had climbed to porticoes, balconies and cornices, and massed themselves in the neck of the adjoining streets. The handful of light-horse who had escorted the Duke’s carriage formed a single line at the foot of the steps, so that the approach to the porch was still clear; but it was plain that the crowd, with its next movement, would break through this slender barrier and hem in the Duke.

At Odo’s appearance the shouting had ceased and every eye was turned on him. He stood there, a brilliant target, in his laced coat of peach-colored velvet, his breast covered with orders, a hand on his jewelled sword-hilt. For a moment sovereign and subjects measured each other; and in that moment Odo drank his deepest draught of life. He was not thinking now of the constitution or its opponents. His present business was to get down the steps and into the carriage, returning to the palace as openly as he had come. He was conscious of neither pity nor hatred for the throng in his path. For the moment he regarded them merely as a natural force, to be fought against like storm or flood. His clearest sensation was one of relief at having at last some material obstacle to spend his strength against, instead of the impalpable powers which had so long beset him. He felt, too, a boyish satisfaction at his own steadiness of pulse and eye, at the absence of that fatal inertia which he had come to dread. So clear was his mental horizon that it embraced not only the present crisis, but a dozen incidents leading up to it. He remembered that Trescorre had urged him to take a larger escort, and that he had refused on the ground that any military display might imply a doubt of his people. He was glad now that he had done so. He would have hated to slink to his carriage behind a barrier of drawn swords. He wanted no help to see him through this business. The blood sang in his veins at the thought of facing it alone.

The silence lasted but a moment; then an image of the Mountain Virgin was suddenly thrust in air, and a voice cried out: “Down with our Lady’s enemies! We want no laws against the friars!”

A howl caught up the words and tossed them to and fro above the seething heads. Images of the Virgin, religious banners, the blue-and-white of the Madonna’s colors, suddenly canopied the crowd.

“We want the Barnabites back!” sang out another voice.

“Down with the free-thinkers!” yelled a hundred angry throats.

A stone or two sped through the air and struck the sculptures of the porch.

“Your Highness!” cried the equerry who stood nearest, and would have snatched the Duke back within doors.

For all answer, Odo stepped clear of the porch and advanced to the edge of the steps. As he did so, a shower of missiles hummed about him, and a stone struck him on the lip. The blood rushed to his head, and he swayed in the sudden grip of anger; but he mastered himself and raised his lace handkerchief to the cut.

His gentlemen had drawn their swords; but he signed to them to sheathe again. His first thought was that he must somehow make the people hear him. He lifted his hand and advanced a step; but as he did so a shot rang out, followed by a loud cry. The lieutenant of the light-horse, infuriated by the insult to his master, had drawn the pistol from his holster and fired blindly into the crowd. His bullet had found a mark, and the throng hissed and seethed about the spot where a man had fallen. At the same instant Odo was aware of a commotion in the group behind him, and with a great plunge of the heart he saw Fulvia at his side. She still wore the academic dress, and her black gown detached itself sharply against the bright colors of the ducal uniforms.

Groans and hisses received her, but the mob hung back, as though her look had checked them. Then a voice shrieked out: “Down with the atheist! We want no foreign witches!” and another caught it up with the yell: “She poisoned the weaver’s boy! Her father was hanged for murdering Christian children!”

The cry set the crowd in motion again, and it rolled toward the line of mounted soldiers at the foot of the steps. The men had their hands on their holsters; but the Duke’s call rang out: “No firing!” and drawing their blades, they sat motionless to receive the shock.

It came, dashed against them and dispersed them. Only a few yards lay now between the people and their sovereign. But at that moment another shot was fired. This time it came from the thick of the crowd. The equerries’ swords leapt forth again, and they closed around the Duke and Fulvia.

“Save yourself, sir! Back into the building!” one of the gentlemen shouted; but Odo had no eyes for what was coming. For as the shot was heard he had seen a change in Fulvia. A moment they had stood together, smiling, undaunted, hands locked and wedded eyes; then he felt her dissolve against him and drop between his arms.

A cry had gone out that the Duke was wounded, and a leaden silence fell on the crowd. In that silence Odo knelt, lifting Fulvia’s head to his breast. No wound showed through her black gown. She lay as though smitten by some invisible hand. So deep was the hush that her least whisper must have reached him; but though he bent close no whisper came. The invisible hand had struck the very source of life; and to these two, in their moment of final reunion, with so much unsaid between them that now at last they longed to say, there was left only the dumb communion of fast-clouding eyes…

A clatter of cavalry was heard down the streets that led to the square. The equerry sent to warn Fulvia had escaped from the back of the building and hastened to the barracks to summon a regiment. But the soldiery were no longer needed. The blind fury of the mob had died of its own excess. The rumor that the Duke was hurt brought a chill reaction of dismay, and the rioters were already scattering when the cavalry came in sight. Their approach turned the slow dispersal to a stampede. A few arrests were made, the remaining groups were charged by the soldiers, and presently the square lay bare as a storm-swept plain, though the people still hung on its outskirts, ready to disband at the first threat of the troops.

It was on this solitude that the Duke looked out as he regained a sense of his surroundings. Fulvia had been carried into the audience-chamber and laid on the dais, her head resting on the velvet cushions of the ducal chair. She had died instantly, shot through the heart, and the surgeons summoned in haste had soon ceased from their ineffectual efforts. For a long time Odo knelt beside her, unconscious of all but that one wild moment when life at its highest had been dashed into the gulf of death. Thought had ceased, and neither rage nor grief moved as yet across the chaos of his being. All his life was in his eyes, as they drew up, drop by drop, the precious essence of her loveliness. For she had grown, beneath the simplifying hand of death, strangely yet most humanly beautiful. Life had fallen from her like the husk from the flower, and she wore the face of her first hopes. The transition had been too swift for any backward look, any anguished rending of the fibres, and he felt himself, not detached by the stroke, but caught up with her into some great calm within the heart of change.

He knew not how he found himself once more on the steps above the square. Below him his state carriage stood in the same place, flanked by the regiment of cavalry. Down the narrow streets he saw the brooding cloud of people, and the sight roused his blood. They were his enemies now—he felt the warm hate in his veins. They were his enemies, and he would face them openly. No closed chariot guarded by troops—he would not have so much as a pane of glass between himself and his subjects. He descended the steps, bade the colonel of the regiment dismount, and sprang into his saddle. Then, at the head of his soldiers, at a foot-pace, he rode back through the packed streets to the palace.

In the palace, courtyard and vestibule were thronged with courtiers and lacqueys. He walked through them with his head high, the cut on his lip like the mark of a hot iron in the dead whiteness of his face. At the head of the great staircase Maria Clementina waited. She sprang forward, distraught and trembling, her face as blanched as his.

“You are safe—you are safe—you are not hurt—” she stammered, catching at his hands.

A shudder seized him as he put her aside.

“Odo! Odo!” she cried passionately, and made as though to bar his way.

He gave her a blind look and passed on down the long gallery to his closet.

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