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As already noted, a weakness of Sign Language is the difficulty of writing it without translating it into words, and thereby changing its nature and its world-wide application. Yet it can be written; and some mention of its recorded form may fitly round out this introduction.

The characters used, because they represent ideas, not words or letters, are called ideographs or picture-writing. It is widely believed that Sign Language is the oldest of all languages, that indeed it existed among animals before man appeared on earth. It is universally accepted that the ideograph is the oldest of all writing. The Chinese writing, for instance, is merely picture-writing done with as few lines as possible.

Thus, it is said that their curious character for Hearing was once a complete picture of a person listening behind a screen, but in time it was reduced by hasty hands to a few scratches; and War, now a few spider marks, was originally a sketch of Two women in one house.

We may also record our Sign Language in picture-writing, as was the custom of many Indian tribes; and we shall find it worth while for several reasons: it is picturesque and useful for decoration; and it is likely that a pictographic inscription dug up 10,000 years from now would be read, whether our language was understood or not.³

When the French Government set up the Obelisk of Luxor, in Paris, and wished to inscribe it for all time, they made record, not in French or Latin, but in pictographs.

It is, moreover, a good thing to take the young through the stages of race development; just as the young bird must run for a send-off, before it flies, so pictography, being its earliest form, is the natural first step to writing.

In this dictionary I give the written form after many of the signs that have an established pictograph. These are chiefly from Mallery, 10th Annual Report Bureau of American Ethnology. A few are popularly accepted among ourselves.