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The Attitude of the People to the Literary Arts.

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These differences between nation and nation also exist between class and class and between town and country. I will not here go into the vexed question of whether the peasant’s way of blowing his nose or the squire’s is the more cleanly and hygienic, though my experience as a municipal councillor of the way in which epidemics are spread by laundries makes me incline to the side of the peasant. What is beyond all question is that each seems disgusting to the other. And when we come from physical facts to moral views and ethical opinions we find the same antagonisms. To a great section—perhaps the largest section—of the people of England and France, all novels, plays, and songs are licentious; and the habit of enjoying them is a mark of a worthless character. To these people the distinctions made by the literary classes between books fit for young girls to read and improper books—between Paul and Virginia and Mademoiselle de Maupin or Une Vie, between Mrs. Humphry Ward and Ouida—have no meaning: all writers of love stories and all readers of them are alike shameless. Cultivated Paris, cultivated London, are apt to overlook people who, as they seldom read and never write, have no means of making themselves heard. But such simple people heavily outnumber the cultivated; and if they could also outwit them, literature would perish. Yet their intolerance of fiction is as nothing to their intolerance of fact. I lately heard an English gentleman state a very simple fact in these terms: ‘I never could get on with my mother: she did not like me; and I did not like her: my brother was her pet.’ To an immense number of living English and French people this speech would suggest that its utterer ought to be burned alive, though the substitution of stepmother for mother and of half-brother for brother would suffice to make it seem quite probable and natural. And this, observe, not in the least because all these horrified people adore and are adored by their mothers, but simply because they have a fixed convention that the proper name of the relation between mother and son is love. However bitter and hostile it may in fact be in some cases, to call it by any other name is a breach of convention; and by the instinctive logic of timidity they infer that a man to whom convention is not sacred is a dangerous man. To them the ten commandments are nothing but arbitrary conventions; and the man who says today that he does not love his mother may, they conclude, tomorrow steal, rob, murder, commit adultery, and bear false witness against his neighbor.

Three Plays by Brieux

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