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PHILADELPHIA ARCHITECTURE

Philadelphia occupies a unique position in American architecture. Few of the early settled cities of the United States can boast so extensive or so notable a collection of dwellings and public buildings in the so-called Colonial style, many of them under auspices that insure their indefinite perpetuation. These beautiful old structures are almost exclusively of brick and stone and of a more elaborate and substantial character than any contemporary work to be found above the Mason and Dixon line which later became in part the boundary between the North and the South. Erected and occupied by the leading men of substance of the Province of Pennsylvania, the fine old countryseats, town residences and public buildings of the "City of Brotherly Love" not only comprise a priceless architectural inheritance, but the glamour of their historic association renders them almost2national monuments, and so object lessons of material assistance in keeping alive the spirit and ideals of true Americanism.

Much of the best Colonial domestic architecture in America is to be found in this vicinity, a great deal of it still standing in virtually its pristine condition as enduring memorials of the most elegant period in Colonial life. Just as men have personality, so houses have individuality. And as the latter is but a reflection of the former, a study of the architecture of any neighborhood gives us a more intimate knowledge of contemporary life and manners, while the history of the homes of prominent personages is usually the history of the community. Such a study is the more interesting in the present instance, however, in that not merely local but national history was enacted within the Colonial residences and public buildings of old Philadelphia. Men prominent in historic incidents of Colonial times which profoundly affected the destiny of the country lived in Philadelphia. The fathers of the American nation were familiar figures on the streets of the city, and Philadelphians in their native city wrote their names large in American history.

Philadelphia was not settled until approximately half a century later than the other early centers of the North—Plymouth, New York, Salem, Boston and Providence. Georgian archi 3tecture had completely won the approval of the English people, and so it was that few if any buildings showing Elizabethan and Jacobean influences were erected here as in New England. Although several other nationalities were from the first represented in the population, notably the Swedish, Dutch and German, the British were always in the majority, and while a few old houses, especially those with plastered walls, have a slightly Continental atmosphere, all are essentially Georgian or pure Colonial in design and detail.

To understand how this remarkable collection of Colonial architecture came into being, and to appreciate what it means to us, it is necessary briefly to review the early history of Philadelphia. Although some small trading posts had been established by the Swedes and Dutch in the lower valley of the Delaware River from 1623 onward, it was not until 1682 that Philadelphia was settled under a charter which William Penn obtained from Charles II the previous year, providing a place of refuge for Quakers who were suffering persecution in England under the "Clarendon Code." The site was chosen by Penn's commission, consisting of Nathaniel Allen, John Bezan and William Heage, assisted by Penn's cousin, Captain William Markham, as deputy governor, and Thomas Holme as surveyor-general. The Swedes had established a settlement at the mouth of the Schuylkill River 4 not later than 1643, and the site selected by the commissioners was held by three brothers of the Swaenson family. They agreed, however, to take in exchange land in what is now known as the Northern Liberties, and in the summer of 1682, Holme laid out the city extending from the Delaware River on the east to the Schuylkill River on the west—a distance of about two miles—and from Vine Street on the north to Cedar, now South Street, on the south—a distance of about one mile. Penn landed at New Castle on the Delaware, October 27, 1682, and probably came to his newly founded city soon afterward. A meeting of the Provincial Council was held March 10, 1683, and from that time Philadelphia was the capital of Pennsylvania until 1799, when Lancaster was chosen.

Not only did Penn obtain a grant of land possessed of rare and diversified natural beauty, extreme fertility, mineral wealth and richness of all kinds, but he showed great sagacity in encouraging ambitious men of education and affluence, and artisans of skill and taste in many lines, to colonize it. To these facts are due the quick prosperity which came to Philadelphia and which has made it to this day one of the foremost manufacturing centers in the United States. Textile, foundry and many other industries soon sprang up to supply the wants of these diligent people three thousand miles from the mother country and to provide a 5 basis of trade with the rest of the world. Shipyards were established and a merchant marine built up which soon brought to Philadelphia a foreign and coastwise commerce second to none in the American colonies. Local merchants engaged in trade with Europe and the West Indies, and these profitable ventures soon brought great affluence and a high degree of culture. By the time of the Revolution Philadelphia had become the largest, richest, most extravagant and fashionable city of the American colonies. Society was gayer, more polished and distinguished than anywhere else this side of the Atlantic.

Among the skilled artisans attracted by the promise of Penn's "Sylvania" were numerous carpenters and builders. Penn induced James Portius to come to the new world to design and execute his proprietary buildings, and Portius was accompanied and followed by others of more or less skill in the same and allied trades. While some of the building materials and parts of the finished woodwork were for a time brought from England, local skill and resources were soon equal to the demands, as much of their handiwork still existing amply shows. As early as 1724 the master carpenters of the city organized the Carpenters' Company, a guild patterned after the Worshipful Company of Carpenters of London, founded in 1477. Portius was one of the leading members, and on his 6 death in 1736 laid the foundation of a valuable builders' library by giving his rare collection of early architectural books to the company.

Toward the middle of the eighteenth century American carpenters and builders everywhere, Philadelphia included, were materially aided by the appearance of handy little ready reference books of directions for joinery containing measured drawings with excellent Georgian detail. Such publications became the fountainhead of Colonial design. They taught our local craftsmen the technique of building and the art of proportion; instilled in their minds an appreciation of classic motives and the desire to adapt the spirit of the Renaissance to their own needs and purposes. In those days some knowledge of architecture was considered essential to every gentleman's education, and with the aid of these builders' reference books many men in other professions throughout the country became amateur architects of no mean ability as a pastime. In and about Philadelphia their Georgian adaptations, often tempered to a degree by the Quaker preference for the simple and practical, contributed much to the charm and distinction of local architecture. To such amateur architects we owe Independence Hall, designed by Andrew Hamilton, speaker of the Pennsylvania Assembly, and Christ Church, designed mainly by Doctor John Kearsley.