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Illustrations

Figure 1. An unadorned nakhl frame from Nain

Figure 2. A large nakhl from Mahriz

Figure 3. A nineteenth-century muḥarram procession

Figure 4. A nineteenth-century majlis

Figure 5. An attendant fanning a ta‘zi̅yah

Figure 6. The inside of an imāmbāṛā, with a ta‘zi̅yah and a rauz̤eh khvān

Figure 7. A nineteenth-century standard bearer

Figure 8. A contemporary muḥarram ‘alam

Figure 9. Nineteenth-century tassa player

Figure 10. Nineteenth-century bass player

Figure 11. An Indian sipar

Figure 12. A muḥarram procession with ta‘zi̅yahs and men performing mātam

Figure 13. Master tadjah builder Anthony “Muggy” Millette

Figure 14. Kirk “Purple” Rodriguez working on a tadjah

Figure 15. Trinidadian youths practicing drumming

Figure 16. A chowk with tassa drums

Figure 17. Noble Bisnath playing his bass on the streets

Figure 18. Drummers perform in unison during a procession

Figure 19. Named tassa drums hanging in a drum room

Figure 20. A bass maker busy at work

Figure 21. Women carrying flags

Figure 22. A cutter performing in front of a chowk

Figure 23. A pensive bass player

Figure 24. The green moon resting on its chowk

Figure 25. The Balma katheeyah on Small Hosay Night, 1991

Figure 26. Noble Bisnath crowning a tadjah

Figure 27. Another step in crowning a tadjah

Figure 28. A completed tadjah resting on a chowk

Figure 29. A tadjah being kissed by the red moon

Figure 30. Tassa drummers heading to the Queen’s Royal College

Figure 31. The two St. James moons prior to the janaaza prayers

Hosay Trinidad

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