Читать книгу Hosay Trinidad - Frank J. Korom - Страница 6
ОглавлениеIllustrations
Figure 1. An unadorned nakhl frame from Nain
Figure 2. A large nakhl from Mahriz
Figure 3. A nineteenth-century muḥarram procession
Figure 4. A nineteenth-century majlis
Figure 5. An attendant fanning a ta‘zi̅yah
Figure 6. The inside of an imāmbāṛā, with a ta‘zi̅yah and a rauz̤eh khvān
Figure 7. A nineteenth-century standard bearer
Figure 8. A contemporary muḥarram ‘alam
Figure 9. Nineteenth-century tassa player
Figure 10. Nineteenth-century bass player
Figure 11. An Indian sipar
Figure 12. A muḥarram procession with ta‘zi̅yahs and men performing mātam
Figure 13. Master tadjah builder Anthony “Muggy” Millette
Figure 14. Kirk “Purple” Rodriguez working on a tadjah
Figure 15. Trinidadian youths practicing drumming
Figure 16. A chowk with tassa drums
Figure 17. Noble Bisnath playing his bass on the streets
Figure 18. Drummers perform in unison during a procession
Figure 19. Named tassa drums hanging in a drum room
Figure 20. A bass maker busy at work
Figure 21. Women carrying flags
Figure 22. A cutter performing in front of a chowk
Figure 23. A pensive bass player
Figure 24. The green moon resting on its chowk
Figure 25. The Balma katheeyah on Small Hosay Night, 1991
Figure 26. Noble Bisnath crowning a tadjah
Figure 27. Another step in crowning a tadjah
Figure 28. A completed tadjah resting on a chowk
Figure 29. A tadjah being kissed by the red moon
Figure 30. Tassa drummers heading to the Queen’s Royal College
Figure 31. The two St. James moons prior to the janaaza prayers