Читать книгу The Study of Spanish and Portuguese Literature - Friedrich Bouterwek - Страница 33

OCCASION OF THE INTRODUCTION OF THE ITALIAN STYLE.

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After the complete consolidation of the monarchies of Castile and Arragon by the accession of Charles of Austria, the grandson of Isabella and Ferdinand, there appears to have been, for a short time, a suspension of all literary activity in Spain. The political convulsions which then agitated the interior of the two united kingdoms, occupied the public mind too powerfully to allow any interest to be felt in calmer and more agreeable objects. But as soon as the civil contests were terminated by the success of the Austrian party, and the enterprising Charles, incited by Francis I. employed the force of his Spanish states to win new dominions in Italy, the poetic genius of Spain revived in all its pristine vigour. In the meantime, the ancient dialect of the Arragonian provinces began to be supplanted by the Castilian, which became the language of the state and of public business throughout Spain. Castile was then considered the heart of the whole monarchy. Madrid rose to the rank of the capital of Spain, and Saragossa sunk into the condition of a provincial town. It was therefore no very extraordinary event, that a Catalonian, whose maternal language still possessed a certain degree of poetic consideration, should, in connection with a Castilian, produce a revolution in Castilian poetry.

The Study of Spanish and Portuguese Literature

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