Читать книгу Ashtanga Yoga - Gregor Maehle - Страница 18
Bandhas
ОглавлениеWe have learned in the previous section about the importance of deep breathing. What is it exactly that makes yogic breathing so effective?
To answer this we have to look again at the idea of prana. As we already know, prana can refer to the anatomical breath, but it most often denotes life force, located in the subtle body. It is important to understand that the two are not identical. However, the movements of the life force that occur in the subtle or energetic body have some correlation to the movement of breath in the gross body. The flow of prana can be influenced by directing one’s breath. It can even be accumulated and stored. Most of us have heard accounts of yogis who managed to survive without oxygen for extended periods of time. Although it is not the purpose of yoga to perform such feats, it is nevertheless possible using a set of exercises called mudras, mudra meaning “seal.” They are a combination of posture, breath, and bandha, and they produce the sealing of prana. It is this process of gaining control of the life force that differentiates yogic exercise from mere gymnastics. Gymnastics and sport can make one fit, but they don’t have the energy-preserving effect of yoga, because they do not use mudra and bandha. It is the combination of posture with pranayama and bandha that makes yoga so effective.
The term bandha is related to the English word “bonding.” We bond breath, movement, and awareness together. The first bandha is called Mula Bandha, which translates as “root lock.” The root referred to here is the root of the spine, the pelvic floor or, more precisely, the center of the pelvic floor, the perineum. The perineum is the muscular body between the anus and the genitals. By slightly contracting the pubo-coccygeal (PC) muscle, which goes from the pubic bone to the tailbone (coccyx), we create an energetic seal that locks prana into the body and so prevents it from leaking out at the base of the spine. Mula Bandha is said to move prana into the central channel, called sushumna, which is the subtle equivalent of the spine.
Locating the PC muscle might be difficult at first. It has been suggested that one should tighten the anus, or alternatively contract the muscle that one would use to stop urination, but these indications are not entirely accurate: Mula Bandha is neither of these two muscles but located right between them. These suggestions have their value, however, offering some guidance until we become more sensitive and are able to isolate the PC muscle more precisely. For females it is essential not to mistake Mula Bandha for a contraction of the cervix. This contraction tends to occur especially during strenuous activity. Should a woman do this on a daily basis when engaged in two hours of yoga practice, she could experience difficulty in giving birth.
In the beginning we employ mainly a gross muscular lock, which works mainly on the gross body. Through practice we shift to an energetic lock, which works more on the subtle or pranic body. When mastered, Mula Bandha becomes exclusively mental, and works on the causal body.
To become familiar with Mula Bandha, sit tall and upright in a comfortable position and focus on slightly contracting the perineum, which is the center of the pelvic floor. With the exhalation, visualize the breath beginning at the nostrils and slowly reaching down through the throat, the chest, and the abdomen until it eventually hooks into the pelvic floor, which contracts slightly. As the inhalation starts, there will be an automatic reaching upward. Since we keep the breath hooked into the pelvic floor through contracting the PC muscle, we create suction and an energetic lift upward through the entire core of the body. This is Mula Bandha. With this movement the first step is taken to arrest the downward flow of life force, which increases with age and invites death, disease, and decay like the withering of a plant, and convert it into an upward flow that promotes growth and further blossoming.
Mula Bandha is held throughout the entire breathing cycle and during the whole practice. Every posture needs to grow out of its root. This is only finally released during deep relaxation in complete surrender. The second bandha is Uddiyana Bandha. It is sometimes confused with Uddiyana, one of the shat karmas or six actions, also called kriyas, of Hatha Yoga. This Uddiyana is a preparation for nauli, the stomach roll. Nauli is practiced by sucking the entire abdominal content up into the thoracic cavity. It is done only during breath retention (kumbhaka), and it is very different from the technique practiced in Vinyasa Yoga. The Uddiyana Bandha of Vinyasa Yoga is a much gentler exercise. It consists of lightly contracting the transverse abdominis muscle, which runs horizontally across the abdomen and is used to draw the abdominal contents in against the spine.
To successfully switch on Uddiyana Bandha, it is important to isolate the upper transverse abdominis muscle from the lower part and use only the part below the navel. Doing otherwise impinges on the free movement of the diaphragm. If the movement of the diaphragm is restricted for a long time, aggressive, boastful, egotistical, and macho tendencies can develop in the psyche. This is not endorsed by traditional teaching, however. Shankara and Patanjali provide us with the following explanations. True posture, according to Shankara, is that which leads effortlessly to meditation on Brahman and not to pain and self-torture. Patanjali says that asana is perfected when meditation on the infinite (ananta) is achieved through the releasing of excess effort.6
Some have claimed that Ashtanga Yoga is warrior yoga, and that warriors used it to psych themselves up for battle. This is a very sad misunderstanding. Those who have had a true experience of the practice will have come away feeling tired and happy — and definitely not psyched up for battle. Rather, one feels more like hugging one’s enemy and, in complete surrender, handing them whatever they demand — perhaps even imparting genuine advice as to how to enjoy life and not waste it with such stupidities as aggression and warfare. There is no warrior yoga. War and yoga exclude each other because the first yogic commandment is ahimsa — nonviolence.
Richard Freeman says that Uddiyana Bandha is in fact only a slight suction inward just above the pubic bone. The more subtle Uddiyana Bandha becomes, the more blissful, peaceful, childlike, and innocent becomes the character of the practitioner. I suggest starting by firming the abdominal wall below the navel and then, as awareness increases with years of practice, allow Uddiyana Bandha to slide downward. Again, the more subtle it becomes, the more influence Uddiyana Bandha will have on the subtle body.
As I have mentioned in the previous section, a lot of emphasis has been placed on abdominal breathing in our culture in the last forty years. This has its place in the performing arts — especially dance and theater — and for therapy. It is certainly helpful for singers and actors, and for someone undergoing psychotherapy. Abdominal breathing, with complete relaxation of the abdominal wall, is recommended as useful whenever we want to connect to our emotions and bring them to the fore. In the New Age movement in particular, emotions are seen as something sacred that one needs to follow and live out. Abdominal breathing is a good idea whenever one wants to intensify one’s emotions.
In many other situations, though, it is not helpful to heighten one’s emotions. After all, emotions are only a form of the mind. To be emotional means to react to a present situation according to a past conditioning. For example, if I am rejected in a certain situation that is new to me, I will feel hurt. If I find myself in a similar situation again, I will become emotional even before any new hurt has been inflicted. I will emote “hurt” before I actually feel it. An emotion is a conserved feeling that arises because the original feeling has left a subconscious imprint in the mind. Patanjali calls this imprint samskara. The theory that being emotional is being more authentic is flawed, since an emotional person is as much in the past as a person who is constantly “in his or her head.”
Besides the fact that it makes one emotional, constant abdominal breathing also has negative physical repercussions. It leads to sagging, collapsing abdominal organs with enlarged, weak blood vessels and stagnant blood. Then follow a lack of oxygen supply, a decrease in vitality, and eventually the development of chronic disease.
If the lower abdominal wall is kept firm and the upper wall is relaxed, the diaphragm moves up and down freely and the whole abdomen functions like the combustion chamber of an engine, with the diaphragm as the piston. This produces a strong oscillation of intra-abdominal blood pressure, and it is exactly this mechanism that produces healthy abdominal organs. When the diaphragm moves down and the abdominal wall is held, the pressure in the combustion chamber will rise. When the diaphragm moves up, all the blood is sucked out of the abdomen and blood pressure drops. This strong oscillation of abdominal blood pressure constantly massages the internal organs and leads to strong, healthy tissue.7
We look now at the subtle mechanics of Uddiyana Bandha. Uddiyana means flying up. The Hatha Yoga Pradipika states that, because of Uddiyana Bandha, the great bird of prana flies up incessantly through the sushumna.8 Sushumna is the central energy channel, which lies, albeit in the subtle body, roughly in front of the spine and originates at the perineum. It terminates within the head — some sources say at the highest point of the head, but more often it is described as ending where the head is joined to the spine. The sushumna is usually dormant. It is accompanied by two other nadis (energy channels), which wind around it like the snakes of the caduceus. These are the lunar (ida) and solar (pingala) channels. There are certain parallels between solar and lunar energy channels on the one hand and the sympathetic and parasympathetic nervous systems on the other, but we cannot say that the one is the other.
The Hatha Yoga Pradipika explains that prana should be directed into sushumna by closing the ida and pingala.9 The same text states that, by practicing Mula Bandha, prana will enter sushumna. In a later stanza of the text a great truth is revealed: time (which we perceive as the fluctuation of night and day) is produced by the sun and moon.10 In other words, it is the illusion of time that prevents us from recognizing deep reality (Brahman), which is timeless and is fabricated by the moment of inner breath (prana)in the pingala (solar) and ida (lunar) energy channels.
The stanza goes on to reveal the key to all physical yoga, which is that the sushumna devours time. In other words, if prana is made to enter the central channel it will devour time, which is itself a creation of the fluctuating mind and which keeps us from abiding in deep reality, the timeless consciousness (Brahman). Time is the operating system of the human mind; to go beyond time is to go beyond mind. This is possible when the great bird of prana flies up in sushumna, and sushumna devours time. For this the use of Mula and Uddiyana Bandha is prescribed.
Even the great Shankara says that Mula Bandha should always be practiced, since it is fit for raja yogins. In other words, even raja yogins — those who practice mind suspension and who are sometimes disparaging about Hatha yogins and their preoccupation with their bodies — should take up the practice of Mula Bandha, since it leads to going beyond mind. If we remember now Patanjali’s definition of yoga being the suspension of mind,11 we begin to understand the importance of Mula and Uddiyana Bandha.