Читать книгу History of Greece (Vol. 1-12) - Grote George - Страница 58
ОглавлениеSuch was the state of the Greeks, as traders, at a time when Babylon combined a crowded and industrious population with extensive commerce, and when the Phœnician merchant-ships visited in one direction the southern coast of Arabia, perhaps even the island of Ceylon,—in another direction, the British islands.
The Phœnician, the kinsman of the ancient Jew, exhibits the type of character belonging to the latter,—with greater enterprise and ingenuity, and less of religious exclusiveness, yet still different from, and even antipathetic to, the character of the Greeks. In the Homeric poems, he appears somewhat like the Jew of the Middle Ages, a crafty trader, turning to profit the violence and rapacity of others,—bringing them ornaments, decorations, the finest and brightest products of the loom, gold, silver, electrum, ivory, tin, etc., in exchange for which he received landed produce, skins, wool, and slaves, the only commodities which even a wealthy Greek chief of those early times had to offer,—prepared at the same time for dishonest gain, in any manner which chance might throw in his way.184 He is, however, really a trader, not undertaking expeditions with the deliberate purpose of surprise and plunder, and standing distinguished in this respect from the Tyrrhenian, Kretan, or Taphian pirate. Tin, ivory, and electrum, all of which are acknowledged in the Homeric poems, were the fruit of Phœnician trade with the West as well as with the East.185
Thucydidês tells us that the Phœnicians and Karians, in very early periods, occupied many of the islands of the Ægean, and we know, from the striking remnant of their mining works which Herodotus himself saw in Thasus, off the coast of Thrace, that they had once extracted gold from the mountains of that island,—at a period indeed very far back, since their occupation must have been abandoned prior to the settlement of the poet Archilochus.186 Yet few of the islands in the Ægean were rich in such valuable products, nor was it in the usual course of Phœnician proceeding to occupy islands, except where there was an adjoining mainland with which trade could be carried on. The traffic of these active mariners required no permanent settlement, but as occasional visitors they were convenient, in enabling a Greek chief to turn his captives to account,—to get rid of slaves or friendless Thêtes who were troublesome,—and to supply himself with the metals, precious as well as useful.187 The halls of Alkinous and Menelaus glitter with gold, copper, and electrum; while large stocks of yet unemployed metal—gold, copper, and iron—are stored up in the treasure-chamber of Odysseus and other chiefs.188 Coined money is unknown to the Homeric age,—the trade carried on being one of barter. In reference also to the metals, it deserves to be remarked that the Homeric descriptions universally suppose copper, and not iron, to be employed for arms, both offensive and defensive. By what process the copper was tempered and hardened, so as to serve the purposes of the warrior, we do not know;189 but the use of iron for these objects belongs to a later age, though the Works and Days of Hesiod suppose this change to have been already introduced.190
The mode of fighting among the Homeric heroes is not less different from the historical times, than the material of which their arms were composed. The Hoplites, or heavy-armed infantry of historical Greece, maintained a close order and well-dressed line, charging the enemy with their spears protended at even distance, and coming thus to close conflict without breaking their rank: there were special troops, bowmen, slingers, etc. armed with missiles, but the hoplite had no weapon to employ in this manner. The heroes of the Iliad and Odyssey, on the contrary, habitually employ the spear as a missile, which they launch with tremendous force: each of them is mounted in his war-chariot, drawn by two horses, and calculated to contain the warrior and his charioteer; in which latter capacity a friend or comrade will sometimes consent to serve. Advancing in his chariot at full speed, in front of his own soldiers, he hurls his spear against the enemy: sometimes, indeed, he will fight on foot, and hand to hand, but the chariot is usually near to receive him if he chooses, or to insure his retreat. The mass of the Greeks and Trojans, coming forward to the charge, without any regular step or evenly-maintained line, make their attack in the same way by hurling their spears. Each chief wears habitually a long sword and a short dagger, besides his two spears to be launched forward,—the spear being also used, if occasion serves, as a weapon for thrust. Every man is protected by shield, helmet, breastplate, and greaves: but the armor of the chiefs is greatly superior to that of the common men, while they themselves are both stronger and more expert in the use of their weapons. There are a few bowmen, as rare exceptions, but the general equipment and proceeding is as here described.
Such loose array, immortalized as it is in the Iliad, is familiar to every one; and the contrast which it presents, with those inflexible ranks, and that irresistible simultaneous charge which bore down the Persian throng at Platæa and Kunaxa,191 is such as to illustrate forcibly the general difference between heroic and historical Greece. While in the former, a few splendid figures stand forward, in prominent relief, the remainder being a mere unorganized and ineffective mass,—in the latter, these units have been combined into a system, in which every man, officer and soldier, has his assigned place and duty, and the victory, when gained, is the joint work of all. Preëminent individual prowess is indeed materially abridged, if not wholly excluded,—no man can do more than maintain his station in the line:192 but on the other hand, the grand purposes, aggressive or defensive, for which alone arms are taken up, become more assured and easy, and long-sighted combinations of the general are rendered for the first time practicable, when he has a disciplined body of men to obey him. In tracing the picture of civil society, we have to remark a similar transition—we pass from Hêraklês, Thêseus, Jasôn, Achilles, to Solon, Pythagoras, and Periklês—from “the shepherd of his people,” (to use the phrase in which Homer depicts the good side of the heroic king,) to the legislator who introduces, and the statesman who maintains, a preconcerted system by which willing citizens consent to bind themselves. If commanding individual talent is not always to be found, the whole community is so trained as to be able to maintain its course under inferior leaders; the rights as well as the duties of each citizen being predetermined in the social order, according to principles more or less wisely laid down. The contrast is similar, and the transition equally remarkable, in the civil as in the military picture. In fact, the military organization of the Grecian republics is an element of the greatest importance in respect to the conspicuous part which they have played in human affairs,—their superiority over other contemporary nations in this respect being hardly less striking than it is in many others, as we shall have occasion to see in a subsequent stage of this history.
Even at the most advanced point of their tactics, the Greeks could effect little against a walled city, whilst the heroic weapons and array were still less available for such an undertaking as a siege. Fortifications are a feature of the age deserving considerable notice. There was a time, we are told, in which the primitive Greek towns or villages derived a precarious security, not from their walls, but merely from sites lofty and difficult of access. They were not built immediately upon the shore, or close upon any convenient landing-place, but at some distance inland, on a rock or elevation which could not be approached without notice or scaled without difficulty. It was thought sufficient at that time to guard against piratical or marauding surprise: but as the state of society became assured,—as the chance of sudden assault comparatively diminished and industry increased,—these uninviting abodes were exchanged for more convenient sites on the plain or declivity beneath; or a portion of the latter was inclosed within larger boundaries and joined on to the original foundation, which thus became the Acropolis of the new town. Thêbes, Athens, Argos, etc., belonged to the latter class of cities; but there were in many parts of Greece deserted sites on hilltops, still retaining, even in historical times, the traces of former habitation, and some of them still bearing the name of the old towns. Among the mountainous parts of Krête, in Ægina and Rhodes, in portions of Mount Ida and Parnassus, similar remnants might be perceived.193
Probably, in such primitive hill villages, a continuous circle of wall would hardly be required as an additional means of defence, and would often be rendered very difficult by the rugged nature of the ground. But Thucydidês represents the earliest Greeks—those whom he conceives anterior to the Trojan war—as living thus universally in unfortified villages, chiefly on account of their poverty, rudeness, and thorough carelessness for the morrow. Oppressed, and held apart from each other by perpetual fear, they had not yet contracted the sentiment of fixed abodes: they were unwilling even to plant fruit-trees because of the uncertainty of gathering the produce,—and were always ready to dislodge, because there was nothing to gain by staying, and a bare subsistence might be had any where. He compares them to the mountaineers of Ætolia and of the Ozolian Lokris in his own time, who dwelt in their unfortified hill villages with little or no intercommunication, always armed and fighting, and subsisting on the produce of their cattle and their woods,194—clothed in undressed hides, and eating raw meat.
The picture given by Thucydidês, of these very early and unrecorded times, can only be taken as conjectural,—the conjectures, indeed, of a statesman and a philosopher,—generalized too, in part, from the many particular instances of contention and expulsion of chiefs which he found in the old legendary poems. The Homeric poems, however, present to us a different picture. They recognize walled towns, fixed abodes, strong local attachments, hereditary individual property in land, vineyards planted and carefully cultivated, established temples of the gods, and splendid palaces of the chiefs.195 The description of Thucydidês belongs to a lower form of society, and bears more analogy to that which the poet himself conceives as antiquated and barbarous,—to the savage Cyclopes, who dwell on the tops of mountains, in hollow caves, without the plough, without vine or fruit culture, without arts or instruments,—or to the primitive settlement of Dardanus son of Zeus, on the higher ground of Ida, while it was reserved for his descendants and successors to found the holy Ilium on the plain.196 Ilium or Troy represents the perfection of Homeric society. It is a consecrated spot, containing temples of the gods as well as the palace of Priam, and surrounded by walls which are the fabric of the gods; while the antecedent form of ruder society, which the poet briefly glances at, is the parallel of that which the theory of Thucydidês ascribes to his own early semi-barbarous ancestors.
Walled towns serve thus as one of the evidences, that a large part of the population of Greece had, even in the Homeric times, reached a level higher than that of the Ætolians and Lokrians of the days of Thucydidês. The remains of Mykênæ and Tiryns demonstrate the massy and Cyclopian style of architecture employed in those early days: but we may remark that, while modern observers seem inclined to treat the remains of the former as very imposing, and significant of a great princely family, Thucydidês, on the contrary, speaks of it as a small place, and labors to elude the inference, which might be deduced from its insignificant size, in disproof of the grandeur of Agamemnôn.197 Such fortifications supplied a means of defence incomparably superior to those of attack. Indeed, even in historical Greece, and after the invention of battering engines, no city could be taken except by surprise or blockade, or by ruining the country around, and thus depriving the inhabitants of their means of subsistence. And in the two great sieges of the legendary time, Troy and Thêbes, the former is captured by the stratagem of the wooden horse, while the latter is evacuated by its citizens, under the warning of the gods, after their defeat in the field.
This decided superiority of the means of defence over those of attack, in rude ages, has been one of the grand promotive causes both of the growth of civic life and of the general march of human improvement. It has enabled the progressive portions of mankind not only to maintain their acquisitions against the predatory instincts of the ruder and poorer, and to surmount the difficulties of incipient organization,—but ultimately, when their organization has been matured, both to acquire predominance, and to uphold it until their own disciplined habits have in part passed to their enemies. The important truth here stated is illustrated not less by the history of ancient Greece, than by that of modern Europe during the Middle Ages. The Homeric chief, combining superior rank with superior force, and ready to rob at every convenient opportunity, greatly resembles the feudal baron of the Middle Ages, but circumstances absorb him more easily into a city life, and convert the independent potentate into the member of a governing aristocracy.198 Traffic by sea continued to be beset with danger from pirates, long after it had become tolerably assured by land: the “wet ways” have always been the last resort of lawlessness and violence, and the Ægean, in particular, has in all times suffered more than other waters under this calamity.
Aggressions of the sort here described were of course most numerous in those earliest times when the Ægean was not yet an Hellenic sea, and when many of the Cyclades were occupied, not by Greeks, but by Karians,—perhaps by Phœnicians: the number of Karian sepulchres discovered in the sacred island of Delus seems to attest such occupation as an historical fact.199 According to the legendary account, espoused both by Herodotus and by Thucydidês, it was the Kretan Minôs who subdued these islands and established his sons as rulers in them; either expelling the Karians, or reducing them to servitude and tribute.200 Thucydidês presumes that he must of course have put down piracy, in order to enable his tribute to be remitted in safety, like the Athenians during the time of their hegemony.201 Upon the legendary thalassocraty of Minôs, I have already remarked in another place:202 it is sufficient here to repeat, that, in the Homeric poems (long subsequent to Minôs in the current chronology), we find piracy both frequent and held in honorable estimation, as Thucydidês himself emphatically tells us,—remarking, moreover, that the vessels of those early days were only half-decked, built and equipped after the piratical fashion,203 in a manner upon which the nautical men of his time looked back with disdain. Improved and enlarged ship-building, and the trireme, or ship with three banks of oars, common for warlike purposes during the Persian invasion, began only with the growing skill, activity, and importance of the Corinthians, three quarters of a century after the first Olympiad.204 Corinth, even in the Homeric poems, is distinguished by the epithet of wealthy, which it acquired principally from its remarkable situation on the Isthmus, and from its two harbors of Lechæum and Kenchreæ, the one on the Corinthian, the other on the Sarônic gulf. It thus supplied a convenient connection between Epirus and Italy on the one side, and the Ægean sea on the other, without imposing upon the unskilful and timid navigator of those days the necessity of circumnavigating Peloponnêsus.
The extension of Grecian traffic and shipping is manifested by a comparison of the Homeric with the Hesiodic poems; in respect to knowledge of places and countries,—the latter being probably referable to dates between B. C. 740 and B. C. 640. In Homer, acquaintance is shown (the accuracy of such acquaintance, however, being exaggerated by Strabo and other friendly critics) with continental Greece and its neighboring islands, with Krête and the principal islands of the Ægean, and with Thrace, the Troad, the Hellespont, and Asia Minor between Paphlagonia northward and Lykia southward. The Sikels are mentioned in the Odyssey, and Sikania in the last book of that poem, but nothing is said to evince a knowledge of Italy or the realities of the western world. Libya, Egypt, and Phœnike, are known by name and by vague hearsay, but the Nile is only mentioned as “the river Egypt:” while the Euxine sea is not mentioned at all.205 In the Hesiodic poems, on the other hand, the Nile, the Ister, the Phasis, and the Eridanus, are all specified by name;206 Mount Ætna, and the island of Ortygia near to Syracuse, the Tyrrhenians and Ligurians in the west, and the Scythians in the north, were also noticed.207 Indeed, within forty years after the first Olympiad, the cities of Korkyra and Syracuse were founded from Corinth,—the first of a numerous and powerful series of colonies, destined to impart a new character both to the south of Italy and to Sicily.
In reference to the astronomy and physics of the Homeric Greek, it has already been remarked that he connected together the sensible phenomena which form the subject matter of these sciences by threads of religious and personifying fancy, to which the real analogies among them were made subordinate; and that these analogies did not begin to be studied by themselves, apart from the religious element by which they had been at first overlaid, until the age of Thales,—coinciding as that period did with the increased opportunities for visiting Egypt and the interior of Asia. The Greeks obtained access in both of these countries to an enlarged stock of astronomical observations, to the use of the gnomon, or sundial,208 and to a more exact determination of the length of the solar year,209 than that which served as the basis of their various lunar periods. It is pretended that Thales was the first who predicted an eclipse of the sun,—not, indeed, accurately, but with large limits of error as to the time of its occurrence,—and that he also possessed so profound an acquaintance with meteorological phenomena and probabilities, as to be able to foretell an abundant crop of olives for the coming year, and to realize a large sum of money by an olive speculation.210
From Thales downward we trace a succession of astronomical and physical theories, more or less successful, into which I do not intend here to enter: it is sufficient at present to contrast the father of the Ionic philosophy with the times preceding him, and to mark the first commencement of scientific prediction among the Greeks, however imperfect at the outset, as distinguished from the inspired dicta of prophets or oracles, and from those special signs of the purposes of the gods, which formed the habitual reliance of the Homeric man.211 We shall see these two modes of anticipating the future,—one based upon the philosophical, the other upon the religious appreciation of nature,—running simultaneously on throughout Grecian history, and sharing between them in unequal portions the empire of the Greek mind; the former acquiring both greater predominance and wider application among the intellectual men, and partially restricting, but never abolishing, the spontaneous employment of the latter among the vulgar.
Neither coined money, nor the art of writing,212 nor painting, nor sculpture, nor imaginative architecture, belong to the Homeric and Hesiodic times. Such rudiments of arts, destined ultimately to acquire so great a development in Greece, as may have existed in these early days, served only as a sort of nucleus to the fancy of the poet, to shape out for himself the fabulous creations ascribed to Hephæstus or Dædalus. No statues of the gods, not even of wood, are mentioned in the Homeric poems. All the many varieties, in Grecian music, poetry, and dancing,—the former chiefly borrowed from Lydia and Phrygia,—date from a period considerably later than the first Olympiad: Terpander, the earliest musician whose date is assigned, and the inventor of the harp with seven strings instead of that with four strings, does not come until the 26th Olympiad, or 676 B. C.: the poet Archilochus is nearly of the same date. The iambic and elegiac metres—the first deviations from the primitive epic strain and subject—do not reach up to the year 700 B. C.
It is this epic poetry which forms at once both the undoubted prerogative and the solitary jewel of the earliest era of Greece. Of the many epic poems which existed in Greece during the eight century before the Christian era, none have been preserved except the Iliad and Odyssey: the Æthiopis of Arktinus, the Ilias Minor of Lesches, the Cyprian Verses, the Capture of Œchalia, the Returns of the Heroes from Troy, the Thêbaïs and the Epigoni,—several of them passing in antiquity under the name of Homer,—have all been lost. But the two which remain are quite sufficient to demonstrate in the primitive Greeks, a mental organization unparalleled in any other people, and powers of invention and expression which prepared, as well as foreboded, the future eminence of the nation in all the various departments to which thought and language can be applied. Great as the power of thought afterwards became among the Greeks, their power of expression was still greater: in the former, other nations have built upon their foundations and surpassed them,—in the latter, they still remained unrivalled. It is not too much to say that this flexible, emphatic, and transparent character of the language as an instrument of communication,—its perfect aptitude for narrative and discussion, as well as for stirring all the veins of human emotion without ever forfeiting that character of simplicity which adapts it to all men and all times,—may be traced mainly to the existence and the wide-spread influence of the Iliad and Odyssey. To us, these compositions are interesting as beautiful poems, depicting life and manners, and unfolding certain types of character with the utmost vivacity and artlessness: to their original hearer, they possessed all these sources of attraction, together with others more powerful still, to which we are now strangers. Upon him, they bore with the full weight and solemnity of history and religion combined, while the charm of the poetry was only secondary and instrumental. The poet was then the teacher and preacher of the community, not simply the amuser of their leisure hours: they looked to him for revelations of the unknown past and for expositions of the attributes and dispensations of the gods, just as they consulted the prophet for his privileged insight into the future. The ancient epic comprised many different poets and poetical compositions, which fulfilled this purpose with more or less completeness: but it is the exclusive prerogative of the Iliad and Odyssey, that, after the minds of men had ceased to be in full harmony with their original design, they yet retained their empire by the mere force of secondary excellences: while the remaining epics—though serving as food for the curious, and as storehouses for logographers, tragedians, and artists—never seem to have acquired very wide popularity even among intellectual Greeks.
I shall, in the succeeding chapter, give some account of the epic cycle, of its relation to the Homeric poems, and of the general evidences respecting the latter, both as to antiquity and authorship.