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I gratefully acknowledge the work of Tulay Atak, Hope Childers, and Brinda Kumar, who conducted field work in Anandpur Sahib, Dharamsala, and Amritsar as part of Museology and the Colony, a three-year collaborative project awarded by the Getty Foundation museums to Saloni Mathur and myself. I also thank Imogen Clark and Latika Gupta for their photographs. I received much from many people as I researched this paper, but am particularly grateful to Clare Harris and Michael Ginguld.