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Bibliographical References
ОглавлениеAlbrecht-Crane, C., Cutchins, D. R. (Eds.). (2010). Adaptation Studies: New Approaches. Fairleigh Dickinson University Press.
Baines, L. (1996). “From page to screen: When a novel is interpreted for film, what gets lost in the translation?”Journal of Adolescent & Adult Literacy, 39(8), 612–622.
Blake, A. (2002). The irresistible rise of Harry Potter. London: Verso.
Bridge, D. “The Greatest Epic of the Twenty-first Century?” In A. Elliot (Ed.). (2015). Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. (188–200). Edinburgh: Edinburgh University Press.
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Burns, D. E. (1984). “Pistols and Cherry Pies: Lolita From Page to Screen”. Literature/Film Quarterly, 12(4), 245–250.
Cardwell, S. (2003). “About Time: Theorizing Adaptation Temporality, and Tense”. Literature/Film Quarterly, 31(2), 82–92.
Casetti, F (2004). “Adaptation and Mis-adaptations”. A companion to literature and film, 20, 81–97.
Edwards, K. D. (2006). “Brand-Name Literature: Film Adaptation and Selznick International Pictures Rebecca”. Cinema Journal, 32–58.
Elliott, K. (2014). “Rethinking formal-cultural and textual-contextual divides in Adaptation Studies”. Literature/Film Quarterly, 42(4), 576–593.
Emig, J. (1983). The web of meaning. Upper Montclair, NJ: Boynton/Cook.
Florian, K. (2008). Die Verfilmung zweier Bestseller – Das Parfum und Schlafes Bruder (Doctoral dissertation, uniwien).
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http://news.bbc.co.uk/2/hi/entertainment/1647539.stm (Accessed on 5 May 2020.)
https://edition.cnn.com/2001/SHOWBIZ/Movies/11/04/london.premiere.potter/index.html (Accessed on 5 May 2020.)
www.theguardian.com/film/2001/sep/11/news.harrypotter (Accessed on 5 May 2020.)
Humbert, B. E. (2012). “Lucie Aubrac: A Resistance Heroine from Page to Screen”. Literature/Film Quarterly, 40(2), 109–126.
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Libedinsky, J. (8 November 2001). “Un bestseller en constante crecimiento”. La Nación. https://www.lanacion.com.ar/cultura/el-cine-reaviva-el-furor-por-harry-potter-nid349582/ (Accessed on 1 May 2020.)
Murray, S. (2008). “Materializing adaptation theory: The adaptation industry”. Literature/Film Quarterly, 36(1), 4–20.
Neher, E. (2014). “The Perils of Adaptation”. The Hudson Review, 67(1), 119–126.
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Raitt, G. (2012). “Lost in Austen: Screen Adaptation in a Post-Feminist World”. Literature/Film Quarterly, 40(2), 127–141.
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Schneider, I. (2014). Der verwandelte Text: Wege zu einer Theorie der Literaturverfilmung (Vol. 4). Berlin: Walter de Gruyter.
Stam, R., Raengo, A. (Eds.). (2004). Literature and film: a guide to the theory and practice of film adaptation. Hoboken: Wiley-Blackwell.
Weckerle, L. (2004). “Taming the Transgressive: A Feminist Analysis of the Film Adaptation of The Old Maid”. Edith Wharton Review, 20(1), 12–19.
Wesley, M. C. (1999). “Reverence, rape, resistance: Joyce Carol Oates and feminist film theory”. Mosaic: A Journal for the Interdisciplinary Study of Literature, 75–85.