Читать книгу Woodcarving Illustrated Issue 82 Spring 2018 - Группа авторов - Страница 16
ОглавлениеWoodcarving Illustrated
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SUMMER 2018
14
Alternative
Method for
Inlays
Protect Your Digits
A wooden ring clamp is great for holding small items
you are carving. I first saw it being used in the late ’90s
at a craft fair in Anchorage, Alaska. A native artist
was using one to hold a segment of reindeer antler
while carving jewelry with a Dremel. I use mine for
both knife and power carving; it allows you to get
nice and close without endangering your digits. For
added security, you can hold the clamp against a table
or bench pin. The clamp is 6" (15.2cm) long and has
leather-lined jaws and a wooden wedge for tensioning.
I bought mine at Fire Mountain Gems, but you can
also check your local bead and findings shop.
Kathy Robbins and Ron LaFord
Via the WCI forum
(forum.woodcarvingillustrated.com)
tips
and techniques
Tom Dean’s information about metal inlays
in “Carving a Custom Bracelet” (Winter
2017, Issue 81) inspired me to share my
method. I mix nontoxic powdered pigments
into two-part epoxy to create inlaid
decorations. It’s easy to do and cheaper
than typical inlay methods. A wide range of
colors and finishes are available, including
some that look like metal. Plus, epoxy and
pigments do not expire. If you want to try
it, mix and apply the epoxy in a warm area.
Work quickly because you don’t have much
time between mixing and applying. Mix a
little at a time; it takes very little powder or
crushed stone to fill small areas. Experiment
before trying an important project. I finish it
with spar varnish or urethane.
Richard Robinson
Kalama, Wash.
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Send your favorite tip to
Woodcarving
Illustrated
, 1970 Broad St., East Petersburg, Pa., 17520, or
e-mail editors@woodcarvingillustrated.com. The Top Tip
in each issue wins a $25 Fox Chapel Gift Card.
TOP
TIP
✔
A wooden ring clamp with padded
jaws holds delicate pieces while
carving or painting.
Use epoxy and powdered
pigments to create vivid
and economical inlays.