Читать книгу Woodcarving Illustrated Issue 82 Spring 2018 - Группа авторов - Страница 6
ОглавлениеWoodcarving Illustrated
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SUMMER 2018
4
Spoon!
Last fall, at the Wisconsin River Woodcarvers show in Stevens
Point, Wis., I saw a couple doing the weirdest thing I had ever
seen at a carving show: while the man poured water into plastic
shoeboxes, the woman pulled wrapped and apparently frozen wood
out of a cooler. He placed the water-filled shoeboxes on their table;
she dumped the icy wood into them. I stared in bewilderment—and
that is how I met Karen Henderson and her husband, Ron.
Karen handcarves spoons from colorful fruit and flower wood
like grapefruit, apricot, and my favorite, lilac. She uses green wood, which
is soft enough to carve by hand. (Learn more on page 22.) To preserve the
blanks, she dunks them in water, places
them in plastic bags, and freezes them.
Thus, the routine at the show.
I was absolutely fascinated. I lusted
after those swirly purple pieces of wood.
I wanted to create a silky smooth, curvy,
and delicately colored spoon like Karen’s.
I craved handmade spoons.
The Stevens Point show is wonderful.
More than 100 exhibitors displayed a
wide range of carvings and other artwork.
The contest was entered enthusiastically
and judged expertly. The charity raffle was
supported generously. I met terrific people.
I really recommend this show.
And the whole time I was there, I was itching for spoons. Eventually,
I bought three lilac teaspoon blanks to take home and freeze. Luck was with
me and, a few weeks later, not only did I win a set of carving tools in a raffle
at Artistry in Wood in Wilmington, Ohio, but Flexcut sent spoon-carving
tools for review purposes (see page 90). I was ready to carve my spoons.
At this point, it’s fair to ask: did I know how to carve spoons? Well, no,
not really. I had watched Karen’s presentation in Wisconsin, and I flipped
through some spoon-related books awaiting review in my office. (Wonderful,
gorgeous books—see page 88.) Figuring it couldn’t be
that
hard, I pulled on
a glove and started experimenting.
Forget the knife and spoon gouge; I used every tool I could find. I carved
with, against, and across the grain. I cut myself twice. I sanded for what
seemed like hours and was probably only about 20 minutes. I wasn’t nearly
patient enough to create the silky finish I admired in Karen’s spoons.
In the end, I carved three spoons and gave them to my son for
Christmas. I pictured him eating ice cream with them at college; he wants to
frame them. I bought a few more blanks from Karen—and have been eyeing
the lilac bush in my backyard. I really need to perfect my bowl and finishing
techniques. Then, I want to try decorative handles and maybe a deeper ladle
design, and... Well, let’s just say, you can never have too many spoons.
Happy Carving!
Mindy Kinsey
Kinsey@FoxChapelPublishing.com
Identification Statement:
Woodcarving Illustrated
vol. 22, no. 2
(Summer 2018) (ISSN#1096-2816) is published quarterly by
Fox Chapel Publishing Co. Inc., 903 Square Street, Mount Joy, PA 17552.
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Woodcarving and the use of associated equipment can potentially result in health hazards
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While we cannot impose safety standards in every article, we do ask that
you make safety your number one priority.
Protect your respiratory system,
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equipment and prudent precautions.
Read manuals supplied with your tools.
Be aware most accidents occur when you are tired or distracted.
And when in doubt,
seek advice from professionals on how to keep your tools sharp and maintained.
Volume 22, Number 2 (Issue No. 83)
How-To Magazine for Carvers™
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Mindy Kinsey
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Jon Deck
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Mike Mihalo
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John Allard
Jon Deck
Carolyn Mosher
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editor’s
note
My fascination with carving spoons
began with Karen Henderson’s
watery bins of blanks. See page 22.
My first spoon.