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1 5 Immanuel Kant, Part I, Book I, §§ 1–7, pp. 41–53 (with omissions) from Critique of Judgement [Kritik der Urteilskraft, 1790], trans. J. C. Meredith (Oxford: Clarendon, 1928). © 1928 by Oxford University Press. Reproduced with permission of Oxford University Press.

2 6 Arthur Schopenhauer, ‘On Aesthetics’, volume II, chapter 19, pp 205–10, 212–13, 218 (with omissions) from Parerga and Paralipomena [1851], trans. E. F. J. Payne (Oxford: Clarendon, 1974). © 1974 by Oxford University Press. Reproduced with permission of Oxford University Press.

3 7 Friedrich Nietzsche, Sections 1 and 2 from The Birth of Tragedy and the Case of Wagner [Die Geburt der Tragödie, 1872], trans. Walter Kaufmann (New York: Random House, 1967). © 1967 by Walter Kaufmann. Reproduced with permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved.

4 9 Jean-Paul Sartre, ‘Imagination and Art’, pp. 211–17 from L’Imaginaire: Psychologie phénoménologique de l’imagination [1940], translated as The Psychology of Imagination (London: Rider, 1950).

5 10 Ludwig Wittgenstein, ‘Lectures on Aesthetics’ [1938], I, §§ 17–26; II, §§ 1–12, 16–19, 35–8; IV §§ 1–3. pp. 6–8, 11–15, 17–18, 28–30 from L. Wittgenstein, Lectures and Conversations on Aesthetics, Psychology and Religious Belief, ed. C. Barrett (Oxford: Blackwell, 1978). Reproduced with permission of University of California Press.

6 11 W. K. Wimsatt Jr. and M. C. Beardsley, ‘The Intentional Fallacy’, pp. 468–488 (abridged) from The Sewanee Review 54:3 (July–Sept 1946).