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For general introductions to this material, see Herington 1985; Graziosi and Haubold 2009; Budelmann 2018b: 16–18; Kelly 2015; Rawles 2018 (all with further bibliography). For an excellent overview of the varieties of epic poetry in this period, see Gainsford 2016. Pallantza 2005 and Bowie 2010b discuss the lyric refractions especially of Trojan War material in the poetry after Homer. For recent developments in elegy’s relationship with epic, which tend to see the two forms as both independent and interdependent, see Lulli 2016, and the controversial arguments of Faraone 2006 and 2008 that the elegists used basic ten-verse stanzaic structure (viz. five couplets). The opposite tendency in iambos, i.e., to read it as all parasitic directly on Homer, is visible in recent studies in iambos, e.g., the essays by Alexandrou and Hawkins in Swift and Carey 2016, with very skeptical response in Kelly forthcoming.