Читать книгу Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump - H. G. Wells - Страница 10

Table of Contents

But now you will begin to understand the nature of the task that lies before me. If I am to do any justice to the cryptic George Boon, if indeed I am to publish anything at all about him, I must set myself to edit and convey these books whose only publication was in fact by word of mouth in his garden arbours, using these few fragments as the merest accessories to that. I have hesitated, I have collected unfavourable advice, but at last I have resolved to make at least one experimental volume of Boon’s remains. After all, whatever we have of Aristotle and Socrates and all that we most value of Johnson comes through the testimony of hearers. And though I cannot venture to compare myself with Boswell. …

I know the dangers I shall run in this attempt to save my friend from the devastating expurgations of his written ostensible career. I confess I cannot conceal from myself that, for example, I must needs show Boon, by the standards of every day, a little treacherous.

When I thrust an arm into one or other of the scores of densely packed bins of press cuttings that cumber the attics of his castellated mansion and extract a sample clutch, I find almost invariably praise, not judicious or intelligent praise perhaps, but slab and generous praise, paragraphs, advice, photographs, notices, notes, allusions and comparisons, praise of the unparalleled gloss on his style by Doctor Tomlinson Keyhole under the pseudonym of “Simon up to Snuff,” praise of the healthiness of the tone by Doctor Tomlinson Keyhole under the pseudonym of “The Silver Fish,” inspired announcements of some forthcoming venture made by Doctor Tomlinson Keyhole under the pseudonym of “The True-Born Englishman,” and interesting and exalting speculations as to the precise figure of Boon’s income over Dr. Tomlinson Keyhole’s own signature; I find chatty, if a little incoherent, notices by Braybourne of the most friendly and helpful sort, and interviews of the most flattering description by this well-known litterateur and that. And I reflect that while all this was going on, there was Boon on the other side of Miss Bathwick’s rampart mind, not only not taking them and himself seriously, not only not controlling his disrespectful internal commentary on these excellent men, but positively writing it down, regaling himself with the imagined murder of this leader of thought and the forcible abduction to sinister and melancholy surroundings of that!

And yet I find it hard to do even this measure of justice to my friend. He was treacherous, it must be written, and yet he was, one must confess, a singularly attractive man. There was a certain quality in his life—it was pleasant. When I think of doing him justice I am at once dashed and consoled by the thought of how little he cared how I judged him. And I recall him very vividly as I came upon him on one occasion.

He is seated on a garden roller—an implement which makes a faultless outdoor seat when the handle is adjusted at a suitable angle against a tree, and one has taken the precaution to skid the apparatus with a piece of rockery or other convenient object. His back is against the handle, his legs lie in a boneless curve over the roller, and an inch or so of native buff shows between the corduroy trousers and the claret-coloured socks. He appears to be engaged partly in the degustation of an unappetizing lead pencil, and partly in the contemplation of a half-quire of notepaper. The expression of his rubicund face is distinctly a happy one. At the sound of my approach he looks up. “I’ve been drawing old Keyhole again!” he says like a schoolboy.

Nevertheless, if critics of standing are to be drawn like this by authors of position, then it seems to me that there is nothing before us but to say Good-bye for ever to the Dignity of Letters.