Читать книгу Rochester Knockings - Hubert Haddad - Страница 18

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First Conversation with Mister Splitfoot

Over the course of March nights, these phenomena took on an unprecedented magnitude. The floor shaking in the rooms made the beds tremble and one couldn’t remain standing without feeling, at each blow, a long vibration straight up the spinal column. At the approach of midnight, the sounds—by turns muffled or clashing, far away or close, like an axe chopping into a log or a load of cast iron crashing against some cleanly broken board—grew more frequent and continuous, so that the sleep of the entire family was interrupted by the mysterious tantrums of their home. Only John D. Fox, a man of certainty who would swear only by the beliefs and theories of the Methodist Episcopal Church, quite disinclined to superstition and always skillful at attributing commonplace causes to the unusual, wanted under no circumstances to renounce his stertorous sleep. Faced with the increasing worrying of his wife, he displayed the stubborn countenance of a headstrong convict stupefied by alcohol. According to him the house suffered from age, the wood was tired and worn, the ground had shifted. Those ghost stories were just nonsense. The only thing to fear was being swept away to the bottom of the pond by a landslide. But by the grace of the Lord and several shots of an honest whiskey, his dignified repose was not seen as that of a disturbed person’s.

One night, the last in the month of March, 1848, with Mr. Fox still being away on business in Rochester, the three inhabitants of the farm on Long Road, absolutely exhausted by the previous night’s disorder, all went to bed in the parents’ bedroom in the hope of escaping insomnia’s throes. Margaret and her mother had long been dozing when, just before midnight, the knocks started up again.

Kate always slept with one eye open. Like the night before, she watched for the first signs of the phenomenon, impassive to her core, penetrated by the great miracle of being alive in the heart of these shadows. She could very well have disappeared unexpectedly or metamorphosed into a cat, or a pitcher, which wouldn’t have changed by a hair or a world this strangeness that ticked along with the clock on the very end of each second. To be herself, an insignificant little girl, and to feel with a mad keenness the interlacing of the night’s mysteries was an experience she wanted to relish so as not to die of terror. Mister Splitfoot, once and for all, brought her fantasy together with the enigmas of closed and dusty places, whereas the Redskin with green glasses had accompanied her in open spaces, forests, and high plains, as a messenger of the People of Wind and Light.

Even so, the knocks grew more violent, enough to wake up Maggie lying on the right side of the bed, in the same spot where their father usually snored, whereas their mother softly sighed on the left. Maggie saw her sister busy snapping her fingers, thumbs against middle fingers. To her amazement, the sounds answered back in echo, just after the finger snapping. A knock for a snap, two knocks for two, and so on. Mister Splitfoot was playing the game of give-and-take.

Kate took on the mischievous tone that worked so well with grown-ups, who were simultaneously won over and perplexed by it.

“If you know how to count to seven, prove it!” Seven knocks followed, perfectly spaced one after the other from an alarming proximity.

“Now count to ten.”

While the knocking continued, their mother, awakened by the racket, exchanged a long look of astonishment mingled with circumspection with Margaret, sitting up now on her side of the bed. The whole thing was so outlandish, in this solitude without recourse out in the countryside, that the emotional rush of assailing thoughts must have suddenly opened in both of them, a simple woman given to superstition and a young girl hurt by friendship, the subtle and radiating channels of the psyche. Without any warning, because of the imagination of an insomniac girl, another world was knocking on the walls and floorboards. This sort of spontaneous communication took on such an uncontrollable vehemence that their mother lost all her reserve and ventured to ask the entity a personal question.

“Hey there, how many children have I had?” Seven knocks thundered in response.

“That’s false!” she cried, suspecting with a secret desolation an artificial and mechanical cause for the phenomenon. “How many, how many do I have in my only life?”

Seven knocks followed once again.

“Let’s see,” she said, suddenly very weary, “I only had you two and Leah, and my eldest David who is so brave, and poor Big Bill, who we had to put in an institution . . .”

“And Abbey, are you forgetting?” Kate whispered, still in her bed, eyes fixed straight ahead of her.

“That’s true, God forgive me! With little Abbey, that makes six . . .

The farmwoman, absorbed in a painful memory, let out a brief moan.

“The stillborn counts as well? May it be spared from hell! At least it lived happy in my heart . . . That would make one more, then. One plus six . . .”

There was a silence barely disturbed by the creaking of a huge branch of the cedar behind the barn. Through the disjointed slats of the shutters, the entire night threw splinters of light across their sheets and faces like ember-colored insects born in the oblique refraction of stars in the pond’s dark mirror.

Kate and Margaret too were listening to the night’s breathing, infinitely relieved for no clear reason that their mother had entered into their confidence. A large person with wide hips would escort them from now on in these questionable vicinities possibly laid with traps. Katie remembered her farewell visit to the Rapstown cemetery a few days before their move. It was the end of one of the most beautiful autumn days, and the scattered graves of notable people were casting their gloomy shadows into the red grass. Springing out from a freshly dug pit, a squawking band of crows seemed to cast a pall over the azure sky. In a remote corner, away from the stone monuments, the Fox family’s square of grass, with its granite gravestone, had been invaded with a mixture of brambles and passionflower. Grandfather and Abbey were resting there, one on top of the other. By what absent-mindedness had they forgotten her in the twilight, alone among the dead? She held on to the mental image of a field empurpled at the setting sun, with all those stones askew, wooden crosses, inscriptions. Shadows bickered in a violent contrast of light. She would not have been surprised to see Beelzebub’s horns emerge. “Are you waiting for me, little brother, way below, are you waiting for me?” “Don’t leave me all alone, in the night, in the ground.” “Are you waiting for me way below?” “My sister, don’t leave me, I’m cold, the ground is burning me . . .”

At least a meter’s width apart, Mother and Maggie exchanged a complicit glance. They mustn’t wake her up. It’s dangerous to wake sleepwalkers. Katie, pupils wide, got out of bed and began to walk in the dark room. She was leaving the cemetery. She’s looking for the source of those tears, melodious as the song of a woman weaving baskets. In these unexplored plains, big animals with paws of smoke flee at her approach. What is that noise of cymbals high up in the mountain and these hordes around the final blazing flames? Abbey’s face stays with her, a fine mist heading toward a night more blinding than the gates to paradise.

“God, we’re sleeping!” she suddenly realized. And then she awoke, wavering, just at the foot of the staircase. Rushing over, the farmwoman and the adolescent led her back to her own bed as she asked. No, she would not be afraid to be alone with the spirit. Their mother had heard it said that one must not disturb a sleepwalker. Even when he looks quiet under the quilt, he’s traveling, arms stretched in front of him, toward the other world.

Once Katie was tucked into bed, unable to hear the anguished calls of Maggie, who stayed in her parents’ bedroom, Mrs. Fox began to murmur through closed lips a nursery rhyme so gay that her own dying mother had sung it to her to console her for having to continue alone on the restless path.

Good night little girl, sleep tight

Keep this ring on your finger, so bright!

In your sweet rosebud bed, good night