Читать книгу Rules of the Game - Джеймс Фрей, James Frey, Nils Johnson-Shelton - Страница 17

An Liu’s Defender moves into the daylight to meet the mob. His Beretta ARX 160, specially modified with a powered picatinny rail, fires through a slot below the windshield. The report is loud inside the vehicle and he likes it. The bullets sail into the crowd. The casings pitter onto his lap. A few men are hit. They dive and scatter to the side but the mob doesn’t dissipate. He gives the rifle four more long bursts, swinging it side to side. Red sprays of blood and small clouds of dust as bodies fall and feet scamper. An puts the car in second and lets out the clutch, and the Defender jumps forward. Another volley. He hopes the men will thin enough for him to escape to the wider street at the end of the alleyway.

And for a moment this is exactly what happens. But then the men yell and turn back all at once like a school of fish, surging toward his car. They throw rocks and pipes, and the soldiers with rifles fire at will. These projectiles bounce off his car without causing any real damage, but now things are about to get trickier.

They’re blocking his escape.

He’ll have to run them down like dogs.

Which is fine with him.

An yanks his rifle into the interior, the flap under the windshield closing immediately. He flips open a panel on the dashboard. Two covered switches and a pistol grip with a trigger are built into the console. He snaps open the switch covers. Presses the left button. It glows red. He takes the grip and angles it up and pulls the trigger. A white arc traces from the front of the car, the projectile rainbowing over the crowd, sailing 30, 40, 50 meters before hitting the ground at the end of the alley and detonating. The air there turns orange and black as the grenade does its job.

An feels giddy.

He slams the clutch, puts the car in the third, and grinds forward.

He meets the men. The sound is sickening, lovely, unusual. Yells of defiance turn to screams of pain and terror, but still the men press in on him. The Defender rides over a body. Faces mash into his windows, their flesh going flat and pink and brown and white against the glass. A pair of men grabs the door handles and tries in vain to work them open. The car slows a little. An drops it into second gear. The men beat the car and grab at it and jump on top of it. The car rocks side to side as An jogs the wheel, pinning men on the sides between the car and buildings, blood smearing across the hood and then the windshield. Some men with the kepler masks get caught and crumple under the rear wheels. The car is a four-wheel-drive beast. He lets out a little laugh. He flicks the wipers. Bad idea—the blood smears and obscures his view. The car moves forward more slowly now, the men treating it like a drum, but it’s useless. It’s too heavy for them to topple and they can’t get in or breach its armor. An is sure that he’ll make it out and get away.

But then a giant man jumps from a low building onto the hood. He turns and sits on the roof, facing out, his feet planted wide. An peers through the arcs of blood swiped across the glass and sees that he’s almost reached the street where the grenade went off. A burned-out car, a few bodies, a dying cow. A strangely dressed woman—cropped hair, a stick tied to her back—darts across the street. A matted stray dog limps from left to right. The grenade cleared a path and if he can get there then he should be able to gain some speed and get away and then, once he’s three kilometers distant, poof! His bomb will detonate and that will be the end of the mob and the end of this safe house and the end of this dank little corner of Kolkata, India.

But then, BAM! An is rattled. The man on the hood has swung a heavy maul into the windshield. The bulletproof glass holds. The men outside whoop and yell and—blink SHIVERSHIVERblink—An’s heart nearly stops as a trio of men heave a thick metal bar across the end of the alleyway and bolt it into place. It’s a meter off the ground, and there’s no way he’ll be able to drive over it.

An pulls the car to within five meters of the barricade and stops.

SHIVERSHIVERSHIVERblinkSHIVER.

“This can’t be it, Chiyoko, can it? Do we abandon the car?” He turns left and right and looks into the cargo area for ideas. His equipment, his weapons, the sword. His vest.

It would be a waste to use that now.

The street.

The barricade.

“We have to at least try.”

BAM! The maul again and the car shakes.

BAM! Again. A small spiderweb in the glass. A chink in the armor.

An puts the car in reverse and guns it. The mauler falls onto his hands and knees, his weapon sliding off the hood to the ground. The mob at the back folds under the car as it rides over them. More mashing. More popping. The mauler looks over his shoulder, stares right at An. Anger, menace, stupidity. An slams the brake and the mauler slides up the hood and into the windshield, his legs bunching under him. An grabs the rifle and sticks it back into the hinged flap, and he fires directly into the mauler’s thigh and buttocks. The mauler rolls to the side in agony. An puts the car in first and it jumps forward and the mauler tumbles off the hood.

Clutch, second, gas, clutch, third, gas. He’s up to 55 kph in no time, the men flying away from the car, gunshots hitting the rear window. He takes the wheel with both blinkblinkblink both hands and peers at the barricade. Will it hold? Will it buckle? Will he make it?

An squints, readying for impact. And then—what is that? A head sailing through the air?

Whatever it is, it rolls under the barricade, and then another head-like ball, and then, at the last second before impact, the barricade is unlocked and the grille slams into it and the bar swings violently away and into the street. He hits the brakes. The car swerves and stops. The street ahead is clear enough for him to complete his getaway. But before he leaves he looks back down the alley, full of bodies living and dying and dead. What is left of the mob comes for him.

But another comes for him too. The woman with the cropped hair. She’s wiry and fast and strong. A stick—no, a sword—in her hand.

And her face.

Her face.

It looks like Chiyoko’s, except 20 or 30 years older.

SHIVERSHIVERSHIVERSHIVERSHIVERblinkblinkblinkblinkSHIVERblink SHIVERSHIVERSHIVER SHIVERSHIVERblinkblinkblinkblinkSHIVERblink SHIVERSHIVERSHIVERSHIVERSHIVERblinkblinkblinkblinkSHIVER blink

BAM! BAM! BAM!

“Go, go, go!” the woman yells in Mandarin. She stands on the running board, right next to An on the outside of the car, slapping her hand on the roof. “Go! They’ll kill us!”

“Who are you?”

“I am Nori Ko. I am Mu. I knew Chiyoko. I can help you. Now, we have to go!”

And An’s heart fills and he feels light and free and he wonders how many has he killed today and how many more will die when the bomb goes off and ChiyokoChiyokoChiyokoNoriKoNoriKoChiyoko and he feels free and light and An’s heart fills.

He drives. Half a kilometer later he stops. He lets her in. “Watch,” he says, and she says nothing. He drives some more and a short while later the sky behind them lights up, and they are free.