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[1] The want of money determined all Charles's operations in this expedition. Borrowing from Lodovico, laying requisitions on Piero and the Florentines, pawning the jewels of the Savoy princesses, he passed from place to place, bargaining and contracting debts instead of dictating laws and founding constitutions. La carestia dei danari is a phrase continually recurring in Guicciardini. Speaking of the jewels lent to Charles by the royal families of Savoy and Montferrat at Turin, de Comines exclaims: 'Et pouvez voir quel commencement de guerre c'estoit, si Dieu n'eut guidé l'oeuvre.'

The Borgia meanwhile crouched within the Castle of S. Angelo. How would the Conqueror, now styled Flagellum Dei, deal with the abomination of desolation seated in the holy place of Christendom? At the side of Charles were the Cardinals Ascanio Sforza and Giuliano della Rovere, urging him to summon a council and depose the Pope. But still closer to his ear was Briçonnet, the ci-devant tradesman, who thought it would become his dignity to wear a cardinal's hat. On this trifle turned the destinies of Rome, the doom of Alexander, the fate of the Church. Charles determined to compromise matters. He demanded a few fortresses, a red hat for Briçonnet, Cesare Borgia as a hostage for four months, and Djem, the brother of the Sultan.[1] After these agreements had been made and ratified, Alexander ventured to leave his castle and receive the homage of the faithful.

Charles staid a month in Rome, and then set out for Naples. The fourth and last scene in the Italian pageant was now to be displayed. After the rich plain and proud cities of Lombardy, beneath their rampart of perpetual snow; after the olive gardens and fair towns of Tuscany; after the great name of Rome; Naples, at length, between Vesuvius and the sea, that first station of the Greeks in Italy, world-famed for its legends of the Sibyl and the sirens and the sorcerer Virgil, received her king. The very names of Parthenope, Posilippo, Inarime, Sorrento, Capri, have their fascination. There too the orange and lemon groves are more luxuriant; the grapes yield sweeter and more intoxicating wine; the villagers are more classically graceful; the volcanic soil is more fertile; the waves are bluer and the sun is brighter than elsewhere in the land. None of the conquerors of Italy have had the force to resist the allurements of the bay of Naples. The Greeks lost their native energy upon these shores and realized in the history of their colonies the myth of Ulysses' comrades in the gardens of Circe. Hannibal was tamed by Capua. The Romans in their turn dreamed away their vigor at Baiæ, at Pompeii at Capreæ, until the whole region became a byword for voluptuous living. Here the Saracens were subdued to mildness, and became physicians instead of pirates. Lombards and Normans alike were softened down, and lost their barbarous fierceness amid the enchantments of the southern sorceress.

[1] See above, p. 416, for the history of this unfortunate prince. When Alexander ceded Djem, whom he held as a captive for the Sultan at a yearly revenue of 40,000 ducats, he was under engagements with Bajazet to murder him. Accordingly Djem died of slow poison soon after he became the guest of Charles. The Borgia preferred to keep faith with the Turk.

Naples was now destined to ruin for Charles whatever nerve yet remained to his festival army. The witch too, while brewing for the French her most attractive potions, mixed with them a deadly poison—the virus of a fell disease, memorable in the annals of the modern world, which was destined to infect the nations of Europe from this center, and to prove more formidable to our cities than even the leprosy of the Middle Ages.[1]

[1] Those who are curious to trace the history of the origin of syphilis, should study the article upon the subject in Von Hirsch, Historisch-geographische Pathologie (Erlangen, 1860), and in Rosenbaum Geschichte der Lustseuche im Alterthum (Halle, 1845). Some curious contemporary observations concerning the rapid diffusion of the disease in Italy, its symptoms, and its cure, are contained in Matarazzo's Cronaca di Perugia (Arch. Stor. It. vol. xvi. part ii. pp. 32–36), and in Portovenere (Arch. St. vol. vi. pt. ii. p. 338). The celebrated poem of Fracastorius deserves to be read both for its fine Latinity and for its information. One of the earliest works issued from the Aldine press in 1497 was the Libellus de Epidemiâ quam vulgo morbum Gallicum vocant. It was written by Nicolas Leoniceno, and dedicated to the Count Francesco de la Mirandola.

The kingdom of Naples, through the frequent uncertainty which attended the succession to the throne, as well as the suzerainty assumed and misused by the Popes, had been for centuries a standing cause of discord in Italy. The dynasty which Charles now hoped to dispossess was Spanish. After the death of Joanna II. in 1435, Alfonso, King of Aragon and Sicily, who had no claim to the crown beyond what he derived through a bastard branch of the old Norman dynasty, conquered Naples, expelled Count Réné of Anjou, and established himself in this new kingdom, which he preferred to those he had inherited by right. Alfonso, surnamed the Magnanimous, was one of the most brilliant and romantic personages of the fifteenth century. Historians are never weary of relating his victories over Caldora and Francesco Sforza, the coup-de-main by which he expelled his rival Réné, and the fascination which he exercised in Milan, while a captive, over the jealous spirit of Filippo Maria Visconti.[1] Scholars are no less profuse in their praises of his virtues, the justice, humanity, religion, generosity, and culture which rendered him pre-eminent among the princes of that splendid period.[2] His love of learning was a passion. Whether at home in the retirement of his palace, or in his tent during war, he was always attended by students, who read aloud and commented on Livy, Seneca, or the Bible. No prince was more profuse in his presents to learned men. Bartolommeo Fazio received 500 ducats a year for the composition of his histories, and when, at their conclusion, the scholar asked for a further gift of 200 or 300 florins, the prince bestowed upon him 1,500. The year he died, Alfonso distributed 20,000 ducats to men of letters alone. This immoderate liberality is the only vice of which he is accused. It bore its usual fruits in the disorganization of finance.

[1] Mach. Ist. Fior. lib. v. cap. 5. Corio, pp. 332, 333, may be consulted upon the difficulties which Alfonso overcame at the commencement of his conquest. Defeated by the Genoese near the Isle of Ponza, and carried a prisoner to Milan, he succeeded in proving to Filippo Visconti that it was more to his interest to have him king of Naples than to keep the French there. Upon, this the Duke of Milan restored him with honor to his throne, and confirmed him in the conquest which before he had successfully opposed. It is a singular instance of the extent to which Italian princes were controlled by policy and reason.

[2] Vespasiano's Life of Alfonso (Vite di Uomini Illustri, pp. 48–72) is a model of agreeable composition and vivid delineation. It is written of course from the scholar's more than the politician's point of view. Compare with it Giovio, Elogia, and Pontanus, de Liberalitate.

The generous humanity of Alfonso endeared him greatly to the Neapolitans. During the half-century in which so many Italian princes succumbed to the dagger of their subjects, he, in Naples, where, according to Pontano, 'nothing was cheaper than the life of a man,' walked up and down unarmed and unattended. 'Why should a father fear among his children?' he was wont to say in answer to suggestions of the danger of this want of caution. The many splendid qualities by which he was distinguished were enhanced rather than obscured by the romance of his private life. Married to Margaret of Castile, he had no legitimate children; Ferdinand, with whom he shared the government of Naples in 1443, and whom he designated as his successor in 1458, was supposed to be his son by Margaret de Hijar. It was even whispered that this Ferdinand was the child of Catherine the wife of Alfonso's brother Henry, whom Margaret, to save the honor of the king, acknowledged as her own. Whatever may have been the truth of this dark history, it was known for certain that the queen had murdered her rival, the unhappy Margaret de Hijar, and that Alfonso never forgave her or would look upon her from that day. Pontano, who was Ferdinand's secretary, told a different tale. He affirmed that the real father of the Duke of Calabria was a Marrano of Valentia. This last story is rendered probable by the brusque contrast between the character of Alfonso and that of Ferdinand.

It would be terrible to think that such a father could have been the parent of such a son. In Ferdinand the instinct of liberal culture degenerated into vulgar magnificence; courtesy and confidence gave place to cold suspicion and brutal cruelty. His ferocity bordered upon madness. He used to keep the victims of his hatred in cages, where their misery afforded him the same delight as some men derived from watching the antics of monkeys.[1] In his hunting establishment were repeated the worst atrocities of Bernabo Visconti: wretches mutilated for neglect of his hounds extended their handless stumps for charity to the travelers through his villages.[2] Instead of the generosity for which Alfonso had been famous, Ferdinand developed all the arts of avarice. Like Sixtus IV. he made the sale of corn and oil a royal monopoly, trafficking in the hunger of his subjects.[3] Like Alexander VI. he fattened his viziers and secretaries upon the profits of extortion which he shared with them, and when they were fully gorged he cut their throats and proclaimed himself the heir through their attainder.[4] Alfonso had been famous for his candor and sincerity. Ferdinand was a demon of dissimulation and treachery. His murder of his guest Jacopo Piccinino at the end of a festival, which extended over twenty-seven days of varied entertainments, won him the applause of Machiavellian spirits throughout Italy. It realized the ideal of treason conceived as a fine art. Not less perfect as a specimen of diabolical cunning was the vengeance which Ferdinand, counseled by his son Alfonso, inflicted on the barons who conspired against him.[5] Alfonso was a son worthy of his terrible father. The only difference between them was that Ferdinand dissembled, while Alfonso, whose bravery at Otranto against the Turks had surrounded him with military glory, abandoned himself with cynicism to his passions. Sketching characters of both in the same paragraph, de Comines writes: 'Never was man more cruel than Alfonso, nor more vicious, nor more wicked, nor more poisonous, nor more gluttonous. His father was more dangerous, because he could conceal his mind and even his anger from sight; in the midst of festivity he would take and slaughter his victims by treachery. Grace or mercy was never found in him, nor yet compassion for his poor people. Both of them laid forcible hands on women. In matters of the Church they observed nor reverence nor obedience. They sold bishoprics, like that of Tarento, which Ferdinand disposed of for 13,000 ducats to a Jew in favor of his son whom he called a Christian.'

[1] See Pontanus, de Immanitate, Aldus, 1518, vol. 1. p. 318: 'Ferdinandus Rex Neapolitanorum præclaros etiam viros conclusos carcere etiam bene atque abunde pascebat, eandem ex iis voluptatem capiens quam pueri e conclusis in caveâ aviculis: quâ de re sæpenumero sibi ipsi inter intimos suos diu multumque gratulatus subblanditusque in risum tandem ac cachinnos profundebatur.'

[2] See Pontanus, de Immanitate, Aldus; 1518, vol. i. p. 320: 'Ferd. R.N. qui cervum aprumve occidissent furtimve palamve, alios remo addixit, alios manibus mutilavit, alios suspendio affecit: agros quoque serendos inderdixit dominis, legendasque aut glandes aut poma, quæ servari quidem volebat in escam feris ad venationis suæ usum.'

[3] Caracciolo, de Varietate Fortunæ, Muratori, vol. xxii. p. 87, exposes this system in a passage which should be compared with Infessura on the practices of Sixtus. De Comines, lib. vii. cap. 11, may be read with profit on the same subject.

[4] See Caracciolo, loc. cit. pp. 88, 89, concerning the judicial murder of Francesco Coppola and Antonello Perucci, both of whom had been raised to eminence by Ferdinand, used through their lives as the instruments of his extortion, and murdered by him in their rich old age.

[5] See De Comines, lib. vii. cap. 11; Sismondi, vol. vii. p. 229. Read also the short account of the massacre of the Barons given in the Chronicon Venetum, Muratori, xxiv. p. 15, where the intense loathing felt throughout Italy for Ferdinand and his son Alfonso is powerfully expressed.

This kind of tyranny carried in itself its own death-warrant. It needed not the voice of Savonarola to proclaim that God would revenge the crimes of Ferdinand by placing a new sovereign on his throne. It was commonly believed that the old king died in 1494 of remorse and apprehension, when he knew that the French expedition could no longer be delayed. Alfonso, for his part, bold general in the field and able man of affairs as he might be, found no courage to resist the conqueror. It is no fiction of a poet or a moralist, but plain fact of history, that this King of Naples, grandson of the great Alfonso and father of the Ferdinand to be, quailed before the myriads of accusing dead that rose to haunt his tortured fancy in the supreme hour of peril. The chambers of his palace in Naples were thronged with ghosts by battalions, pale specters of the thousands he had reduced to starvation, bloody phantoms of the barons he had murdered after nameless tortures, thin wraiths of those who had wasted away in dungeons under his remorseless rule. The people around his gates muttered in rebellion. He abdicated in favor of his son, took ship for Sicily, and died there conscience-stricken in a convent ere the year was out.

Ferdinand, a brave youth, beloved by the nation in spite of his father's and grandfather's tyranny, reigned in his stead. Yet even for him the situation was untenable. Everywhere he was beset by traitors—by his whole army at San Germano, by Trivulzi at Capua, by the German guide at Naples. Without soldiers, without allies, with nothing to rely upon but the untried goodwill of subjects who had just reason to execrate his race, and with the conquerors of Italy advancing daily through his states, retreat alone was left to him. After abandoning his castles to pillage, burning the ships in the harbor of Naples, and setting Don Federigo together with the Queen dowager and the princess Joanna upon a quick-sailing galley, Ferdinand bade farewell to his kingdom. Historians relate that as the shore receded from his view he kept intoning in a loud voice this verse of the 127th Psalm: 'Except the Lord keep the city, the watchman waketh but in vain.' Between the beach of Naples and the rocky shore of Ischia, for which the exiles were bound, there is only the distance of some seventeen miles. It was in February, a month of mild and melancholy sunshine in those southern regions, when the whole bay of Naples with its belt of distant hills is wont to take one tint of modulated azure, that the royal fugitives performed this voyage. Over the sleeping sea they glided; while from the galley's stern the king with a voice as sad as Boabdil's when he sat down to weep for Granada, cried: 'Except the Lord keep the city, the watchman waketh but in vain.'

There was no want of courage in the youth. By his simple presence he had intimidated a mob of rebels in Naples. By the firmness of his carriage he subdued the insolent governor of Ischia, and made himself master of the island. There he waited till the storm was overpast. Ten times more a man than Charles, he watched the French king depart from Naples leaving scarcely a rack behind—some troops decimated by disease and unnerved by debauchery, and a general or two without energy or vigor. Then he returned and entered on a career of greater popularity than could have been enjoyed by him if the French had never made the fickle race of Naples feel how far more odious is a foreign than a familiar yoke.[1]

Charles entered Naples as a conqueror or liberator on February 22, 1495. He was welcomed and fêted by the Neapolitans, than whom no people are more childishly delighted with a change of masters. He enjoyed his usual sports, and indulged in his usual love-affairs. With suicidal insolence and want of policy he alienated the sympathies of the noble families by dividing the titles, offices, and fiefs of the kingdom among his retinue.[2] Without receiving so much as a provisional investiture from the Pope, he satisfied his vanity by parading on May 12 as sovereign, with a ball in one hand and a scepter in the other, through the city. Then he was forced to return upon his path and to seek France with the precipitancy he had shown in gaining Naples. Alexander, who was witty, said the French had conquered Italy with lumps of chalk and wooden spurs, because they rode unarmed in slippers and sent couriers before them to select their quarters. It remained to be seen that the achievements of this conquest could be effaced as easily as a chalk mark is rubbed out, or a pair of wooden spurs are broken.

[1] The misfortunes and the bravery of this young prince inspire a deep feeling of interest. It is sad to read that after recovering his kingdom in 1496, he died in his twenty-eighth year, worn out with fatigue and with the pleasures of his marriage to his aunt Joanna, whom he loved too passionately. His uncle Frederick, the brother of Alfonso II., succeeded to the throne. Thus in three years Naples had five Sovereigns.

[2] 'Tous estats et offices furent donnez aux François, à deux ou trois,' says De Comines.

While Charles was amusing himself at Naples, a storm was gathering in his rear. A league against him had been formed in April by the great powers of Europe. Venice, alarmed for the independence of Italy, and urged by the Sultan, who had reason to dread Charles VIII.,[1] headed the league. Lodovico, now that he had attained his selfish object in the quiet position of Milan, was anxious for his safety. The Pope still feared a general council. Maximilian, who could not forget the slight put upon him in the matter of his daughter and his bride, was willing to co-operate against his rival. Ferdinand and Isabella, having secured themselves in Roussillon, thought it behooved them to re-establish Spaniards of their kith and kin in Naples. Each of the contracting parties had his rôle assigned to him. Spain undertook to aid Ferdinand of Aragon in Calabria. Venice was to attack the seaports of the kingdom; Lodovico Sforza, to occupy Asti; the King of the Romans, to make a diversion in the North. Florence alone, though deeply injured by Charles in the matter of Pisa, kept faith with the French.

[1] Charles, by an act dated A.D. 1494, September 6, had bought the title of Emperor of Constantinople and Trebizond from Andrew Palæologus (see Gibbon, vol. viii. p. 183, ed. Milman). When he took Djem from Alexander in Rome, his object was to make use of him in a war against Bajazet; and the Pope was always impressing on the Turk the peril of a Frankish crusade.

The danger was imminent. Already Ferdinand the Catholic had disembarked troops on the shore of Sicily, and was ready to throw an army into the ports of Reggio and Tropea. Alexander had refused to carry out his treaty by the surrender of Spoleto. Cesare Borgia had escaped from the French camp. The Lombards were menacing Asti, which the Duke of Orleans held, and without the possession of which there was no safe return to France. Asti indeed at this juncture would have fallen, and Charles would have been caught in a trap, if the Venetians had only been quick or wary enough to engage German mercenaries.[1] The danger of the situation may best be judged by reading the Memoirs of De Comines, who was then ambassador at Venice. 'The league was concluded very late one evening. The next morning the Signory sent for me earlier than usual. They were assembled in great numbers, perhaps a hundred or more, and held their heads high, made a good cheer, and had not the same countenance as on the day when they told me of the capture of the citadel of Naples.[2] My heart was heavy, and I had grave doubts about the person of the king and about all his company; and I thought their scheme more ripe than it really was, and feared they might have Germans ready; and if it had been so, never could the king have got safe out of Italy.' Nevertheless De Comines put a brave face on the matter, and told the council that he had already received information of the league and had sent dispatches to his master on the subject.[3] 'After dinner,' continues De Comines, 'all the ambassadors of the league met for an excursion on the water, which is the chief recreation at Venice, where every one goes according to the retinue he keeps, or at the expense of the Signory. There may have been as many as forty gondolas, all bearing displayed the arms of their masters upon banners. I saw the whole of this company pass before my windows, and there were many minstrels on board. Those of Milan, one at least of them who had often kept my company, put on a brave face not to know me; and for three days I remained without going forth into the town, nor my people, nor was there all that time a single courteous word said to me or to any of my suite.'

[1] See De Comines, lib. vii. cap. 15, pp. 78, 79.

[2] De Comines' account of the alarm felt at Venice on that occasion is very graphic: 'They sent for me one morning, and I found them to the number of fifty or sixty in the Doge's bedchamber, for he was ill of colic; and there he told me the news with a good countenance. But none of the company knew so well how to feign as he. Some were seated on a wooden bench, leaning their heads on their hands, and others otherwise; and all showed great heaviness at heart. I think that when the news reached Rome of the battle of Cannæ, the senators were not more confounded or frightened.'

[3] Bembo, in his Venetian History (lib. ii. p. 32), tells a different tale. He represents De Comines quite unnerved by the news.

Returning northward by the same route, Charles passed Rome and reached Siena on June 13. The Pope had taken refuge, first at Orvieto, and afterwards at Perugia, on his approach; but he made no concessions. Charles could not obtain from him an investiture of the kingdom he pretended to have conquered, while he had himself to surrender the fortresses of Civita Vecchia and Terracina. Ostia alone remained in the clutch of Alexander's implacable enemy, the Cardinal della Rovere. In Tuscany the Pisan question was again opened. The French army desired to see the liberties of Pisa established on a solid basis before they quitted Italy. On their way to Naples the misfortunes of that ancient city had touched them: now on their return they were clamorous that Charles should guarantee its freedom. But to secure this object was an affair of difficulty. The forces of the league had already taken the field, and the Duke of Orleans was being besieged in Novara. The Florentines, jealous of the favor shown, in manifest infringement of their rights, to citizens whom they regarded as rebellious bondsmen, assumed an attitude of menace. Charles could only reply with vague promises to the solicitations of the Pisans, strengthen the French garrisons in their fortresses, and march forward as quickly as possible into the Apennines. The key of the pass by which he sought to regain Lombardy is the town of Pontremoli. Leaving that in ashes on June 29, the French army, distressed for provisions and in peril among those melancholy hills, pushed onward with all speed. They knew that the allied forces, commanded by the Marquis of Mantua, were waiting for them at the other side upon the Taro, near the village of Fornovo. Here, if anywhere, the French ought to have been crushed. They numbered about 9,000 men in all, while the allies were close upon 40,000. The French were weary with long marches, insufficient food, and bad lodgings. The Italians were fresh and well cared for. Yet in spite of all this, in spite of blind generalship and total blundering, Charles continued to play his part of fortune's favorite to the end. A bloody battle, which lasted for an hour, took place upon the banks of the Taro.[1] The Italians suffered so severely that, though they still far outnumbered the French, no persuasions could make them rally and renew the fight. Charles in his own person ran great peril during this battle; and when it was over, he had still to effect his retreat upon Asti in the teeth of a formidable army. The good luck of the French and the dilatory cowardice of their opponents saved them now again for the last time.

[1] The action at Fornovo lasted a quarter of an hour, according to De Comines. The pursuit of the Italians occupied about three quarters of an hour more. Unaccustomed to the quick tactics of the French, the Italians, when once broken, persisted in retreating upon Reggio and Parma. The Gonzaghi alone distinguished themselves for obstinate courage, and lost four or five members of their princely house. The Stradiots, whose scimitars ought to have dealt rudely with the heavy French men-at-arms, employed their time in pillaging the Royal pavilion, very wisely abandoned to their avarice by the French captains. To such an extent were military affairs misconstrued in Italy, that, on the strength of this brigandage, the Venetians claimed Fornovo for a victory. See my essay 'Fornovo,' in Sketches and Studies in Italy, for a description of the ground on which the battle was fought.

On July 15, Charles at the head of his little force marched into Asti and was practically safe. Here the young king continued to give signal proofs of his weakness. Though he knew that the Duke of Orleans was hard pressed in Novara, he made no effort to relieve him; nor did he attempt to use the 20,000 Switzers who descended from their Alps to aid him in the struggle with the league. From Asti he removed to Turin, where he spent his time in flirting with Anna Soléri, the daughter of his host. This girl had been sent to harangue him with a set oration, and had fulfilled her task, in the words of an old witness, 'without wavering, coughing, spitting, or giving way at all.' Her charms delayed the king in Italy until October 19, when he signed a treaty at Vercelli with the Duke of Milan. At this moment Charles might have held Italy in his grasp. His forces, strengthened by the unexpected arrival of so many Switzers, and by a junction with the Duke of Orleans, would have been sufficient to overwhelm the army of the league, and to intimidate the faction of Ferdinand in Naples. Yet so light-minded was Charles, and so impatient were his courtiers, that he now only cared for a quick return to France. Reserving to himself the nominal right of using Genoa as a naval station, he resigned that town to Lodovico Sforza, and confirmed him in the tranquil possession of his Duchy. On October 22 he left Turin, and entered his own dominions through the Alps of Dauphiné. Already his famous conquest of Italy was reckoned among the wonders of the past, and his sovereignty over Naples had become the shadow of a name. He had obtained for himself nothing but momentary glory, while he imposed on France a perilous foreign policy, and on Italy the burden of bloody warfare in the future.

A little more than a year had elapsed between the first entry of Charles into Lombardy and his return to France. Like many other brilliant episodes of history, this conquest, so showy and so ephemeral, was more important as a sign than as an actual event. 'His passage,' says Guicciardini, 'was the cause not only of change in states, downfalls of kingdoms, desolations of whole districts, destructions of cities, barbarous butcheries; but also of new customs, new modes of conduct, new and bloody habits of war, diseases hitherto unknown. The organization upon which the peace and harmony of Italy depended was so upset that, since that time, other foreign nations and barbarous armies have been able to trample her under foot and to ravage her at pleasure.' The only error of Guicciardini is the assumption that the holiday excursion of Charles VIII. was in any deep sense the cause of these calamities.[1] In truth the French invasion opened a new era for the Italians, but only in the same sense as a pageant may form the prelude to a tragedy. Every monarch of Europe, dazzled by the splendid display of Charles and forgetful of its insignificant results, began to look with greedy eyes upon the wealth of the peninsula. The Swiss found in those rich provinces an inexhaustible field for depredation. The Germans, under the pretense of religious zeal, gave a loose rein to their animal appetites in the metropolis of Christendom. France and Spain engaged in a duel to the death for the possession of so fair a prey. The French, maddened by mere cupidity, threw away those chances which the goodwill of the race at large afforded them.[2] Louis XII. lost himself in petty intrigues, by which he finally weakened his own cause to the profit of the Borgias and Austria. Francis I. foamed his force away like a spent wave at Marignano and Pavia. The real conqueror of Italy was Charles V. Italy in the sixteenth century was destined to receive the impress of the Spanish spirit, and to bear the yoke of Austrian dukes. Hand in hand with political despotism marched religious tyranny. The Counter-Reformation over which the Inquisition presided, was part and parcel of the Spanish policy for the enslavement of the nation no less than for the restoration of the Church. Meanwhile the weakness, discord, egotism, and corruption which prevented the Italians from resisting the French invasion in 1494, continued to increase. Instead of being lessoned by experience, Popes, Princes, and Republics vied with each other in calling in the strangers, pitting Spaniard against Frenchman, and paying the Germans to expel the Swiss, oblivious that each new army of foreigners they summoned was in reality a new swarm of devouring locusts. In the midst of this anarchy it is laughable to hear the shrill voice of priests, like Julius and Leo, proclaiming before God their vows to rid Italy of the barbarians. The confusion was tenfold confounded when the old factions of Guelf and Ghibelline put on a new garb of French and Spanish partisanship. Town fought with town and family with family, in the cause of strangers whom they ought to have resisted with one will and steady hatred. The fascination of fear and the love of novelty alike swayed the fickle population of Italian cities. The foreign soldiers who inflicted on the nation such cruel injuries made a grand show in their streets, and there will always be a mob so childish as to covet pageants at the expense of freedom and even of safety.

[1] Guicciardini's Dialogo del Reggimento di Firenze (Op. Ined. vol. ii. p. 94) sets forth the state of internal anarchy and external violence which followed the departure of Charles VIII., with wonderful acuteness. 'Se per sorte l' uno Oltramontano caccerà l' altro, Italia resterà in estrema servitù,' is an exact prophecy of what happened before the end of the sixteenth century, when Spain had beaten France in the duel for Italy.

[2] Matarazzo, in his Cronaca della Città di Perugia (Arch. St., vol. xvi. part 2, p. 23), gives a lively picture of the eagerness with which the French were greeted in 1495, and of the wanton brutality by which they soon alienated the people. In this he agrees almost textually with De Comines, who writes: 'Le peuple nous advouoit comme Saincts, estimans en nous toute foy et bonté; mais ce propos ne leur dura gueres, tant pour nostre desordre et pillerie, et qu'aussi les ennemis oppreschoient le peuple en tous quartiers,' etc., lib. vii. cap. 6. In the first paragraph of the Chronicon Venetum (Muratori, vol. xxlv. p. 5), we read concerning the advent of Charles: 'I popoli tutti dicevano Benedictus qui venit in nomine Domini. Nè v'era alcuno che li potesse contrastare, nè resistere, tanto era da tutti i popoli Italiani chiamato.' The Florentines, as burghers of a Guelf city, were always loyal to the French. Besides, their commerce with France (e.g. the wealth of Filippo Strozzi) made it to their interest to favor the cause of the French. See Guicc. i. 2, p. 62. This loyalty rose to enthusiasm under the influence of Savonarola, survived the stupidities of Charles VIII. and Louis XII., and committed the Florentines in 1328 to the perilous policy of expecting aid from Francis I.

In spite of its transitory character the invasion of Charles VIII., therefore, was a great fact in the history of the Renaissance. It was, to use the pregnant phrase of Michelet, no less than the revelation of Italy to the nations of the North. Like a gale sweeping across a forest of trees in blossom, and bearing their fertilizing pollen, after it has broken and deflowered their branches, to far-distant trees that hitherto have bloomed in barrenness, the storm of Charles's army carried far and wide through Europe thought-dust, imperceptible, but potent to enrich the nations. The French alone, says Michelet, understood Italy. How terrible would have been a conquest by Turks with their barbarism, of Spaniards with their Inquisition, of Germans with their brutality! But France, impressible, sympathetic, ardent for pleasure, generous, amiable and vain, was capable of comprehending the Italian spirit. From the Italians the French communicated to the rest of Europe what we call the movement of the Renaissance. There is some truth in this panegyric of Michelet's. The passage of the army of Charles VIII. marks a turning-point in modern history, and from this epoch dates the diffusion of a spirit of culture over Europe. But Michelet forgets to notice that the French never rightly understood their vocation with regard to Italy. They had it in their power to foster that free spirit which might have made her a nation capable, in concert with France, of resisting Charles V. Instead of doing so, they pursued the pettiest policy of avarice and egotism. Nor did they prevent that Spanish conquest the horrors of which their historian has so eloquently described. Again, we must remember that it was the Spaniards and not the French who saved Italy from being barbarized by the Turk.

For the historian of Italy it is sad and humiliating to have to acknowledge that her fate depended wholly on the action of more powerful nations, that she lay inert and helpless at the discretion of the conqueror in the duels between Spain and France and Spain and Islam. Yet this is the truth. It would seem that those peoples to whom we chiefly owe advance in art and knowledge, are often thus the captives of their intellectual inferiors. Their spiritual ascendency is purchased at the expense of political solidity and national prosperity. This was the case with Greece, with Judah, and with Italy. The civilization of the Italians, far in advance of that of other European nations, unnerved them in the conflict with robust barbarian races. Letters and the arts and the civilities of life were their glory. 'Indolent princes and most despicable arms' were their ruin. Whether the Renaissance of the modern world would not have been yet more brilliant if Italy had remained free, who shall say? The very conditions which produced her culture seem to have rendered that impossible.