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[4] See Istoria Bresciana. Muratori, xxi. 865.

It did not always need the interposition of a friar to arouse a strong religious panic in Italian cities. After an unusually fierce bout of discord the burghers themselves would often attempt to give the sanction of solemn rites and vows before the altar to their temporary truces. Siena, which was always more disturbed by civil strife than any of her neighbors, offered a notable example of this custom in the year 1494. The factions of the Monti de' Nove and del Popolo had been raging; the city was full of feud and suspicion, and all Italy was agitated by the French invasion. It seemed good, therefore, to the heads of the chief parties that an oath of peace should be taken by the whole body of the burghers. Allegretti's account of the ceremony, which took place at dead of night in the beautiful Cathedral of Siena, is worthy to be translated. 'The conditions of the peace were then read, which took up eight pages, together with an oath of the most horrible sort, full of maledictions, imprecations, excommunications, invocations of evil, renunciation of benefits temporal and spiritual, confiscation of goods, vows, and so many other woes that to hear it was a terror; et etiam that in articulo mortis no sacrament should accrue to the salvation, but rather to the damnation of those who might break the said conditions; insomuch that I, Allegretto di Nanni Allegretti, being present, believe that never was made or heard a more awful and horrible oath. Then the notaries of the Nove and the Popolo, on either side of the altar, wrote down the names of all the citizens, who swore upon the crucifix, for on each side there was one, and every couple of the one and the other faction kissed; and the bells clashed, and Te Deum laudamus was sung with the organs and the choir while the oath was being taken. All this happened between one and two hours of the night, with many torches lighted. Now may God will that this be peace indeed, and tranquillity for all citizens, whereof I doubt.'[1] The doubt of Allegretti was but too reasonable. Siena profited little by these dreadful oaths and terrifying functions. Two years later on, the same chronicler tells how it was believed that blood had rained outside the Porta a Laterino, and that various visions of saints and specters had appeared to holy persons, proclaiming changes in the state, and commanding a public demonstration of repentance. Each parish organized a procession, and all in turn marched, some by day and some by night, singing Litanies, and beating and scourging themselves, to the Cathedral, where they dedicated candles; and 'one ransomed prisoners, for an offering, and another dowered a girl in marriage.'

In Bologna in 1457 a similar revival took place on the occasion of an outbreak of the plague. 'Flagellants went round the city, and when they came to a cross, they all cried with a loud voice: Misericordia! misericordia! For eight days there was a strict fast; the butchers shut their shops.' What follows in the Chronicle is comic: 'Meretrices ad concubita nullum admittebant. Ex eis quâdam quæ cupiditate lucri adolescentem admiserat, deprehensâ, aliæ meretrices ita illius nates nudas corrigiis percusserunt, ut sanguinem emitteret.'[2] Ferrara exhibited a like devotion in 1496, on even a larger scale. About this time the entire Italian nation was panic-stricken by the passage of Charles VIII., and by the changes in states and kingdoms which Savonarola had predicted. The Ferrarese, to quote the language of their chronicler, expected that 'in this year, throughout Italy, would be the greatest famine, war, and want that had ever been since the world began.' Therefore they fasted, and 'the Duke of Ferrara fasted together with the whole of his court. At the same time a proclamation was made against swearing, games of hazard, and unlawful trades: and it was enacted that the Jews should resume their obnoxious yellow gaberdine with the O upon their breasts. In 1500 these edicts were repeated. The condition of Italy had grown worse and worse: it was necessary to besiege the saints with still more energetic demonstrations. Therefore 'the Duke Ercole d' Este, for good reasons to him known, and because it is always well to be on good terms with God, ordained that processions should be made every third day in Ferrara, with the whole clergy, and about 4,000 children or more from twelve years of age upwards, dressed in white, and each holding a banner with a painted Jesus. His lordship, and his sons and brothers, followed this procession, namely the Duke on horseback, because he could not then walk, and all the rest on foot, behind the Bishop.'[3] A certain amount of irony transpires in this quotation, which would make one fancy that the chronicler suspected the Duke of ulterior, and perhaps political, motives.

[1] See Muratori, vol. xxiii. p. 839.

[2] Annales Bononienses. Mur. xxiii. 890.

[3] Diario Ferrarese. Mur. xxiv. pp. 17–386.

It sometimes happened that the contagion of such devotion spread from city to city; on one occasion, in 1399, it traveled from Piedmont through the whole of Italy. The epidemic of flagellants, of which Giovanni Villani speaks in 1310 (lib. viii. cap. 121), began also in Piedmont, and spread along the Genoese Riviera. The Florentine authorities refused entrance to these fanatics into their territory. In 1334, Villani mentions another outburst of the same devotion (lib xi. cap. 23), which was excited by the preaching of Fra Venturino da Bergamo. The penitents on this occasion wore for badge a dove with the olive-branch. They staid fifteen days in Florence, scourging themselves before the altars of the Dominican churches, and feasting, five hundred at a time, in the Piazzi di S. M. Novella. Corio, in the Storia di Milano (p. 281), gives an interesting account of these 'white penitents,' as they were called, in the year 1399: 'Multitudes of men, women, girls, boys, small and great, townspeople and countryfolk, nobles and burghers, laity and clergy, with bare feet and dressed in white sheets from head to foot,' visited the towns and villages of every district in succession. 'On their journey, when they came to a cross-road or to crosses, they threw themselves on the ground, crying Misericordia three times; then they recited the Lord's Prayer and the Ave Maria. On their entrance into a city, they walked singing Stabat Mater dolorosa and other litanies and prayers. The population of the places to which they came were divided: for some went forth and told those who staid that they should assume the same habit, so that at one time there were as many as 10,000, and at another as many as 15,000 of them.' After admitting that the fruit of this devotion was in many cases penitence, amity, and alms-giving, Corio goes on to observe: 'However, men returned to a worse life than ever after it was over.' It is noticeable that Italy was devastated in 1400 by a horrible plague; and it is impossible not to believe that the crowding of so many penitents together on the highways and in the cities led to this result.

During the anarchy of Italy between 1494—the date of the invasion of Charles VIII.—and 1527—the date of the sack of Rome—the voice of preaching friars and hermits was often raised, and the effect was always to drive the people to a frenzy of revivalistic piety. Milan was the center of the military operations of the French, the Swiss, the Spaniards, and the Germans. No city suffered more cruelly, and in none were fanatical prophets received with greater superstition. In 1516 there appeared in Milan 'a layman, large of stature, gaunt, and beyond measure wild, without shoes, without shirt, bareheaded, with bristly hair and beard, and so thin that he seemed another Julian the hermit.' He lived on water and millet-seed, slept on the bare earth, refused alms of all sorts, and preached with wonderful authority. In spite of the opposition of the Archbishop and the Chapter, he chose the Duomo for his theater; and there he denounced the vices of the priests and monks to vast congregations of eager listeners. In a word, he engaged in open warfare with the clergy on their own ground. But they of course proved too strong for him, and he was driven out of the city. He was a native of Siena, aged 30.[1] We may compare with this picturesque apparition of Jeronimo in Milan what Varchi says about the prophets who haunted Rome like birds of evil omen in the first years of the pontificate of Clement VII. 'Not only friars from the pulpit, but hermits on the piazza, went about preaching and predicting the ruin of Italy and the end of the world with wild cries and threats.'[2] In 1523 Milan beheld the spectacle of a parody of the old preachers. There appeared a certain Frate di S. Marco, whom the people held for a saint, and who 'encouraged the Milanese against the French, saying it was a merit with Jesus Christ to slay those Frenchmen, and that they were pigs.' He seems to have been a feeble and ignorant fellow, whose head had been turned by the examples of Bussolaro and Savonarola.[3] Again, in 1529, we find a certain monk, Tommaso, of the order of S. Dominic, stirring up a great commotion of piety in Milan. The city had been brought to the very lowest state of misery by the Spanish occupation; and, strange to say, this friar was himself a Spaniard. In order to propitiate offended deities, he organized a procession on a great scale. 700 women, 500 men, and 2,500 children assembled in the cathedral. The children were dressed in white, the men and women in sackcloth, and all were barefooted. They promenaded the streets of Milan, incessantly shouting Misericordia! and besieged the Duomo with the same dismal cry, the Bishop and the Municipal authorities of Milan taking part in the devotion.[4] These gusts of penitential piety were matters of real national importance. Writers imbued with the classic spirit of the Renaissance thought them worthy of a place in their philosophical histories. Thus we find Pitti, in the Storia Fiorentina (Arch. Stor. vol. i. p. 112), describing what happened at Florence in 1514: 'There appeared in Santa Croce a Frate Francesco da Montepulciano, very young, who rebuked vice with severity, and affirmed that God had willed to scourge Italy, especially Florence and Rome, in sermons so terrible that the audience kept crying with floods of tears, Misericordia! The whole people were struck dumb with horror, for those who could not hear the friar by reason of the crowd, listened with no less fear to the reports of others. At last he preached a sermon so awful that the congregation stood like men who had lost their senses; for he promised to reveal upon the third day how and from what source he had received this prophecy. However, when he left the pulpit, worn out and exhausted, he was seized with an illness of the lungs, which soon put an end to his life. Pitti goes on to relate the frenzy of revivalism excited by this monk's preaching, which had roused all the old memories of Savonarola in Florence. It became necessary for the Bishop to put down the devotion by special edicts, while the Medici endeavored to distract the minds of the people by tournaments and public shows.

[1] See Prato and Burigozzo, Arch. Stor. vol. iii. pp. 357, 431. It is here worth noticing that Siena, the city of civil discord, was also the city of frenetic piety. The names of S. Caterina, S. Bernardino, and Bernardo Tolomei occur to the mind.

[2] Storia Fiorintina, vol. i. p. 87.

[3] Arch. Stor. vol. iii. p. 443.

[4] Burigozzo, pp. 485–89.

Enough has now been quoted from various original sources to illustrate the feverish recurrences of superstitious panics in Italy during the Middle Ages and the Renaissance. It will be observed, from what has been said about John of Vicenza, Jacopo del Bussolaro, S. Bernardino, Roberto da Lecce, Giovanni della Marca, and Fra Capistrano, that Savonarola was by no means an extraordinary phenomenon in Italian history. Combining the methods and the aims of all these men, and remaining within the sphere of their conceptions, he impressed a rôle, which had been often played in the chief Italian towns, with the stamp of his peculiar genius. It was a source of weakness to him in his combat with Alexander VI., that he could not rise above the monastic ideal of the prophet which prevailed in Italy, or grasp one of those regenerative conceptions which formed the motive force of the Reformation. The inherent defects of all Italian revivals, spasmodic in their paroxysms, vehement while they lasted, but transient in their effects, are exhibited upon a tragic scale by Savonarola. What strikes us, after studying the records of these movements in Italy, is chiefly their want of true mental energy. The momentary effect produced in great cities like Florence, Milan, Verona, Pavia, Bologna, and Perugia is quite out of proportion to the slight intellectual power exerted by the prophet in each case. He has nothing really new or life-giving to communicate. He preaches indeed the duty of repentance and charity, institutes a reform of glaring moral abuses, and works as forcibly as he can upon the imagination of his audience. But he sets no current of fresh thought in motion. Therefore, when his personal influence was once forgotten, he left no mark upon the nation he so deeply agitated. We can only wonder that, in many cases, he obtained so complete an ascendency in the political world. All this is as true of Savonarola as it is of S. Bernardino. It is this which removes him so immeasurably from Huss, from Wesley and from Luther.

Italian Renaissance

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